From Production IG (Psycho Pass, Blood The Last Vampire, Ghost in the Shell) and the Creator of Madoka Magica and Fate/Zero comes an action-packed sci-fi adventure like you’ve never seen before. While fighting an intense inter-galactic war, a mecha pilot was accidentally warped into a space-time neither he nor the computer of his mecha could recognize. After waking up from a long-time hibernation, he found himself trapped on a planet, with human residents talking in an unknown form of language, using inferior technologies, and - most shocking to him - naturally breathable air.. Includes episodes 1-13 plus two OVA episodes.
The literary history of the Arabian Nights that underlies Magi is fascinating. The one point that any Magi fan should know to sound erudite is that three of the show’s main characters, Aladdin, Alibaba and Sinbad, are named after famous Arabian Nights heroes. However, none of these heroes were actually in the original collection.
Redline and Lupin III: The Woman Called Fujiko Mine showcase the talent of Takeshi Koike, a rising star in the anime firmament. While the two titles are very different, they’re both brash and arresting, the obverse of any safe house ‘style’...
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
When is it okay for a real-life disaster to become entertainment?
How soon is too soon? The question’s raised by the new Godzilla trailer, the first half of which seems to be all about recreating traumatic events as fantasy, just three years after they occurred. Specifically, the trailer opens with a disaster at a Japanese power station, before segueing into images of a giant wave sweeping into a town with devastating force. Both images seem less ripped than Xeroxed from the headlines of March 2011, when northern Honshu (Japan’s mainland) was struck by an earthquake which caused a tsunami, killing thousands, and the meltdown at Fukushima.
Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.