When Satan is run out of his infernal kingdom, he finds himself virtually powerless in modern-day Tokyo. Stuck in a feeble mortal body and desperate for cash, there's only one way for the dark lord to survive: by getting a job manning the deep fryer at MgRonald! As Satan flips burgers and tries to regain his evil magic, he's pestered by a righteous hero who tracked him to Earth, a video-game-loving fallen angel looking for a way back into heaven, and the most unholy of enemies: a rival fast food franchise. Will he figure out a way to reclaim his homeland and throne? And if not, will this demonic burger king at least sell enough featured menu items to be promoted to shift supervisor? The devil can't survive on minimum wage!
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
Andrew Osmond on the controversy of Miyazaki's last feature
As Miyazaki’s film itself makes clear, Horikoshi was a cog in Japan’s military machine at the time of the country’s most aggressive expansion. This was when Japan was moving into China, proclaiming what it called the “Greater East Asian Co-Prosperity Sphere,” which really meant Japanese imperialist supremacy in East Asia.
The new Manga Entertainment podcast includes a discussion of legitimate anime streaming sites – in other words, the ones that send money to the Japanese studios which make anime, thereby supporting the industry. (Rather than the other streaming sites, which just steal anime and make it less likely there’ll be anime to steal in the future.)
Mamoru Oshii's latest film, fresh from its Tokyo premiere
In his live introduction to the premiere of Garm Wars The Last Druid at the Tokyo International Film Festival, Mamoru Oshii called his film a "a precise recreation of the delusions in my mind." While the truth of that statement is only known to Oshii, Garm Wars is certainly embedded in Oshii-land, ticking off the staple themes and existential worries in his work, while finding a new kind of gorgeousness.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.
Tom Smith on the band behind Bleach’s 13th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."