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Gatchaman Crowds

Warning against surprise attacks by alien galaxies from beyond space
The colourfully mad Gatchaman Crowds is one of those anime which isn’t happy unless it’s doing umpteen things at once, all seeming completely different. It’s a campy, lowbrow action show and a thinky piece of SF and an otaku series with a taste for the meta and it’s anxious to engage with the real world. You can watch it just for the tangerine colours and the shouty panda. But if you want more pointers, read on…

Harlock Music: Tetsuya Takahashi

Tom Smith on the man behind the music
Shinji Aramaki’s digital reimaging of Japan’s classic sci-fi adventure Space Pirate Captain Harlock is serious business. Not only is it ranked amongst Toei Animation’s most expensive productions to date, weighing in with a mighty £20+ million budget, its staff is also a who’s-who of the Japanese animation industry.

Harlock Space Pirate

The life and legend of Leiji Matsumoto's anti-hero
The new Harlock's ship is positively monstrous, a skull-faced battering ram that smashes other spacecraft to flinders. The press notes suggest the darkening of Harlock is a reflection of the times, and of modern Japan.

Japan Rising... in Brighton!

Tom Smith on three of Japan’s rising talents
moumoon, PASSEPIED and Yosi Horikawa will perform at The Great Escape in Brighton on Saturday 16 May as part of the JAPAN RISING Showcase, taking place between 12-4pm at Queens Hotel.

Cosplay: One Piece

Paul Jacques snaps another anime costumer
Jordan Yeo as Trafalgar Law from One Piece, a.k.a. the Surgeon of Death.

Naruto Music: tacica

Tom Smith on Naruto’s newest song.
Japanese duo Tacica won’t be winning the Manga UK Blog award for most original song title anytime soon, mostly because no such award exists. But if it did, they still wouldn’t win. Especially not with the title of their hit single and Naruto Shippuden opener, Newsong.

The History of Evangelion

Andrew Osmond on the prelude to the First Impact
Evangelion started as Neon Genesis Evangelion, a 26-part TV serial in 1995. It used a familiar Japanese plot template: the teenage boy who drives a giant robot (or in Eva’s case, cyborg), using the huge and frightening body to fight monsters and save Earth. The lyrics of the TV song express the myth. “Like an angel without a sense of mercy / Rise young boy to the heavens as a legend!”

Bleach music: SID

Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."

Anime Tattoos Declared Illegal

Japanese licensors demand pound of flesh
Citing “unsavoury gangster links” and “unlicensed IP [intellectual property] exploitation,” a group comprising every major anime studio (except Gainax) has warned fans that body-art is no longer permissible.

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High School DxD vs RIN

Bleach Series 14 Part 2 (episodes 304-316)

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Ichigo vs Aizen: let the showdown for the sake of the two worlds begin!

Humans and Soul Reapers realize their powerlessness against the astonishing might Aizen obtained through the Hogyoku.

They once again owe their salvation to Ichigo, back from his training between worlds. More mature and more power ful, has the young man really reached a new stage of his evolution? Will he finally match for the relentless Captain Aizen?

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