With Aizen's defeat, peace has returned to the both the Soul Society and the World of the Living. But soon reports begin to surface of Soul Reapers going missing in the Precipice World, and Ichigo is a prime suspect. He and Rukia go on the run from the 13 Court Guard Squads, while in the World of the Living, Kon finds an unconscious girl lying in the street. When Ichigo and Rukia find out more about the girl, Nozomi, they realize their world, as well as the Soul Society, is in danger, and the Soul Reapers pursuing them and Nozomi are actually imposters known as Reigai, who have switched places with the missing Soul Reapers!
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
With a gruelling shoot that spanned April 2007 to September 2008 after its leading man’s injury on set, filmed in the sub-tropical heat of Japan’s idyllic Ryukyu island chain, Kamui evokes a savage era where all unwelcome influences were ruthlessly suppressed, and plays with the notion that the Japanese peasantry of the 17th century had formed secret societies of semi-magical assassins.
Paul Browne on the songstress behind the dramatic ending theme
‘Utsukushiki Zankoku na Sekai’ (This Beautiful Cruel World) is, on the whole, a wistful and enigmatic song that seems strangely disconnected from a series that regularly deals with death and despair. Yoko Hikasa’s mesmerising vocals manage to draw the viewer in, lending an air of reflection and regret.
Andrew Osmond on an anime classic, available at last in the UK
Hideaki Anno takes on Captain Nemo and 20,000 Leagues Under the Sea, in an anime series that began as a proposal by Hayao Miyazaki... It's one of the best-love anime ever, and it's only now getting a UK Blu-ray release.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
This is the perfect summer blockbuster movie, as well as a textbook example of how to do a spin-off feature just right. Modern-day Hollywood could learn a lot from Phoenix Priestess, even as it sticks to lessons from an older version of the American Dream Factory.
Culture shocks and military musings, in Gen Urobuchi's hard-hitting anime
"It’s an interesting time to have a hero with a militarist outlook. This blog has discussed the arguments over the alleged political content in the blockbusting Attack on Titan and Ghibli’s film The Wind Rises. In both cases, the controversies connects to Japan’s own militarist past in the 1930s and ‘40s, and the spectres they conjure up in countries round the world; of Japanese kamikaze pilots, of torturers ruling POW camps, of the so-called “banzai charges” of soldiers sworn to die for their Emperor."
Who watches the watchmen watching your thoughts...?
Psycho-Pass; the first half of the name should warn you. This is a blend of SF and horror by the studio which brought you Ghost in the Shell, now splicing cyberpunk, police procedural and splatter. There will be blood, and dismembered body parts, and if no-one’s actually eaten a human liver on the show yet, there’s still Psycho-Pass 2 to come.
Jasper Sharp runs the numbers on newly-released statistics
The incendiary claims put forward last October by Takeshi Kitano that “the Japanese film industry is going to ruins” seemed to hit a raw nerve with many in the industry and were widely reported in the international press.
Hugh, phew, barneys and boobs, cutthroats, demons and blood...
If this show dropped all the extreme fan-service it would still be an exciting action-horror adventure, not far removed from an extended arc of Supernatural or the like. As it is, you get that and a show that would have broken the jiggle counter if anime DVDs still had them. After decades of evolution, even harem comedies can produce a show with some substance.
The start of an action anime series is often a bewildering experience, dropping the viewer into a whirlwind of unfamiliar folk having very big fights. K’s like that, but luckily the main character starts the show as baffled as us. Yashiro Isana is a bit different from the standard schoolboy hero