In a futuristic society, a 15-year-old prostitute named Rune Balot is rescued after being nearly killed. She is subconsciously given the choice to continue living due to an emergency ordinance to preserve life called Mardock Scramble 09. Turned into a cyborg, Balot is then given the choice of assisting the investigations against the man who tried to terminate her. He is part of the powerful October corporation that is stealthily conducting illegal activities.
Andrew Osmond has the technology… to watch Mardock Scramble
In Mardock Scramble: The First Compression, the young heroine is burned to a crisp, then remade Frankenstein-style. Fifteen year-old Balot is blown up in a car by her sugar-daddy Shell, a serial-killer. Then a seedy scientist rescues Balot’s charred body, plops it into an underground vat and refashions her as a super-avenger.
In the West, we’re still inclined to think of anime as coming out of manga, as naturally as eggs from chickens – one line into a Mardock Scramble piece and we’re already talking about eggs again). In Mardock’s case, both the manga and anime are alternative versions of a novel by Tow Ubukata, published as a trilogy in Japan and collected into one volume by the publisher Haikasoru. It’s comparable to what happened with Battle Royale, a novel which spawned a live-action film and an even more lurid manga.
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.
Paul Jacques finds a princess and a... erm... scholar
Cosplaying away at Birmingham's Comic Con, Meg Atwill dresses up as Estellise Sidos Heurrasein (or Estelle for short), accompanied by Aimee Tacchi as the whip-wielding scholar Rita Mordio, both from Tales of Vesperia.
You know Tokyo; you know Neo-Tokyo. Now welcome to San Fransokyo, the mashup metropolis imagined by Disney’s CG cartoon Big Hero 6, released in British cinemas today. It’s a city where the Golden Gate Bridge sports Shinto gates, where ramen bars and lucky cats are as common as Victorian residences and hill-climbing trams. All this is the stage for a team-superhero adventure, which is itself window-dressing for the tale of a grieving boy and a gentle, huggable, cushion-soft robot.
I got quite excited when I found the clip online. "James Bond, aka Bondo (agent 007), the suave superspy who…" Alas, my delight was premature. It was a fan animation starring a green-eyed, spiky-haired pretty boy who looked as likely to bed the villain as shoot him - a quantum of solace, undoubtedly, but no help on my mission: find anime's answer to Bond.
Culture shocks and military musings, in Gen Urobuchi's hard-hitting anime
"It’s an interesting time to have a hero with a militarist outlook. This blog has discussed the arguments over the alleged political content in the blockbusting Attack on Titan and Ghibli’s film The Wind Rises. In both cases, the controversies connects to Japan’s own militarist past in the 1930s and ‘40s, and the spectres they conjure up in countries round the world; of Japanese kamikaze pilots, of torturers ruling POW camps, of the so-called “banzai charges” of soldiers sworn to die for their Emperor."
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
Turning Point offers invaluable peeps at Miyazaki’s mind at work, including the way he grows his imagery out of lyrical ideas. “I am experiencing old age for the first time in my life,” he comments at one point, managing to be both wise and dotty at the same time.
Jasper Sharp reviews a book on the maddest film producer of all
Paul Fischer’s hugely entertaining book, A Kim Il-Sung Production, is the story of two men who lived, ate and breathed cinema, the actress who brought them together and the monster they created together – the Godzilla-inspired Pulgasari (1985), the last of seven features Shin and Choi made in the DPRK in a period of just three years.
Eric Khoo's film focuses on one of the founders of gekiga, Yoshihiro Tatsumi, who died on 7th March. The framing story is Tatsumi’s account of his life and development, growing up with a difficult family. He had none of the technology and luxuries that we take for granted, no reason to think he could ever make a living from the fledgling manga industry. And yet he was utterly driven to draw comics, like his hero Osamu Tezuka.
Japanese duo Tacica won’t be winning the Manga UK Blog award for most original song title anytime soon, mostly because no such award exists. But if it did, they still wouldn’t win. Especially not with the title of their hit single and Naruto Shippuden opener, Newsong.