PART 2 OF 2 Under the rule of a tyrannical empire, Tatsumi, a young swordsman, leaves his home to save his poverty stricken village. He meets a girl named Akame, an assassin who was bought, brainwashed and trained to kill by the Empire. Akame is a member of the secret assassin group called “Night Raid” who use special weapons called Teigu. Together, Tatsumi and the members of Night Raid confront the corrupt empire.
Languages: Japanese, English Subtitle: English Bonus Features TBC
Hugh, phew, barneys and boobs, cutthroats, demons and blood...
If this show dropped all the extreme fan-service it would still be an exciting action-horror adventure, not far removed from an extended arc of Supernatural or the like. As it is, you get that and a show that would have broken the jiggle counter if anime DVDs still had them. After decades of evolution, even harem comedies can produce a show with some substance.
Andrew Osmond compares Edward Elric to Harry Potter
It’s tempting to compare Fullmetal Alchemist: Brotherhood, the fifth Blu-ray of which is out on Monday), with an epic fantasy saga about a certain boy wizard. For starters, both Harry Potter and Alchemist have male heroes but female creators. Alchemist comes from the manga by Hiromu Arakawa, who wrote and drew the nine-year, 27-book manga about two brothers’ journey through an increasingly rich world of steampunk and sorcery.
Tom Smith finds another band with an unspellable name
Meet Ling tosite sigure. Their name may be confusing to pronounce (for anyone interested, it’s more like ‘rin tosh-teh shi-goo-reh’), but that didn’t holdback Japan’s music-loving community from rushing to their local CD-shops and grabbing a copy of the band’s latest album i’mperfect, out now also in the UK thanks to JPU Records.
Some sci-fi plots are staples of anime. The boy who pilots a fighting robot; humans who evolve into cyborgs; cute space girls who fall for the biggest doofus in Japan. Compared to these, time-travel has never been a big anime genre, though it’s been used on many occasions.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
Andrew Osmond on anime that turn to the dark side…
If it sounds like Guilty Crown’s getting dark, it is. In particular, there’s been a lot of comment on how dark some of the main characters get, in a series that seemed relatively light, even cheesy, in its first half. Star Trek used to have episodes set in a so-called ‘Mirror Universe,’ where the familiar cast could be really bad. Guilty Crown does something similar, without the mirror.