The exciting conclusion to the psychological thriller, based on the manga written and illustrated by Sakae Esuno, is about Yuki, a loner who's not very good with people. He prefers to write a diary on his cell phone and talk to his imaginary friend, Deus Ex Machina – The God of Time and Space. However, Yuki soon learns that Deus is more than a figment of his imagination when he makes Yuki participate in a battle royale with eleven others. The contestants are given special diaries that can predict the future, each diary possessing unique features that give it both advantages and disadvantages. Within the next 90 days, the contestants must try to survive until there is only one left standing. The winner will become the new God of Time and Space.
Matt Kamen follows the white rabbit in this brutal prison saga
After an environmental disaster ravages Tokyo, three quarters of the city is wiped from the Earth. What’s left of the once-bustling metropolis is re-developed into Japan’s largest prison, a privately owned concern known as Deadman Wonderland, that forces inmates into sadistic carnival shows for bloodthirsty spectators. To force participation, prisoners are collared with a device that slowly poisons them, a lethal dose building up over three days unless they eat a foul-tasting piece of candy to purge their system and reset the timer. The prison’s chief warden Makina is a no-nonsense ball-buster who never hesitates to punish insubordination or misbehaviour, often with a slash of her lethal sword.
Mamoru Oshii's latest film, fresh from its Tokyo premiere
In his live introduction to the premiere of Garm Wars The Last Druid at the Tokyo International Film Festival, Mamoru Oshii called his film a "a precise recreation of the delusions in my mind." While the truth of that statement is only known to Oshii, Garm Wars is certainly embedded in Oshii-land, ticking off the staple themes and existential worries in his work, while finding a new kind of gorgeousness.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Two high-profile Manga Entertainment releases have something in common in the form of musician and composer Yasuharu Takanashi. It’s the distinctive musical strokes of Takanashi that appear on the new Naruto movie The Lost Tower as well as the upcoming movie addition to the Fairy Tail series – Phoenix Priestess.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.