The guild is trapped in a parallel world run by an insane king determined to steal every last drop of magic power from Fairy Tail. Spells start flying as the wizards square off against the fiercest warriors of the royal army, humans rebel against cats, and Erza goes head-to-head with her evil doppelganger in a battle that lays waste to an entire city. When the power-hungry monarch harnesses the power of the Dragon Slayers, he ignites all-out war. But his ambition doesn't stop there: once Natsu and his teammates are out of the picture, he's heading to the Fiore Kingdom to steal all of its magic as well. Fairy Tail's actions will decide the future of two worlds, but they'll be lucky if they can save even one of them. The fate of two worlds is in their hands. Contains episodes 85-96. Spoken Languages: English, Japanese, English subtitles.
Matt Kamen is your guide to the world of Fairy Tail!
Welcome to Earthland, where magic runs rampant and professional wizards sell their talents to the highest bidder! Populated by all kinds of mystical creatures, it’s a place of wonder but also one filled with peril.
Mystic action abounds in the second thrilling collection of Fairy Tail, as flame-spewing Natsu, ice-mage Gray, summoner Lucy and the rest of the gang take on sorcerous threats across the world of Earthland. The series is based on the long running manga by Hiro Mashima, and as the anime closes in on its 150th episode in Japan, it’s clearly shaping up to be the next Naruto or Bleach, delivering ongoing adventure to a devoted audience. Unlike a certain orange ninja or black-garbed grim reaper though, Fairy Tail’s roots do not lie in the pages of the famous Weekly Shonen Jump anthology.
It’s been said that two’s company, three’s a crowd. But for Japanese electro-pop duo AIRI and Koshiro, two is more than enough to party – to MAGIC PARTY! At least if the cutesy name of the pair’s musical project is to be believed.
Unlike a number of the bands featured on the Manga UK blog, W-inds haven’t had much of a history with anime tie-ins despite their massive success. In fact, in 14 years they’ve only ever done two anime themes; their first in Akira Amano’s Katekyo Hitman Reborn!, and more recently with Hiro Mashima’s Fairy Tail, where their 29th single Be as One became its sixth ending.
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Bleach series 13 continues the clash between Soul Society’s Shinigami and Sousuke Aizen’s Arrancar army. It also brings with it a new talent in Japanese pop-rock: miwa. This fresh-faced female, armed with a guitar and an arsenal of upbeat pop-rock songs, provides the series’ twelfth opening theme, ‘chAngE’.
Jasper Sharp reviews a book-length collection on the “God of Manga”
Tezuka’s Manga Life is a scholarly and much-needed attempt to sort out the wheat from the chaff of the Tezuka myth, with its 22 contributors spread over 300+ pages attempting to put the vast output of the prodigious manga artist into context.
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
Hugh, phew, barneys and boobs, cutthroats, demons and blood...
If this show dropped all the extreme fan-service it would still be an exciting action-horror adventure, not far removed from an extended arc of Supernatural or the like. As it is, you get that and a show that would have broken the jiggle counter if anime DVDs still had them. After decades of evolution, even harem comedies can produce a show with some substance.