A year has passed since Ichigo lost his Soul Reaper powers and resumed the life of a normal teenager. But those ordinary days come to an end when Ichigo meets a mysterious man named Kugo Ginjo, who offers to help him get his Soul Reaper powers back - and gives him only a day to decide! Ichigo is dead set against it, until Uryu is injured by an unknown attacker. Ichigo, powerless to help, turns to Ginjo and is introduced to the group Xcution, whose Fullbring powers Ichigo must face in battle if he ever hopes to get strong again! Contains episodes 343-354. Special Features: Omake, Clean Opening and Ending. Spoken Languages: English, Japanese, English subtitles.
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
‘The next hero in the Japanese rock scene!” boldly claims their press release. Someone certainly believes in Japan’s rising guitar act TOTALFAT, it’s not every day there’s an English language press release accompanying a theme song from Naruto (or most anime for that matter).
Andrew Osmond rolls up for the fun of the anime fair…
Roll up for Karneval! See cosplay cats, robot sheep, hi-tech airships, battling super-beings, smiling snowmen, mutating monsters and cute boys. Some very cute boys, in fact. Let’s face it, studio Manglobe – which has a CV that zigzags between the gruesome Deadman Wonderland and the cuddliness of The World God Only Knows – has opted to make the pretty youths into the main selling-point.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
By the time Fairy Tail Part 9 hits the shops here, the J-pop band responsible for its ending theme will be fast approaching their second anniversary – of breaking up! Though, this particular writer can’t help but think Fairy Tail may have had something to do with the band’s demise…
In the dark days between the closure of the first Bandai-Gundam Museum in 2006 and the proliferation of Gundam cafes across Japan’s capital over the past few years, a small glimmer of mecha-shaped light remained for anime fans near Japan’s capital: the Bandai Museum in Mibu, Tochigi Precture. This new “Omocha-no-machi” Bandai Museum opened in 2007, following the demise of the original museum in Chiba, offering a huge collection of toys from the Edo-period to the present day.
Jonathan Clements on this season’s classy anime feature
Ever willing to poke around in the interstices of history for children’s stories of the war, the Japanese animation industry alights here on the true story of Hiroshi Tokuno, on whose life story this film is partly based.
Twenty years ago, the witch Bayonetta was hauled out of a deep lake, with no memory of her past, how she got there, or who might have hated her enough to put her there. She has in her possession half of an artefact known as the "Eyes of the World.” Joining forces with information broker Enzo, she sets off to find and steal the other half. But powerful forces are moving against her, forces known as the Angels.
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?