Haunted by memories of his childhood friend Kuroneko, Ryota Murakami has dedicated himself to discovering the truth behind the claim she'd made before she died: That aliens from other worlds walk among us. Believing that becoming a scientist is the path to the truth, Murakami pursues his studies by day and peers through a telescope at night. But when a girl named Kuroha Neko joins his class, the answers he's sought may be closer than he ever expected.
For Kuroha looks exactly like an older version of Kuroneko, and seems to have abilities that no human could have. But the truth isn't the only thing Murakami is about to uncover, and the secrets he'll learn come with a deadly price. Because Kuroneko was right, and there are those who will do anything to keep that knowledge hidden. And unless Murakami and a handful of unlikely allies can somehow survive their lethal purge, the entire human race could be doomed!
Contains episodes 1-14.
Special Features: Much Ado About Nothing, Clean Opening and Closing.
Spoken Languages: English, Japanese, English subtitles.
Hugh, phew, barneys and boobs, cutthroats, demons and blood...
If this show dropped all the extreme fan-service it would still be an exciting action-horror adventure, not far removed from an extended arc of Supernatural or the like. As it is, you get that and a show that would have broken the jiggle counter if anime DVDs still had them. After decades of evolution, even harem comedies can produce a show with some substance.
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.