Far, far in the future, or perhaps the distant past... 500 billion displaced humans long to return to the planet they still refer to as home. Captain Harlock is the one man standing between the corrupt Gaia Coalition and their quest for complete intergalactic rule. Seeking revenge against those who wronged both mankind and himself, the mysterious space pirate roams the universe in his battle cruiser, the Arcadia, defiantly attacking and pillaging enemy ships. Gaia Fleet leader Ezra sends his younger brother, Logan to infiltrate the Arcadia and assassinate Harlock. But Logan will soon discover that things are not always what they seem and that legends are born for a reason. Based on original characters and stories created by Leiji Matsumoto. Includes bonus DVD disc containing the original Japanese edit with English subtitles and over 40 minutes of extra content.
And so, after twenty-eight years, ESWAT officers Deunan Knute & Briareos Hecatoncheires, the stars of Masamune Shirow’s first great cyberpunk epic manga, get to defend their post-apocalyptic city Gaia beyond the one-off adventures they have been constrained within over that time. Moving to television after the 1988 video and the 2005 & 2007 big-budget CG features, Appleseed XIII spins off these last two, arriving under the legendary Production IG banner. Internationally praised for the TV adaptation of Shirow’s celebrated Ghost in the Shell manga, the latter name is sure to excite Western fans whether aware of the previous incarnations or not, but something more ambitious is going on here.
Matt Kamen on the big-budget remake of an anime classic
The original Space Battleship Yamato is rightly considered a classic of Japanese science fiction – the 1974 anime is comparable to Star Trek in terms of the influence it has had on its home country. Generations of viewers have grown up on tales of Captain Okita, Susumu Kodai, Yuki Mori and the rest of the valiant crew of the Yamato, following their desperate quest to reach the remote planet Iscandar in hope of finding a way to save Earth from the Gamilas aliens. Thanks to the American edited version Star Blazers, the story has fans around the world too – all of which places a huge weight of cultural responsibility on anyone brave enough to risk adapting it to a new medium.
Turning Point offers invaluable peeps at Miyazaki’s mind at work, including the way he grows his imagery out of lyrical ideas. “I am experiencing old age for the first time in my life,” he comments at one point, managing to be both wise and dotty at the same time.
Jeremy Graves is joined by Jerome Mazandarani and Andrew Hewson for our 23rd podcast., featuring cover woes, delayed shows, and several uses of the word Slash. Your questions answered, dodged or otherwise belittled, while Jerome confesses to his Facebook addiction, and Jeremy is reprimanded for flagging his own segues.
Suzuki’s swansong will be the ultimate in exclusivity
Rough artwork has been leaked of Studio Ghibi’s next film, announced as the ultimate in collectibles: a film released in a single print, with a guarantee of no DVD or Blu-ray release. Slated for release in one year’s time, Gertie the Dinosaur began with the most unlikely of inspirations for a much-loved children’s studio.
Jasper Sharp on the movies coming to a cinema near you
It is that time of year again, when the Japan Foundation treats audiences across the UK to their lavish smorgasbord of the latest and best in Japanese cinema, running this year from 30th January to 26th March.
‘The next hero in the Japanese rock scene!” boldly claims their press release. Someone certainly believes in Japan’s rising guitar act TOTALFAT, it’s not every day there’s an English language press release accompanying a theme song from Naruto (or most anime for that matter).