Andrew Osmond says, if you like that, you might like this…
Summer Wars and Sword Art Online are made for a generation who’ve grown up with and within virtuality: social networks, video streaming, games without borders or ends. Both anime are adventures about things going wrong in cyberspace, but neither are technophobic; on the contrary, they’re all about hugging the avatar.
The second collection draws the entire Dragon Ball opus to a fierce close
Dragon Ball GT sees Goku and his allies fighting against some of the toughest foes the universe has ever seen. Take a look at some of the faces you’ll meet as the second collection draws the entire Dragon Ball opus to a fierce close!
Tears, cheers and liver-ripping fun with Japanese ghosts
The battle to destroy the eight seals dominating Kyoto steps up in this second half of the second series adapting the manga of the same name. Nura, our young hero, here finds his desire to use the supernatural to protect humans means he has put his clan in the way of much greater harm than ever before – and before series’ end, yokai, onymyoji and humans will have all spilled blood....
Andrew Osmond investigates the long love affair between samurai and cowboys
28th February sees the classic Hollywood Western go East. Yuresarazaru Mono has the English title Unforgiven; it remakes the celebrated 1992 Western of that name, which was directed by its star Clint Eastwood and won the Best Picture Oscar.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
Paul Jacques goes on the prowl at the London Super Comic Con
Cosplayer Kasey Wolfe goes for a beardy version of Gohan from Dragon Ball Z, caught by our roving photographer Paul Jacques at the London Super Comic Con. Dragon Ball Z is out now on UK DVD from Manga Entertainment.
Turning Point offers invaluable peeps at Miyazaki’s mind at work, including the way he grows his imagery out of lyrical ideas. “I am experiencing old age for the first time in my life,” he comments at one point, managing to be both wise and dotty at the same time.
Since our announcement we have had it confirmed by TOEI Animation (The Licensor) that the masters being used for our release will be those used in Australia by Madman Entertainment. At the time of our announcement this had not been confirmed to us.