Stunning animation and epic new villains highlight the first new Dragon Ball Z feature film in seventeen years! Beerus, the God of Destruction, travels to Earth in search of a good fight. Only Goku, humanity’s greatest hero, can ascend to the level of a Super Saiyan God and stop Beerus’s rampage! This double disc edition includes both the 85 minute Theatrical Cut and the 105 minute Director’s Cut. Both versions include the English and Japanese dubs and English subtitles. This edition also includes bonus content including “The Voices of Dragon Ball Z: Unveiled” and “Behind The Scenes: Battle of Voice Actors!”.
Launched in 1984 in the pages of Shueisha’s Weekly Shonen Jump, Akira Toriyama’s original Dragon Ball was a very different beast to the one western viewers would eventually meet. introduced the boisterous Son Goku, an adventurous and unusally strong boy with no social graces whatsoever. Raised in seclusion by his adoptive grandfather, he doesn’t even that know what girls are – making for some prime gag moments when he meets treasure hunter Bulma. Soon teaming up, the pair track down seven rare ‘Dragon Balls’ – powerful items that can summon the wish-granting dragon Shenron. These early stories were very loosely based on Chinese fables but Toriyama gave them a fresh twist, his distinctive art style and perfect balance of comedy and action making the series a hit.
Son Goku. Goku was originally cast as a naive but powerful young boy who was spurred onto the path of adventure following the death of his grandfather. By the time Dragon Ball Z rolls around, Goku’s a full-grown adult, the victor of several martial arts tournaments and a married man. He’s only slightly less naive though, and his strict wife Chichi frequently has to rein in his less socially acceptable habits and wilder impulses. The first arc of the series marks Goku learning of his alien origins for the first time – before meeting other Saiyans, he thought he was just another average monkey-tailed boy!
The next instalment in our character guide for Dragon Ball Z
Yamcha. One of Goku’s oldest friends – even if they did first meet as enemies! A reformed desert bandit and an ex-boyfriend of Bulma, Yamcha is one of the strongest human fighters in the world. Having regularly entered World Martial Arts Tournaments and fought against a multitude of foes, he’s earned his place as one of the core Z-Fighters. However, he was overpowered and killed by one of Nappa’s drones in the Saiyan invasion of Earth. Luckily, death is rarely the end in the world of Dragon Ball, and Yamcha’s path continues as he trains under King Kai in the afterlife, preparing for a return to the living world to help his friends against the threats they’ll face on the distant planet Namek.
The fifth instalment in our character guide for Dragon Ball Z
Cell. The deadliest enemy the Z Warriors have ever had to face – themselves! Cell is a hyper-advanced android from the future, created using the DNA of the present day heroes and possessing all their skills and abilities thanks to genetic memory. Goku’s Kamehameha? Cell can use it and counter it. Tien’s Solar Flare? Just one of Cell’s basic attacks. Piccolo’s regeneration? That serves to make Cell even more difficult to defeat. Already an incredibly powerful figure, Cell has travelled back in time to physically absorb more fighters and add their powers to his own repertoire. His goal? To achieve his Perfect Form and become the mightiest figure in the Universe – and he won’t let anything or anyone stand in his way.
Studio Ghibli, tattoo removal and the San Diego Comic Con in our 26th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements to discuss last week’s Studio Ghibli, the San Diego Comic Con, upcoming releases, and your questions from Twitter and Facebook. Includes an inadvisable impersonation of Meryl Streep, commentary track shenanigans, and Jerome’s skateboarding stunts.
Sports have been around in anime from very early in its history, but the first identifiable sports anime, Yasuji Murata's Animal Olympics in 1928, didn't feature soccer. In fact, the beautiful game was a latecomer to the anime sports world. Compared with baseball, soccer had few fans.
Jonathan Clements visits an exhibition of manga’s pioneers
Running upstairs at London’s Cartoon Museum until 29th November, Gekiga: Alternative Manga From Japan charts the evolution of truly adult comics, both in terms of content and style, in the post-war period.
If you’re reading this blog, there’s a fair chance that the idea of visiting Japan has crossed your mind a few times. American-born Jamil Abbas Kazmi had a similar thought, though he wanted to take it one step further by establishing a career out there.
Andrew Osmond finds Emperor Hirohito in Japanese animation
The Sara storyline in Fam the Silver Wing seems to echo a view – many would say a myth – of Hirohito, encouraged not just by the Japanese but also by the victorious Americans when they rebuilt the country. Namely, it was the story that Hirohito was a helpless figurehead, at the mercy of his warmongering government.
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
Andrew Osmond investigates the long love affair between samurai and cowboys
28th February sees the classic Hollywood Western go East. Yuresarazaru Mono has the English title Unforgiven; it remakes the celebrated 1992 Western of that name, which was directed by its star Clint Eastwood and won the Best Picture Oscar.