For years, declining birth rates have forced what's left of the human race to cede more and more territory to other beings who have appeared to take advantage of the emptying ecological niche. Now, only a handful of humans remain among the remnants of civilization and Earth is dominated by faeries - tiny, ten-inch tall creatures of surprising intelligence.
But humanity's importance isn't over quite yet, as young Watashi learns as she makes the decision to return to her hometown and assume her grandfather's position as an arbitrator between the races. Unfortunately, the job isn't going to be anywhere near as simple as she expected, and it's going to take wisdom far beyond her years to achieve her most important mission.
God-like schoolgirl Haruhi Suzumiya may well have a near-religious following, but she’s got just as many atheists denying her merits. Matt Kamen embraces his bipolar disorder to examine the vices and virtues of one of the anime world’s most divisive series!
Andrew Osmond tries to make sense of Sunrise's mad new anime
As regular subscribers to Manga Entertainment’s podcast and twitter feed will know, there was some confusion about whether Sunrise’s new comedy-fantasy-action-fanservice series was called (deep breath) Horizon on the Middle of Nowhere or Horizon in the Middle of Nowhere. We’re calling it the former in the UK, although releases elsewhere have plumped for the “in” option. Either way, it sounds less weird and Escheresque once you know that Horizon is the name of a pivotal female character in the series. But it reflects the inescapable fact that Horizon is, well, confusing.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
Evangelion's director on Gerry Anderson, fandom and his latest project
This is not the Anno you may have read about, the one portrayed as an awkward, gangly, neurotic geek. Maybe Anno was like that once, but the cream-suited director we meet is sleek and authoritative, composed and confident, quite at ease talking to foreign hacks like us. He doesn’t adjust his glasses intimidatingly, but it still feels like the onetime Shinji has quietly metamorphed into his father Gendo.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Helen McCarthy examines Katsuhiro Otomo’s landmark Akira, then and now
1988 in Japan: Yamaha Motors won the J-League but Nissan won the Cup. Western pop divas Bananarama, Kylie and Tiffany were on TV. Japanese real estate values climbed so high that the Imperial Palace garden was worth more than the State of California, and Tokyo’s Chiyoda ward had a higher market value than Canada. The Government signed the FIRST Basel Accord, triggering a crash that wiped out half Japan’s stock market. Katsuhiro Omoto’s movie Akira premiered on 16th July.
Jeremy Graves is joined by Jerome Mazandarani and Andrew Hewson for our 23rd podcast., featuring cover woes, delayed shows, and several uses of the word Slash. Your questions answered, dodged or otherwise belittled, while Jerome confesses to his Facebook addiction, and Jeremy is reprimanded for flagging his own segues.