The Fourth Great Ninja War has begun and even the strongest fight to survive! The quest for power and struggle for control leads many heroes down hard roads. Sasuke's revelation of Naruto's potential and defeat in combat lead him to consider the path of Orochimaru. While Naruto continues to master the power within under the watchful eye of Killer Bee, the Allied Shinobi Forces confront Madara and Kabuto's army of Reanimated Shinobi and White Zetsu. Can the alliance hold long enough to stop the army?
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
‘The next hero in the Japanese rock scene!” boldly claims their press release. Someone certainly believes in Japan’s rising guitar act TOTALFAT, it’s not every day there’s an English language press release accompanying a theme song from Naruto (or most anime for that matter).
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Asian-American animator Monty Oum passed away tragically on the 1st February this year at the age of 33. RWBY (pronounced Ruby, the lead character’s name, but also an acronym of the four lead characters) is his legacy, a fully CG-animated web series that is as close to anime as a series made outside of Japan can be, so much so that Warner Bros Japan have bought it to dub and release locally.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."