A thousand years after the alien Gauna destroyed the Earth, a small remnant of humanity still fights on to survive, fleeing on the gargantuan asteroid-based spaceship Sidonia. But centuries of flight and warfare have changed mankind in incredible ways: genetic engineering has allowed humans to photosynthesize like plants, reproduction occurs through cloning, and a third gender has been created to balance the population. Even though it's been a century since the last encounter with the Gauna, military service is mandatory, with all those able enough enlisted to pilot the Garde robots that stand as Sidonia's front line of defense. For Nagate Tanikaze, whose grandfather secretly hid him in the forgotten bowels of the asteroid, it's a strange new world as he's forced to come to the surface and join the ranks of defenders. Yet his recruitment comes just in time, for the Gauna have suddenly reappeared, and what could be man's last battle will require every resource humanity has left. And what no one knows, yet, is that Nagate is not exactly what he seems, and a secret buried in his past may change the fate of all mankind! Contains episodes 1-12 on 3 discs Special Features: Alternate Angle Version - Uncensored, Behind the Scenes Parts 1-2, Press Conference, Advanced Screening, Sounds of Sidonia, Clean Opening Animation, Clean Closing Animation. Spoken Languages: English, Japanese, English subtitles
There's little to be proud of in this perfunctory light-novel spin off
If anyone needed further proof that Attack on Titan is a cultural juggernaut, they'd only have to take a glance at the bookshelves. While Hajime Isayama's original manga most notably spawned the breakthrough anime series, there are also numerous spin-off and prequel manga, artbooks, and light novels by a host of other creators, all drafted in to craft as much material set in and around the world as possible.
The life and legend of Leiji Matsumoto's anti-hero
The new Harlock's ship is positively monstrous, a skull-faced battering ram that smashes other spacecraft to flinders. The press notes suggest the darkening of Harlock is a reflection of the times, and of modern Japan.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
Andrew Osmond says if you liked that, you might like this…
“Sometimes you are thrown complete curveballs. So you will think that you are watching a series about a bunch of schoolchildren fighting aliens... and then one of them will stick their finger up another one's bum..."
Since our announcement we have had it confirmed by TOEI Animation (The Licensor) that the masters being used for our release will be those used in Australia by Madman Entertainment. At the time of our announcement this had not been confirmed to us.
It’s notable that, despite what you might think looking at the franchise now, Yu-Gi-Oh! was not conceived as a card game tie-in, any more than Totoro was made to sell soft toys (though both benefitted hugely from the spin-offs). When it began, the Yu-Gi-Oh! manga was rather different from the anime which most people know.
It’s a Japanese translation by Minoru Kume of the classic British children’s book, The Hundred and One Dalmatians by Dodie Smith, with about seventy Tezuka illustrations in his characteristically cartoony style.