It appears that the team behind Strike Witches, a franchise which features ladies flying about in their panties, have a soft spot for much more than just knickers. They also like Yoko Ishida, the singer from the first series’ opening song. They like her so much that despite the hoo-ha of switching animation studios, moving from Gonzo to AIC for the second series, they decided bring her back to record the new opening; ‘STRIKE WITCHES 2 ~Egao no Mahou~’ (‘Magic Smile’).
Yoko Ishida spirited her way into anime at the age of 19. She entered 1992’s Anime Song Singer Contest and won, landing herself a record deal with Columbia records. Her debut song ‘Otome no Policy’ was released a year later and used as the theme to Sailor Moon R. It soon became a karaoke classic for magical-girl fans across Japan, with the single selling over 300,000 copies.
The song, her only tie-in with anime at up until this point, left an impression with entertainment giant Geneon. Seven years after the track’s release, Yoko’s contract with Columbia had expired and Geneon was there waiting to snap her up. They had a plan, a plan to establish her as one of the hottest names in anime – and they succeeded.
Straight off the bat Geneon had Yoko Ishida singing the opening them to the cutesy Little Snow Fairy Sugar, followed by Ai Yori Aoshi, Petite Princess Yucie, Gunparade March and This Ugly Yet Beautiful World – the latter two anime receiving a UK release.
She didn’t stop there! Having built a steady amount of followers with a penchant for animation, Geneon’s next move was to release an anime cover album featuring the vocalist – and not just any cover album, a para para style one! Featuring distinctive takes on classic Gundam, Chobits and many other anime theme tunes, the album proved so popular that it spawned a further two volumes, bumping up Yoko’s cover catalogue to includes the likes of Cowboy Bebop, Gurren Lagann and Evangelion.
Yoko’s popularity began to spill overseas too, and once a chunk of her prior releases were made available in America, it wasn’t long until she was jetting off from Japan and touring the States, as well as Europe, South America and east Asia.
What awaited upon her return to Japan? Why, a whole new season of anime to record the themes for! Ah! My Goddess, Shakugan no Shana and of course, Strike Witches series one and two (If you really want to impress your friends with Strike Witch knowledge, series’ director Kazuhiro Takamura also wrote all the lyrics to the show’s opening themes). More recently (as in, the last few months!), Yoko finished recorded the new opening for the Strike Witches movie, which she’s currently promoting in Japan through a number of themed live performances in its honour. UK based anime fans can only sit and ponder how long it will be until she ventures to these parts with such promotions.
After discovering that the Neuroi are capable of communication with humans and making peace with the nest above Gallia, the Witches squads are on a mission to reestablish communication, when a sudden attack causes the Neuroi to vanish. The Witches discover a new and massive nest that just appeared, covering almost all Europe. Ruthlessly and without mercy it annihilates allied forces along with Witches. Word of the attack reaches Fuso and a support battalion is deployed to rescue the survivors. Among the rescue team is the former Striker captain Mio Sakamoto and the now civilian Yoshika Miyafuji, who want to save their dear friends.
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
Monkey Majik first shot to fame in Japan in 2006 when their second major-label single Around The World became the opening theme to TV drama Saiyuuki, an updated version of the famous Chinese tale Journey to the West. A fitting introduction for the band, considering the story is widely known as Monkey in English. Magic.
The first rule of Kenichi is: big eyes and kick ass.
In the real world, mastering a martial art takes years of devotion. All require a harsh physical regimen that pushes the body to the limit. Of course, we’re dealing with the world of anime, so we have a sneaking suspicion that Kenichi Shirahama might be able to go from shy, quiet bookworm to martial arts prodigy in a matter of weeks. All it takes to send him on the path to becoming Chuck Norris’ worst nightmare is falling for the new girl in class after he sees her single-handedly demolishing a group of thugs.
Paul Browne on the pop duo with multiple anime connections
K’s stirring theme song ‘KINGS’ comes courtesy of J-Pop duo angela. Consisting of vocalist Yamashita Atsuko and multi-instrumentalist Hirasato Katsunori (aka KATSU), angela are a familiar name when it comes to anime theme tunes.
The director’s path from Sci-Fi London to Hollywood
“We pulled all our favourite moments from Akira and had this library of reference, so whenever we got stuck, or we ever felt like a sequence wasn’t inspired enough, or we didn’t know exactly how to give it that edge to made it feel as epic as we could, we would always thumb through the Akira imagery and suddenly get a wave of excitement or a new direction.”