Beginning with the lyrical image of cherry blossoms falling at five centimeters a second Makoto Shinkai paints a breathtakingly vivid tableau of young love, desire, loss and hope. Told in three breathtaking chapters we follow the young dreamer Takaki through his life as cruel winters cold technology silence and finally adult obligations and responsibility converge to crush the delicate petals of true love. Finding beauty in everyday objects and moments Shinkai reveals he is a master of animation and haunting beautiful storytelling. Fall in love with this gorgeous thoughtful film hailed by critics and audiences alike for its beauty truth and innovation in animation.
The second collection draws the entire Dragon Ball opus to a fierce close
Dragon Ball GT sees Goku and his allies fighting against some of the toughest foes the universe has ever seen. Take a look at some of the faces you’ll meet as the second collection draws the entire Dragon Ball opus to a fierce close!
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.
Andrew Osmond on why the Kaguya director deserves an Oscar
On February 22nd, The Tale of the Princess Kaguya, directed by Isao Takahata, will compete at the eighty-seventh Academy Awards. It’s a moment long overdue. Takahta has been called the Ozu of animation; it’s a medium he’s worked in since 1959, making both rarefied artworks and nationally-beloved favourites.