Every day an epic struggle rages in grocery stores across Japan - the battle for half-priced bento boxes! Once the discount stickers go on, ravenous brawlers start throwing punches in a knockdown, drag-out war over who gets to take home the cheap eats. When a young, broke high school student named Sato joins the Half-Priced Food Lovers Club, he proves to be a rising talent in the world of insane food fights. But does he have what it takes to become the king of clearance cuisine?
Welcome to the world of Ben-To, where chopsticks are lethal weapons, the supermarket is a battleground, and there's nothing more delicious than a deep-fried win.
Contains episodes 1-12.
Special Features: Episode Commentary (3, 7), Ben-To Brawl Live Action Parody, Textless Opening Songs, Textless Closing Song, U.S. Trailer.
Spoken Languages: English, Japanese, English subtitles.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
Sports have been around in anime from very early in its history, but the first identifiable sports anime, Yasuji Murata's Animal Olympics in 1928, didn't feature soccer. In fact, the beautiful game was a latecomer to the anime sports world. Compared with baseball, soccer had few fans.
The start of an action anime series is often a bewildering experience, dropping the viewer into a whirlwind of unfamiliar folk having very big fights. K’s like that, but luckily the main character starts the show as baffled as us. Yashiro Isana is a bit different from the standard schoolboy hero
Eric Khoo's film focuses on one of the founders of gekiga, Yoshihiro Tatsumi, who died on 7th March. The framing story is Tatsumi’s account of his life and development, growing up with a difficult family. He had none of the technology and luxuries that we take for granted, no reason to think he could ever make a living from the fledgling manga industry. And yet he was utterly driven to draw comics, like his hero Osamu Tezuka.
Japan’s technophilia was born and fostered during the Meiji Era (1868-1912), as it sought to catch up with the American and European powers that came knocking on its door and opened the country up to the wider world.