After defeating Pegasus and winning back his grandfather's soul, Yugi and the spirit of the Millennium Puzzle begin to feel that this was not the end of their journey and that destiny has something more in store for them. These feelings are further fueled when a new enemy emerges: the mind-controlling Marik! Marik is able to control the minds of those around him. With direct ties to ancient Egypt, Marik is plotting to take over the world by acquiring the powerful Egyptian God Cards and the seven Millennium Items, with the help of his henchmen!
Matt Kamen takes a look back at the history of Yu-Gi-oh. Are you ready to duel?
Would you believe Yu-Gi-Oh has been around for almost 15 years? Kazuki Takahashi’s original manga first appeared in the pages of Shueisha’s Weekly Shonen Jump anthology way back in 1996, and having gone through several different iterations since, is still running today. Its original hero was Yugi Mutou, a young boy possessing an ancient artifact known as the Millennium Puzzle. Early chapters saw a darker personality possessing Yugi, inflicting punishments on wrong-doers in the form of various cruelly ironic games. This idea was soon dropped, and the far better known Duel Monsters card game soon dominated the series, with Yugi and friends battling holographic creatures for over-the-top odds. Though the original concept received an anime adaptation courtesy of Toei, most western viewers are familiar with the later 224-episode presentation of Duel Monsters, which ended in 2004.
It’s notable that, despite what you might think looking at the franchise now, Yu-Gi-Oh! was not conceived as a card game tie-in, any more than Totoro was made to sell soft toys (though both benefitted hugely from the spin-offs). When it began, the Yu-Gi-Oh! manga was rather different from the anime which most people know.
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.
Jasper Sharp reviews the biggest anime book in the world
The ever-expanding volume of anime released in Japan, which includes theatrical one-offs, TV serials and videos, is truly mindboggling, and the authors have really done an amazing job in cataloguing titles emerging on new media platforms such as the internet and mobile phones.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
Pacific Rim opened a new gateway to ’bot sagas for youngsters, and for oldsters too. They’ll see del Toro’s film, learn how much he was inspired by Japanese cartoons, and then check out the originals. If they choose Eureka Seven Ao, they’ll find elements also seen in Pacific Rim, embedded in a very different show.