Rune Balot's struggle to bring the man who killed her to justice continues amid the world of high-stakes gambling and glamour at the Eggnog Blue Casino. The odds are stacked heavily in the house's favor, and even with the aid of Dr. Easter and Oeufcoque, a universal item capable of turning into anything and everything, Rune's chances of winning are slim. But winning the golden chips containing Shell Septinos' memories is only the next step on a long and treacherous road. Run will still have to live long enough to bring those memories before the court, and even that isn't the end of the journey. Rune's search for answers to the questions that haunt comes to a shattering climax! Contains both the television version and director's cut of Mardock Scramble: The Third Exhaust. Spoken Languages: English, Japanese, English subtitles.
Andrew Osmond has the technology… to watch Mardock Scramble
In Mardock Scramble: The First Compression, the young heroine is burned to a crisp, then remade Frankenstein-style. Fifteen year-old Balot is blown up in a car by her sugar-daddy Shell, a serial-killer. Then a seedy scientist rescues Balot’s charred body, plops it into an underground vat and refashions her as a super-avenger.
In the West, we’re still inclined to think of anime as coming out of manga, as naturally as eggs from chickens – one line into a Mardock Scramble piece and we’re already talking about eggs again). In Mardock’s case, both the manga and anime are alternative versions of a novel by Tow Ubukata, published as a trilogy in Japan and collected into one volume by the publisher Haikasoru. It’s comparable to what happened with Battle Royale, a novel which spawned a live-action film and an even more lurid manga.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
It’s going to be a tough journey – but who’s along for the ride?
Dragon Ball GT presents an all new adventure for Goku and his allies, sending them on an interplanetary quest to find the mysterious Black Star Dragon Balls and save the Earth! It’s going to be a tough journey – but who’s along for the ride?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.