When four small-town losers stumble across an alien crash site containing an incredible battle suit, they soon find themselves responsible for the fate of the entire planet. With this new alien equipment genetically bound to them, and the government hot on their heels, the foursome have no choice but to work together as one to save humanity. All they have to do is learn to use a strange alien device meant for only one-person, train for a battle against an omnipotent enemy, and not kill each other in the process. They may not be strong, smart, or talented... but they’re Lazer Team. Based on a true event, Lazer Team is directed by Matt Hullum and stars Burnie Burns, Gavin Free, Michael Jones, Allie DeBerry, Colton Dunn and features Alan Ritchson.
Lazer Team is The first feature film from pioneering studio Rooster Teeth, the creators of the longest-running web series in history, Red vs Blue. In 2014 Lazer Team smashed crowdfunding records when the film raised more than $2.6 million on IndieGoGo.
Toei Animation has announced production on Dragon Ball Super, the first all-new Dragon Ball series to be released in 18 years. Following the recent events of the hit feature film Dragon Ball Z: Resurrection, Dragon Ball Super will debut in July 2015 in Japan.
“Not long ago, Genghis Khan evoked only unpleasant memories..." Er...
Andrei Borisov’s epic film By the Will of Genghis Khan presents the historical figure Temujin not as the terrifying bogeyman of European lore, but as he is remembered across much of the East, as a just ruler, a lawgiver, and a man of honour.
Jasper Sharp on the anthology movie currently touring the UK
There have been three Japanese works nominated in the Academy Awards category for Best Animated Short Film over the past ten years or so: Koji Yamamura’s Mt. Head (2002), Kunio Kato’s The House of Small Cubes (2008) – so far the country’s only winner – and most recently Shuhei Morita’s Possessions (2013). For all that, it remains pretty difficult for most viewers who aren’t regulars on the specialised festival circuit to catch such examples of cutting-edge animation.
The Wolf Children is a family film about a family. This may help explain while Mamoru Hosoda’s movie was a hit in Japan, something that’s very unusual for a standalone cartoon film not linked to an entrenched brand. A well-rounded portrait of a family offers many ways in for different generations. The Wolf Children is the story of an unassuming ‘ordinary’ mum who must find reserves of superhuman strength; of a rambunctious girl and a troubled boy, each with different relationships to their animal sides; of a magic, mythic love between a human woman and a gentle werewolf; and of everyday, practical living away from city lights and mod-cons.
Director Naoyoshi Shiotani on getting the darkness right
“In every theatre you have different light, so you can never be sure what it’s going to look like. So you have to think; will this be okay, will you lose details in that kind of darkness? It was hard to calculate all that.”
Andrew Osmond on why the Kaguya director deserves an Oscar
On February 22nd, The Tale of the Princess Kaguya, directed by Isao Takahata, will compete at the eighty-seventh Academy Awards. It’s a moment long overdue. Takahta has been called the Ozu of animation; it’s a medium he’s worked in since 1959, making both rarefied artworks and nationally-beloved favourites.
Eric Khoo's film focuses on one of the founders of gekiga, Yoshihiro Tatsumi, who died on 7th March. The framing story is Tatsumi’s account of his life and development, growing up with a difficult family. He had none of the technology and luxuries that we take for granted, no reason to think he could ever make a living from the fledgling manga industry. And yet he was utterly driven to draw comics, like his hero Osamu Tezuka.