The Fourth Great Ninja War has begun and even the strongest fight to survive! The quest for power and struggle for control leads many heroes down hard roads. Sasuke's revelation of Naruto's potential and defeat in combat lead him to consider the path of Orochimaru. While Naruto continues to master the power within under the watchful eye of Killer Bee, the Allied Shinobi Forces confront Madara and Kabuto's army of Reanimated Shinobi and White Zetsu. Can the alliance hold long enough to stop the army?
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
The Suginami Animation museum’s current exhibit should be of particular interest to British fans. It’s a showcase of the art of Satoshi Kon, who built an international reputation as a truly adult, often bitingly satirical anime director before his tragically early death in 2010
Andrew Osmond rolls up for the fun of the anime fair…
Roll up for Karneval! See cosplay cats, robot sheep, hi-tech airships, battling super-beings, smiling snowmen, mutating monsters and cute boys. Some very cute boys, in fact. Let’s face it, studio Manglobe – which has a CV that zigzags between the gruesome Deadman Wonderland and the cuddliness of The World God Only Knows – has opted to make the pretty youths into the main selling-point.
Spoilers for part one ahead, as Andrew Osmond gets timey-wimey
The show’s finale is squarely in anime traditions, combining heartfelt child-parent reunions, a boy’s resolution to ‘lift the curse’ of his origins, and an orgasmically explosive deus ex machina that lets a character write the end he wants – one that happens to have shades of another Gainax anime classic, Gunbuster. There’s fanservice for you!
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
Shinji Aramaki’s digital reimaging of Japan’s classic sci-fi adventure Space Pirate Captain Harlock is serious business. Not only is it ranked amongst Toei Animation’s most expensive productions to date, weighing in with a mighty £20+ million budget, its staff is also a who’s-who of the Japanese animation industry.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.