The child soldier Jonah continues to protect Koko while she brings the boom to cities across the globe. When the international arms dealer ramps up sales, her hired guns are targeted by government agencies, warmongers, and assassins - leading to some devastating betrayals and losses. Amid all the gunfire and grenades, Koko begins to work on a secret project in South Africa: Jormungand. But when she finally reveals her master plan for the future of war, not everyone is happy with the plot. As the body count starts to explode, Jonah will have to decide if he can stand by and watch his employer's blood-soaked plan for world peace unfold, or try to put a stop to it. Contains all 12 episodes of season 2. Special Features: Commentary on Episode 4, Textless Songs, Trailers. Spoken Languages: English, Japanese, English subtitles.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
The first rule of Kenichi is: big eyes and kick ass.
In the real world, mastering a martial art takes years of devotion. All require a harsh physical regimen that pushes the body to the limit. Of course, we’re dealing with the world of anime, so we have a sneaking suspicion that Kenichi Shirahama might be able to go from shy, quiet bookworm to martial arts prodigy in a matter of weeks. All it takes to send him on the path to becoming Chuck Norris’ worst nightmare is falling for the new girl in class after he sees her single-handedly demolishing a group of thugs.
This is the perfect summer blockbuster movie, as well as a textbook example of how to do a spin-off feature just right. Modern-day Hollywood could learn a lot from Phoenix Priestess, even as it sticks to lessons from an older version of the American Dream Factory.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
More than one way to skin a catbus, in our 24th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements, for a series of rants and ill-informed commentary about anime, manga, the storm over the Hugo Awards, and your most awkward convention moment.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.