Naruto is convicted of a serious crime he didn't commit and is sent to the inescapable prison, Hozuki Castle. The warden, Mui, quickly seals away Naruto's chakra to prevent him from rebelling. Refusing to give up, Naruto plans his escape while also befriending his fellow inmates Ryuzetsu and Maroi. But he can't help but wonder what their ulterior motives are...
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
Helen McCarthy reviews Mami Sunada’s Ghibli documentary
Show, don't tell: the mantra of every writer and film-maker, and a particular challenge in documentary film. Every work has its own agenda, hidden or not: for director-writer-cinematographer-editor Mami Sunada, the challenge was immense. And she rises to it with unobtrusive magnificence.
Hugh David argues that the treasure is in the detail
The biggest influence on this anime is not tabletop RPGs or even the long-standing fantasy fiction genre itself. No, the stamp of numerous Japanese role-playing videogames is all over Fairy Tail, from the Atelier series to the Final Fantasy franchise, in particular Final Fantasy XII
Andrew Osmond says if you liked that, you might like this…
“Sometimes you are thrown complete curveballs. So you will think that you are watching a series about a bunch of schoolchildren fighting aliens... and then one of them will stick their finger up another one's bum..."
This is the burning question for Attack on Titan fans, and it’s certainly not answered in the second volume of the anime series. Rather, Volume 2 shows a world which is still in the process of expanding, bringing on a great many vivid new characters – and arguably the most vivid of all isn’t even a human, but a sexy woman Titan who stomps all over the series.