Set Sail for One Piece! Monkey D. Luffy is a boy with big dreams. This daring rubber-man refuses to let anyone or anything stand in the way of his quest to become king of all pirates. With a course charted for the treacherous waters of the Grand Line, Luffy strikes out in search of a crew – and a boat. Along the way he’ll do battle with scallywag clowns, fishy foes, and an entire fleet of marines eager to see him walk the plank. The stakes are high, but with each adventure, Luffy adds a new friend to his gang of Straw Hat Pirates! Like his hero Gold Roger, this is one captain who’ll never drop anchor until he’s claimed the greatest treasure on Earth – the Legendary One Piece!
Andrew Osmond finds Emperor Hirohito in Japanese animation
The Sara storyline in Fam the Silver Wing seems to echo a view – many would say a myth – of Hirohito, encouraged not just by the Japanese but also by the victorious Americans when they rebuilt the country. Namely, it was the story that Hirohito was a helpless figurehead, at the mercy of his warmongering government.
When is it okay for a real-life disaster to become entertainment?
How soon is too soon? The question’s raised by the new Godzilla trailer, the first half of which seems to be all about recreating traumatic events as fantasy, just three years after they occurred. Specifically, the trailer opens with a disaster at a Japanese power station, before segueing into images of a giant wave sweeping into a town with devastating force. Both images seem less ripped than Xeroxed from the headlines of March 2011, when northern Honshu (Japan’s mainland) was struck by an earthquake which caused a tsunami, killing thousands, and the meltdown at Fukushima.
Jasper Sharp reviews a book-length collection on the “God of Manga”
Tezuka’s Manga Life is a scholarly and much-needed attempt to sort out the wheat from the chaff of the Tezuka myth, with its 22 contributors spread over 300+ pages attempting to put the vast output of the prodigious manga artist into context.
Ocean Waves is the only feature anime by the world-famous Studio Ghibli which might be called obscure. It wasn’t made for cinemas but television, broadcast on Japan’s NTV network in 1993. And now it's playing as part of the BFI's Ghibli season...
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
Jeremy Graves is joined by Jerome Mazandarani and Andrew Hewson for our 23rd podcast., featuring cover woes, delayed shows, and several uses of the word Slash. Your questions answered, dodged or otherwise belittled, while Jerome confesses to his Facebook addiction, and Jeremy is reprimanded for flagging his own segues.
The word hihokan is usually translated as ‘sex museum’, although most are best described as indoor sexual theme parks. Imagine that an anthropological collection has been bought by the London Dungeon and put on show there by the owner of a strip club with a degree in engineering and a penchant for voyeurism. The result would be the hihokan: a garish combination of serious museum and soft pornography in a bizarre and often haphazard blend.
Fans who are fully up-to-date and casual viewers and newcomers alike can both enjoy the One Piece movies! Each is entirely self-contained, with entirely new plots not found in Eiichiro Oda’s original manga, but are every bit as enjoyable.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.