The Fourth Great Ninja War intensifies as the Allied Forces face the might of the Reanimated Jinchuriki, who have been equipped with both the Rinnegan and Sharingan. Naruto tries to convince the Four Tails that he’ll free him and the other Tailed Beasts from Madara’s control. While listening to Naruto, the Nine Tails goes through a surprising change. Meanwhile, Sasuke has obtained new information found at one of Orochimaru’s old hideouts that may turn the tide of the entire war! Will the unity of the Allied Forces hold under combined fury of the Reanimated Jinchuriki and their mysterious commander?
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Together they formed Vivid, the visual kei band responsible for “Blue”, the 14th opening to Bleach, and a band which stopped all activity last month, disappearing just weeks before their track would appear in the latest UK release of Bleach.
Some sci-fi plots are staples of anime. The boy who pilots a fighting robot; humans who evolve into cyborgs; cute space girls who fall for the biggest doofus in Japan. Compared to these, time-travel has never been a big anime genre, though it’s been used on many occasions.
Spoilers for part one ahead, as Andrew Osmond gets timey-wimey
The show’s finale is squarely in anime traditions, combining heartfelt child-parent reunions, a boy’s resolution to ‘lift the curse’ of his origins, and an orgasmically explosive deus ex machina that lets a character write the end he wants – one that happens to have shades of another Gainax anime classic, Gunbuster. There’s fanservice for you!
Jonathan Clements visits an exhibition of manga’s pioneers
Running upstairs at London’s Cartoon Museum until 29th November, Gekiga: Alternative Manga From Japan charts the evolution of truly adult comics, both in terms of content and style, in the post-war period.
Stephen Turnbull risks nine deaths in the eye of the ninja storm... or does he?
There is more to the ninja myth than meets the eye. By 1638 all wars had ceased under the police state of the Tokugawa family, yet within twenty years armchair generals were busily writing manuals of military theory, including speculations about sneak attacks, night-fighting and backstabbing.
By the time you’ve read this, the eight 15-minute episodes of Robot Atom will have been aired by the Nigerian broadcast network Channels TV. Based on one of anime’s most iconic creations, Tezuka Productions’ Astro Boy (Tetsuwan Atomu), this Nigerian-Japanese co-production brings a new slant to glocalization
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.