A New Threat to the Soul Society Arrives! In their bid to assume control of the Soul Society, Kageroza's Reigai imposters turn out to be as powerful as their Soul Reaper originals. A weakening Ichigo and the others attempt to train Nozomi to reach Shikai, possibly their key chance to defeat Kageroza. But there is still more to the mod soul Nozomi than meets the eye... Head Captain Genryusai Yamamoto joins the battle, but when Nozomi is taken captive and Ichigo's powers become increasingly unstable, the outcome is anybody's guess! Contains episodes 330-342. Special Features: Omake, Clean Opening and Ending. Spoken Languages: English, Japanese, English subtitles.
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Japan’s technophilia was born and fostered during the Meiji Era (1868-1912), as it sought to catch up with the American and European powers that came knocking on its door and opened the country up to the wider world.
By the time you’ve read this, the eight 15-minute episodes of Robot Atom will have been aired by the Nigerian broadcast network Channels TV. Based on one of anime’s most iconic creations, Tezuka Productions’ Astro Boy (Tetsuwan Atomu), this Nigerian-Japanese co-production brings a new slant to glocalization
Toei Animation has announced production on Dragon Ball Super, the first all-new Dragon Ball series to be released in 18 years. Following the recent events of the hit feature film Dragon Ball Z: Resurrection, Dragon Ball Super will debut in July 2015 in Japan.
Jasper Sharp reviews a book on the maddest film producer of all
Paul Fischer’s hugely entertaining book, A Kim Il-Sung Production, is the story of two men who lived, ate and breathed cinema, the actress who brought them together and the monster they created together – the Godzilla-inspired Pulgasari (1985), the last of seven features Shin and Choi made in the DPRK in a period of just three years.
The director of Ghost in the Shell on being digital
"For the first time in my career I was dealing with something that existed only as data within a machine. In a way, I felt shocked, but at the same time I understood that it was the prelude of what my job as a filmmaker was going to be."
Jasper Sharp reviews the biggest anime book in the world
The ever-expanding volume of anime released in Japan, which includes theatrical one-offs, TV serials and videos, is truly mindboggling, and the authors have really done an amazing job in cataloguing titles emerging on new media platforms such as the internet and mobile phones.