The show's not over until the band says it's over! Sometimes music and words come together so perfectly that the combination is far more powerful than either would be alone. In much the same way, the five members of the Sakuragaoka Girl's High School's Light Music Club have become far more than just a group of girls with similar interests. More, even, than just a group of friends. Through the medium of music they've found a common course in life, and whatever the future may bring, they know they can get through it if they stand together. Which makes the coming end of the school year and the graduation of the four older members something that's dreaded as much as it's looked forward to. But in the meantime there's so much going on, it's as if life has decided to throw everything it can at them. Going to music festivals won't be hard to swing, but running a marathon? That will be a stretch! Yearbook photos? The horror! And a school play with Mio and Ritsu cast as Romeo and Juliet? Ooo, VERY awkward. And then, of course, there's one big final performance for the band! The tempo is rising and emotions run wild as the final encore approaches in K-ON!! Season 2 Collection 2!!
We grew up with them: Garth, Peanuts, Calvin & Hobbes. The comic strip has a long history. Four-panel strips have been around in Japan since at least the early 1900s. Classic comics like Sazae-san and modern hits like Axis Powers Hetalia all started as four-panel strips, and K-On! grew out of the same tradition.
Rayna Denison on K-on! and the rise of the nichijo anime
The best thing about K-on! is undeniably the music, from the (cloyingly?) cute opening credits to the gothic-lolita inspired visuals of the closing sequence, whenever the Sakuragaoka Light Music Club performs, there is fun to be had in this series. Moreover, the show’s burgeoning obsession with dressing its female leads in costumes that shade from schoolgirl uniforms into maid costumes, provides a variety of copy-able cosplay get-ups likely to feature soon at a convention near you (if you haven’t seen them there already). By these various means, K-on! carefully walks the line between exploitation and a rather sweet self-empowerment-through-music storyline.
Clearly the team at Kyoto Animation had a nice long holiday to Britain in preparation for K-On! The Movie. In the film, our heroines take a trip to London to celebrate their graduation, and locations from Camden Town to Denmark Street to Abbey Road are reproduced in impressive detail. The girls even take in Earl's Court, Sherlock Holmes' gaff on Baker Street, Borough food market and dozens of other spots, all instantly recognisable to anyone born and bred in London. After seven years in Tokyo I don't get homesick much, but K-On! The Movie had me pining for proper tea, service with a frown and fights outside pubs. Aaah, London.
Hugh David can’t find his hotel and he’s carrying a guitar…
K-On!, the TV series, adapting the manga about high-school girls forming a rock band at school, has after two seasons on TV spun off into a theatrical feature. A tradition of the TV business internationally, the subject matter is also a typical spin-off tradition: taking the main characters abroad for fish-out-of-water hijinks (see The Inbetweeners for another recent example). Where The InBetweeners has been a raucous success in the U.K. for showing accurately just how vile and stupid teenage boys really are however, K-On! has broken new ground in Japan by being a female-fronted series with considerable behind-the-scenes female talent, who are making a show that eschews fan-service in favour of greater realism, and this has continued with the movie.
Paul Jacques' pictures from the best of London's Comicon...
It's taken a while to shift through the paperwork and read all your indecipherable handwriting, but we've finally managed to sift through the London Comicon cosplay pictures and pick out our winners from a fantastic bunch. And with no further ado...
Bleach series 13 continues the clash between Soul Society’s Shinigami and Sousuke Aizen’s Arrancar army. It also brings with it a new talent in Japanese pop-rock: miwa. This fresh-faced female, armed with a guitar and an arsenal of upbeat pop-rock songs, provides the series’ twelfth opening theme, ‘chAngE’.
Amber Lawrence on the top ten ways to perfect cosplay without ending up on a snark site.
The most important thing anyone needs to know about cosplay is that it’s all about putting on a silly costume for a day, hanging out with your fellow geeks and revelling in geekish joy. But if you combine the increasing numbers of people getting into cosplay and the speedy and anonymous nature of the internet, you end up with a lot of websites out there dedicated to showcasing “Cosplay Fail”. So, if you want to have some costumed fun for the weekend but are worried about faceless internet critics nitpicking at your efforts afterwards, here are our survival tips…
Ever wonder just how Goku and friends became the greatest heroes on Earth? Wonder no more, as the original Dragon Ball reveals the origins of Akira Toriyama’s beloved creations! The faces may look familiar, but everything else is different in this classic series!
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.