Brace yourself for a hardboiled, sci-fi thriller from the creator of Madoka Magica and the studio that brought you Ghost in the Shell. Welcome to a world where just thinking about a crime is enough to enough to make you guilty. Bad intentions can no longer be hidden, and the police know exactly which tainted minds are about to cross over to the wrong side of the law. The great equalizer in the war on thugs is the Dominator, a futuristic weapon that can read minds and assess the risk that a citizen will turn criminal. Cops work in teams made up of Enforcers and Inspectors. Enforcers take out the bad guys, Inspectors stop their partners from going rogue, and the all-powerful Sibyl System keeps a watchful eye on us all. Society is paralyzed by its deepest, darkest desires, and trial by jury has been replaced by the wrath of the Dominator. Welcome to the future. How guilty are you?
Ever since her debut, the heroine of Masamune Shirow's manga-turned-global-franchise Ghost In The Shell has been a high-end product. She's a cyborg combat specialist modified to look like a cross between a top fashion model and a porn star, in a world where most of the women we see are as objectified as in our own reality.
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
Japan Underground's Tom Smith on how to rock and roll all nite in Tokyo
I wanted to see bands playing live music, experience local pubs and bar culture, and not get back to my hotel until it was light. Now, my nights in the city are as busy, if not busier, than my days. Here’s a quick look at some of the Tokyo hotspots worth hitting for music fans.
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
Bleach series 13 continues the clash between Soul Society’s Shinigami and Sousuke Aizen’s Arrancar army. It also brings with it a new talent in Japanese pop-rock: miwa. This fresh-faced female, armed with a guitar and an arsenal of upbeat pop-rock songs, provides the series’ twelfth opening theme, ‘chAngE’.
The word hihokan is usually translated as ‘sex museum’, although most are best described as indoor sexual theme parks. Imagine that an anthropological collection has been bought by the London Dungeon and put on show there by the owner of a strip club with a degree in engineering and a penchant for voyeurism. The result would be the hihokan: a garish combination of serious museum and soft pornography in a bizarre and often haphazard blend.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.