The Gastrea virus spreads like wildfire, causing each infected host to rapidly mutate, gaining new powers and abilities with every stage of development, even while they continue to attack, kill and infect multiple new hosts. Unable to fight a pandemic enemy that turns defenders into adversaries, the shocked remnants of the human race are forced to retreat into cities surrounded by giant monoliths made of Varanium, one of the few materials that can stop the Gastrea. Now mankind's last hope lies in the Cursed Children: young girls infected with the virus who have managed to retain a hold on their humanity. Paired with a partner, they alone have the strength to take on a Gastrea in one-on-one combat. But the very thing that gives them power is a ticking time bomb, so even as they protect humanity, they are also feared and shunned. Are they Girls? Monsters? Or Mankind's Ultimate Salvation? The answer awaits as the apocalypse is unleashed in BLACK BULLET! English 2.0, Japanese 2.0 with English Subtitles Extras: Clean Opening Animation; Clean Closing Animation
By the time you’ve read this, the eight 15-minute episodes of Robot Atom will have been aired by the Nigerian broadcast network Channels TV. Based on one of anime’s most iconic creations, Tezuka Productions’ Astro Boy (Tetsuwan Atomu), this Nigerian-Japanese co-production brings a new slant to glocalization
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.
Jonathan Clements reviews a new account of Fu Manchu
The Yellow Peril: Dr Fu Manchu & The Rise of Chinaphobia (sic) is an enjoyably traditional work of gentlemanly erudition, with research in dusty archives accompanied by a slew of lunches with bigwigs and interviews with associates, as our polymath hero Sir Christopher Frayling examines the origins of the infamous mastermind from Sax Rohmer’s once-popular novels.
Together they formed Vivid, the visual kei band responsible for “Blue”, the 14th opening to Bleach, and a band which stopped all activity last month, disappearing just weeks before their track would appear in the latest UK release of Bleach.
Mamoru Oshii's latest film, fresh from its Tokyo premiere
In his live introduction to the premiere of Garm Wars The Last Druid at the Tokyo International Film Festival, Mamoru Oshii called his film a "a precise recreation of the delusions in my mind." While the truth of that statement is only known to Oshii, Garm Wars is certainly embedded in Oshii-land, ticking off the staple themes and existential worries in his work, while finding a new kind of gorgeousness.