Several hundred years ago, humans were nearly exterminated by giants. Giants are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by enclosing themselves in a city protected by extremely high walls, even taller than the biggest of giants. Flash forward to the present and the city has not seen a giant in over 100 years. Teenage boy Eren and his foster sister Mikasa witness something horrific as the city walls are destroyed by a super giant that appears out of thin air. As the smaller giants flood the city, the two kids watch in horror as their mother is eaten alive. Eren vows that he will murder every single giant and take revenge for all of mankind.
This is the burning question for Attack on Titan fans, and it’s certainly not answered in the second volume of the anime series. Rather, Volume 2 shows a world which is still in the process of expanding, bringing on a great many vivid new characters – and arguably the most vivid of all isn’t even a human, but a sexy woman Titan who stomps all over the series.
Paul Browne on the bombastic opener for the fan-favourite anime
Based on Hajime Isayama’s manga series, Attack On Titan has inspired TV adverts, a live action adaptation and, more recently, a crossover with Marvel comics that will see the titans battling the likes of Spider-Man and The Avengers on the streets of New York.
Robotics;Notes could be called You Can Build Your Own Giant Robot! It’s about geeks engaged in a preposterous project; building the mecha they’ve seen in anime for real. The show’s aimed at viewers who might think they really could. After all, they’d probably heard of otaku who have built oversized robots for real.
Following its phenomenal success in UK cinemas last Autumn, Manga Entertainment are thrilled to announce the re-release of Dragon Ball Z: Resurrection 'F' in 3D for a limited time in 56 sites across the UK.
This is the perfect summer blockbuster movie, as well as a textbook example of how to do a spin-off feature just right. Modern-day Hollywood could learn a lot from Phoenix Priestess, even as it sticks to lessons from an older version of the American Dream Factory.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
Last week we gave you the opportunity to vote for your favourite male character from Attack on Titan. This week is your chance to vote for your favourite female character and while there may be fewer choices, we feel it’s definitely anyone’s game this week.