This special edition 5 disc box set contains all five epic Naruto Shippuden movies including: • Naruto Shippuden The Movie • Naruto Shippuden Movie 2: Bonds • Naruto Shippuden Movie 3: The Will Of Fire • Naruto Shippuden Movie 4: The Lost Tower • Naruto Shippuden Movie 5: Blood Prison
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Right, hands up those of you who have been betting on which 1990s anime would get a Western live-action remake first. Ok, who had Ghost in the Shell? Evangelion? Cowboy Bebop? But Yasuomi Umetsu’s notorious sexed-up actioner Kite (1998) has beaten them all to the screen, starring anime fan Samuel L. Jackson.
Tom Smith finds another band with an unspellable name
Meet Ling tosite sigure. Their name may be confusing to pronounce (for anyone interested, it’s more like ‘rin tosh-teh shi-goo-reh’), but that didn’t holdback Japan’s music-loving community from rushing to their local CD-shops and grabbing a copy of the band’s latest album i’mperfect, out now also in the UK thanks to JPU Records.
Two high-profile Manga Entertainment releases have something in common in the form of musician and composer Yasuharu Takanashi. It’s the distinctive musical strokes of Takanashi that appear on the new Naruto movie The Lost Tower as well as the upcoming movie addition to the Fairy Tail series – Phoenix Priestess.
Unlike a number of the bands featured on the Manga UK blog, W-inds haven’t had much of a history with anime tie-ins despite their massive success. In fact, in 14 years they’ve only ever done two anime themes; their first in Akira Amano’s Katekyo Hitman Reborn!, and more recently with Hiro Mashima’s Fairy Tail, where their 29th single Be as One became its sixth ending.
At their production peak, Shaw Studios sanded down some of the historical elements in their epics, concentrating on acrobatics and heavier violence. This, in turn, made them more palatable or at least accessible to non-Chinese audiences, and inadvertently stoked the fires of the Kung Fu Boom.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?
With a series of box-ticking MacGuffins, wandering-monster encounters and vaguely defined side missions, Appleseed: Alpha feels all too often like one is watching someone else playing a computer game, not the least because several crucial moments are bodged or oddly framed, so that it is not always clear what’s going on.