Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Helen McCarthy examines Katsuhiro Otomo’s landmark Akira, then and now
1988 in Japan: Yamaha Motors won the J-League but Nissan won the Cup. Western pop divas Bananarama, Kylie and Tiffany were on TV. Japanese real estate values climbed so high that the Imperial Palace garden was worth more than the State of California, and Tokyo’s Chiyoda ward had a higher market value than Canada. The Government signed the FIRST Basel Accord, triggering a crash that wiped out half Japan’s stock market. Katsuhiro Omoto’s movie Akira premiered on 16th July.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Stephen Turnbull asks what (if anything) went wrong with the 47 Ronin?
When T. H. White’s great Arthurian fantasy The Once and Future King was first published the New York Times described it as “a glorious dream of the Middle Ages as they never were but as they should have been.” A very similar comment would not be inappropriate to describe the strange world of old Japan conjured up in the movie 47 Ronin.