Goku, Earth's greatest champion, bravely defends humanity against an invading race of warriors known as the Saiyans. When the mighty hero falls, his young son Gohan rises up to face the very villains who murdered his father. The battle rages through space to Planet Namek, where Gohan and his overmatched allies risk their lives to defeat the Saiyan warlord Vegeta – and the monster known as Frieza!
Contains episodes 1-26.
Special Features: Textless Songs, Trailers.
Spoken Languages: English, Japanese, English subtitles.
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.
Redline and Lupin III: The Woman Called Fujiko Mine showcase the talent of Takeshi Koike, a rising star in the anime firmament. While the two titles are very different, they’re both brash and arresting, the obverse of any safe house ‘style’...
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.
Jameson Locke is a legendary manhunter and agent with the Office of Naval Intelligence (ONI), Earth’s most powerful and secretive military branch. When he and his team are caught in a horrific biological attack, they unravel a plot that draws them to an ancient, hellish artifact, where they will be forced to fight for their survival, question everything, and ultimately choose between their loyalties and their lives…
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
Stephen Turnbull asks what (if anything) went wrong with the 47 Ronin?
When T. H. White’s great Arthurian fantasy The Once and Future King was first published the New York Times described it as “a glorious dream of the Middle Ages as they never were but as they should have been.” A very similar comment would not be inappropriate to describe the strange world of old Japan conjured up in the movie 47 Ronin.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
What's been added to the Black Flag spin-off comic?
You can never go wrong with pirates. There’s the romance of the open sea, and the rebellion of taking what you want, and the adventure of looking for buried treasure. And in the Japanese magazine Monthly JumpX, there is the massive marketing synergy of being able to put Assassin’s Creed IV on the cover.