In the year 2027, a year following the end of the non-nuclear World War IV, a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 Organization. Public Security official Daisuke Aramaki hires full-body cyber prosthesis user and hacker extraordinaire, Motoko Kusanagi, to investigate. On the case with her are Sleepless Eye Batou, who believes Kusanagi is a criminal, Niihama Prefecture Detective Togusa who is investigating a series of prostitute murders he believes are related to the incident, and Lieutenant Colonel Kurtz of the 501 Organization who also wishes to keep an eye on Kusanagi. Freed of her responsibilities with the 501 Organization, Motoko Kusanagi must now learn how to take orders from Aramaki. When unknown forces hack the Logicomas, Batou enlists the help of former army intelligence officer Ishikawa and former air artillery expert Borma. Kusanagi also seeks to enlist ace sniper Saito and undercover cop Paz into the new Public Security Section 9. The two groups rival each other in a case involving a man who receives false memories of a refugee transport operation.
Andrew Osmond asks if it really is the end for Ghost in the Shell
Solid State Society is, as of writing, the last anime instalment of Ghost in the Shell. Will there be any more? Interviewed in 2007, Mitsuhisa Ishikawa, co-founder of Production IG, suggested the franchise could be refreshed by a switch to live-action, with Kusanagi, Batou, Togusa and the rest of Section 9 interpreted by real actors. If it was a success, the franchise could return to anime later.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
On sale now at the San Diego Comic Con in a limited edition of only 325 prints, Kilian Eng's beautiful Ghost in the Shell poster for Mondo. It's a thing of beauty made specially to commemorate the 25th anniversary.
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
The start of an action anime series is often a bewildering experience, dropping the viewer into a whirlwind of unfamiliar folk having very big fights. K’s like that, but luckily the main character starts the show as baffled as us. Yashiro Isana is a bit different from the standard schoolboy hero
Fans who are fully up-to-date and casual viewers and newcomers alike can both enjoy the One Piece movies! Each is entirely self-contained, with entirely new plots not found in Eiichiro Oda’s original manga, but are every bit as enjoyable.