Ichigo vs Aizen: let the showdown for the sake of the two worlds begin!
Humans and Soul Reapers realize their powerlessness against the astonishing might Aizen obtained through the Hogyoku.
They once again owe their salvation to Ichigo, back from his training between worlds. More mature and more power ful, has the young man really reached a new stage of his evolution? Will he finally match for the relentless Captain Aizen?
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
BFI announce a festival of Miyazaki, Takahata, et al...
The BFI South Bank cinema in London will be screening a Studio Ghibli season throughout April and May. Curator Justin Johnson will be giving an introduction to Ghibli on the 2nd April, followed by screenings of all the major Ghibli works and a number of relative obscurities
Andrew Osmond turns an anime eye on a new history book
If the past is truly another country, then Modern Japan: All that Matters suggests the average Japanese youth may be as remote from the land of shogun and samurai as Britain is from today’s Tokyo. Jonathan Clements’ new book is a concise history which focuses on the country’s last seventy years, from Japan’s surrender in 1945 to the present.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
The Suginami Animation museum’s current exhibit should be of particular interest to British fans. It’s a showcase of the art of Satoshi Kon, who built an international reputation as a truly adult, often bitingly satirical anime director before his tragically early death in 2010
Jeremy Clarke on a documentary about Isao Takahata's remarkable feature
There's a real treat in store for all those eagerly awaiting the UK theatrical release on 20th March of Studio Ghibi's Oscar-nominated The Tale Of The Princess Kaguya. In selected cinemas, alongside the film itself, comes a superb documentary entitled Isao Takahata and his Tale of Princess Kaguya.
Jasper Sharp reviews the biggest anime book in the world
The ever-expanding volume of anime released in Japan, which includes theatrical one-offs, TV serials and videos, is truly mindboggling, and the authors have really done an amazing job in cataloguing titles emerging on new media platforms such as the internet and mobile phones.
They’re world-famous practitioners of pictorial media. They started out labouring in despised sub-cultures, then rose to become full-blown artists with establishment respect. Oh, and they both have really impressive facial hair. Miyazaki prefers to keep his beard neatly trimmed, but Moore’s magnificent bristle evokes a shaggy primeval forest, housing a Paleolithic shaman from Northampton or a bouncing bellowing Totoro. Or possibly both.
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...