From the director of AFRO SAMURAI! Based on the smash-hit videogame, Bayonetta: Bloody Fate follows the story of the witch Bayonetta, as she defeats the blood-thirsty Angels and tries to remember her past from before the time she awoke, 20 years ago. Alongside her is a mysterious little girl who keeps calling her Mummy, a journalist that holds a personal grudge against Bayonetta and a unknown white-haired woman who seems to know more than she is willing to reveal about Bayonetta's time before her sleep.
This is the burning question for Attack on Titan fans, and it’s certainly not answered in the second volume of the anime series. Rather, Volume 2 shows a world which is still in the process of expanding, bringing on a great many vivid new characters – and arguably the most vivid of all isn’t even a human, but a sexy woman Titan who stomps all over the series.
Shigeru Mizuki is largely responsible for the modern-day yokai phenomenon, thanks to his enduringly influential Spooky Kitaro manga series and other similarly ghoulish serials like Sanpei the Kappa and Akuma-kun.
With a series of box-ticking MacGuffins, wandering-monster encounters and vaguely defined side missions, Appleseed: Alpha feels all too often like one is watching someone else playing a computer game, not the least because several crucial moments are bodged or oddly framed, so that it is not always clear what’s going on.
Ocean Waves is the only feature anime by the world-famous Studio Ghibli which might be called obscure. It wasn’t made for cinemas but television, broadcast on Japan’s NTV network in 1993. And now it's playing as part of the BFI's Ghibli season...
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.