Minor god Yato is down on his luck. Fed up with his slacker lifestyle, his partner abruptly quits. He has no money, no worshippers, and no shrine to call home. But just when things are starting to seem hopeless, a bus accident forces him to cross paths with Hiyori Iki, a sweet and perky high school girl. After the accident, Hiyori's soul has a bad habit of slipping out of her body, and after enlisting Yato's help to get her back to normal, she begins to fall into the world of spirits and gods. But Hiyori's not the only one who's keeping tabs on Yato. A god from Yato's past is back, and he's not interested in a friendly reunion. Contains episodes 1-12. Special Features: Episode Commentary (6, 9), Textless Opening and Closing, Trailers. Spoken Languages: English, Japanese, English subtitles.
There's little to be proud of in this perfunctory light-novel spin off
If anyone needed further proof that Attack on Titan is a cultural juggernaut, they'd only have to take a glance at the bookshelves. While Hajime Isayama's original manga most notably spawned the breakthrough anime series, there are also numerous spin-off and prequel manga, artbooks, and light novels by a host of other creators, all drafted in to craft as much material set in and around the world as possible.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Culture shocks and military musings, in Gen Urobuchi's hard-hitting anime
"It’s an interesting time to have a hero with a militarist outlook. This blog has discussed the arguments over the alleged political content in the blockbusting Attack on Titan and Ghibli’s film The Wind Rises. In both cases, the controversies connects to Japan’s own militarist past in the 1930s and ‘40s, and the spectres they conjure up in countries round the world; of Japanese kamikaze pilots, of torturers ruling POW camps, of the so-called “banzai charges” of soldiers sworn to die for their Emperor."
Hugh, phew, barneys and boobs, cutthroats, demons and blood...
If this show dropped all the extreme fan-service it would still be an exciting action-horror adventure, not far removed from an extended arc of Supernatural or the like. As it is, you get that and a show that would have broken the jiggle counter if anime DVDs still had them. After decades of evolution, even harem comedies can produce a show with some substance.
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
Twenty years ago, the witch Bayonetta was hauled out of a deep lake, with no memory of her past, how she got there, or who might have hated her enough to put her there. She has in her possession half of an artefact known as the "Eyes of the World.” Joining forces with information broker Enzo, she sets off to find and steal the other half. But powerful forces are moving against her, forces known as the Angels.
Jameson Locke is a legendary manhunter and agent with the Office of Naval Intelligence (ONI), Earth’s most powerful and secretive military branch. When he and his team are caught in a horrific biological attack, they unravel a plot that draws them to an ancient, hellish artifact, where they will be forced to fight for their survival, question everything, and ultimately choose between their loyalties and their lives…