A staple in anime's popularity around the world, Ghost in the Shell elevated cyberpunk to a whole new level. Ghost in the Shell: Arise takes it one step further with a brand new story and breathtaking visual effects. Contains OVA 3 and 4: OVA 3 - Border 3: Ghost Tears The Major's attempts to move on with her life are derailed by terrorist bombings, a deadly investigation involving prosthetic legs, and phantoms from the past! OVA 4 - Border 4: Ghost Stands Alone When the riot squad starts shooting citizens during the holiday season, the Major and her team must track down a terrorist hacker who operates under the name Fire-Starter.
Andrew Osmond asks if it really is the end for Ghost in the Shell
Solid State Society is, as of writing, the last anime instalment of Ghost in the Shell. Will there be any more? Interviewed in 2007, Mitsuhisa Ishikawa, co-founder of Production IG, suggested the franchise could be refreshed by a switch to live-action, with Kusanagi, Batou, Togusa and the rest of Section 9 interpreted by real actors. If it was a success, the franchise could return to anime later.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
On sale now at the San Diego Comic Con in a limited edition of only 325 prints, Kilian Eng's beautiful Ghost in the Shell poster for Mondo. It's a thing of beauty made specially to commemorate the 25th anniversary.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
With the animated versions of Saya’s vampire-slaying adventures now into its third incarnation in both TV and feature versions, most recently featured in the release of Blood C: The Last Dark, one feels compelled to ponder in some depth the abject failure of the 2009 live-action version one of Sony’s few key 21st century animated franchises.
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
If you’re reading this blog, there’s a fair chance that the idea of visiting Japan has crossed your mind a few times. American-born Jamil Abbas Kazmi had a similar thought, though he wanted to take it one step further by establishing a career out there.
Evangelion's director on Gerry Anderson, fandom and his latest project
This is not the Anno you may have read about, the one portrayed as an awkward, gangly, neurotic geek. Maybe Anno was like that once, but the cream-suited director we meet is sleek and authoritative, composed and confident, quite at ease talking to foreign hacks like us. He doesn’t adjust his glasses intimidatingly, but it still feels like the onetime Shinji has quietly metamorphed into his father Gendo.