“Demented brilliance.” 5 Stars - Robbie Collin, The Telegraph From acclaimed cult director, Takashi Miike (13 Assassins, Ichi The Killer, Audition) and the producers of The Raid and Starring Yayan Ruhian (”Mad Dog” The Raid) and Hayato Ichihara (All About Lilly Chou Chou). In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among Kamiura's gang is Kageyama, his most loyal underling. However, the others in the gang view Kageyama with disdain and ridicule him for his inability to get tattooed due to sensitive skin. One day, assassins aware of boss Kamiura's secret arrive from abroad and deliver him an ultimatum: Return to the international syndicate he left years ago, or die. Kamiura refuses and, during a fierce battle with anime-otaku martial-arts expert Kyoken, is torn limb from limb. With his dying breath, Kamiura bites Kageyama, passing on his vampire powers to the unsuspecting yakuza. As he begins to awaken to his newfound abilities, Kageyama's desire to avenge the murder of boss Kamiura sets him on a course for a violent confrontation with Kaeru-kun, the foreign syndicate's mysterious and seemingly unstoppable leader!
Andrew Osmond turns an anime eye on a new history book
If the past is truly another country, then Modern Japan: All that Matters suggests the average Japanese youth may be as remote from the land of shogun and samurai as Britain is from today’s Tokyo. Jonathan Clements’ new book is a concise history which focuses on the country’s last seventy years, from Japan’s surrender in 1945 to the present.
Paul Browne on the songstress behind the dramatic ending theme
‘Utsukushiki Zankoku na Sekai’ (This Beautiful Cruel World) is, on the whole, a wistful and enigmatic song that seems strangely disconnected from a series that regularly deals with death and despair. Yoko Hikasa’s mesmerising vocals manage to draw the viewer in, lending an air of reflection and regret.
Bruce Wayne has a kick-arse suit, perfectly apt for thwarting Gotham criminals; Peter Parker has arachnid-esque abilities that turn him into a neighbourhood icon following an incident with a radioactive spider; and when a certain Kyousuke Shikijou places ladies’ panties across his visage, it unleashes his inner potential as Japan’s most forbidden superhero – no one’s safe!
Andrew Osmond tries to make sense of Sunrise's mad new anime
As regular subscribers to Manga Entertainment’s podcast and twitter feed will know, there was some confusion about whether Sunrise’s new comedy-fantasy-action-fanservice series was called (deep breath) Horizon on the Middle of Nowhere or Horizon in the Middle of Nowhere. We’re calling it the former in the UK, although releases elsewhere have plumped for the “in” option. Either way, it sounds less weird and Escheresque once you know that Horizon is the name of a pivotal female character in the series. But it reflects the inescapable fact that Horizon is, well, confusing.
With the animated versions of Saya’s vampire-slaying adventures now into its third incarnation in both TV and feature versions, most recently featured in the release of Blood C: The Last Dark, one feels compelled to ponder in some depth the abject failure of the 2009 live-action version one of Sony’s few key 21st century animated franchises.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.