From The Director Of Madoka Magica Comes The Breakout Anime of 2014! Raku Ichijo is an average high school student. He also happens to be the sole heir to the head of a Yakuza Family called the Shuei-gumi. 10 years ago, Raku made a promise… a secret promise with a girl he met. They promised one another that they will “get married when they reunite.” Since then, Raku never let go of the pendant the girl gave him.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Matt Kamen on the “Evangelion of magical girl shows”
Magical Girls can be traced as far back as the 1960s, with the likes of Fujio Akatsuka’s Secret Akko-chan or Mitsuteru Yokoyama’s Sally the Witch – the first manga and anime, respectively, to dabble in the genre of girls gaining powers from a piece of jewellery or trinket of some kind. Hundreds more would join their ranks over the years, some merely using their powers for twee but ultimately everyday adventures, others transforming into battle-ready warrior women fighting for the safety of the entire planet. Ever since Naoko Takeuchi’s Sailor Moon exploded in popularity in 1992, the more superheroic approach has dominated the field.
Stephen Turnbull risks nine deaths in the eye of the ninja storm... or does he?
There is more to the ninja myth than meets the eye. By 1638 all wars had ceased under the police state of the Tokugawa family, yet within twenty years armchair generals were busily writing manuals of military theory, including speculations about sneak attacks, night-fighting and backstabbing.
Jeremy Clarke on a documentary about Isao Takahata's remarkable feature
There's a real treat in store for all those eagerly awaiting the UK theatrical release on 20th March of Studio Ghibi's Oscar-nominated The Tale Of The Princess Kaguya. In selected cinemas, alongside the film itself, comes a superb documentary entitled Isao Takahata and his Tale of Princess Kaguya.
The director’s path from Sci-Fi London to Hollywood
“We pulled all our favourite moments from Akira and had this library of reference, so whenever we got stuck, or we ever felt like a sequence wasn’t inspired enough, or we didn’t know exactly how to give it that edge to made it feel as epic as we could, we would always thumb through the Akira imagery and suddenly get a wave of excitement or a new direction.”
Japan’s technophilia was born and fostered during the Meiji Era (1868-1912), as it sought to catch up with the American and European powers that came knocking on its door and opened the country up to the wider world.