From the director of AFRO SAMURAI! Based on the smash-hit videogame, Bayonetta: Bloody Fate follows the story of the witch Bayonetta, as she defeats the blood-thirsty Angels and tries to remember her past from before the time she awoke, 20 years ago. Alongside her is a mysterious little girl who keeps calling her Mummy, a journalist that holds a personal grudge against Bayonetta and a unknown white-haired woman who seems to know more than she is willing to reveal about Bayonetta's time before her sleep.
This is the burning question for Attack on Titan fans, and it’s certainly not answered in the second volume of the anime series. Rather, Volume 2 shows a world which is still in the process of expanding, bringing on a great many vivid new characters – and arguably the most vivid of all isn’t even a human, but a sexy woman Titan who stomps all over the series.
Mamoru Oshii's latest film, fresh from its Tokyo premiere
In his live introduction to the premiere of Garm Wars The Last Druid at the Tokyo International Film Festival, Mamoru Oshii called his film a "a precise recreation of the delusions in my mind." While the truth of that statement is only known to Oshii, Garm Wars is certainly embedded in Oshii-land, ticking off the staple themes and existential worries in his work, while finding a new kind of gorgeousness.
Jonathan Clements reviews a new account of Fu Manchu
The Yellow Peril: Dr Fu Manchu & The Rise of Chinaphobia (sic) is an enjoyably traditional work of gentlemanly erudition, with research in dusty archives accompanied by a slew of lunches with bigwigs and interviews with associates, as our polymath hero Sir Christopher Frayling examines the origins of the infamous mastermind from Sax Rohmer’s once-popular novels.
Monkey Majik first shot to fame in Japan in 2006 when their second major-label single Around The World became the opening theme to TV drama Saiyuuki, an updated version of the famous Chinese tale Journey to the West. A fitting introduction for the band, considering the story is widely known as Monkey in English. Magic.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Studio Ghibli, tattoo removal and the San Diego Comic Con in our 26th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements to discuss last week’s Studio Ghibli, the San Diego Comic Con, upcoming releases, and your questions from Twitter and Facebook. Includes an inadvisable impersonation of Meryl Streep, commentary track shenanigans, and Jerome’s skateboarding stunts.
This year's Tokyo Film Festival also included a festival within a festival, an awesomely thorough programme of screenings and live appearances by the maker of Evangelion. It covered Anno’s career from his early amateur films to his live-action, to his work as an animator and anime director.
Fans who are fully up-to-date and casual viewers and newcomers alike can both enjoy the One Piece movies! Each is entirely self-contained, with entirely new plots not found in Eiichiro Oda’s original manga, but are every bit as enjoyable.
Some sci-fi plots are staples of anime. The boy who pilots a fighting robot; humans who evolve into cyborgs; cute space girls who fall for the biggest doofus in Japan. Compared to these, time-travel has never been a big anime genre, though it’s been used on many occasions.