The TRANSFORMERS – THE MOVIE 30th Anniversary Edition featuring the newly remastered movie from a new 4K transfer of original film elements.
The AUTOBOTS, led by the heroic OPTIMUS PRIME, prepare to make a daring attempt to retake their planet from the evil forces of MEGATRON and the DECEPTICONS. Unknown to both sides, a menacing force is heading their way – UNICRON. The only hope of stopping UNICRON lies within the Matrix of Leadership and the AUTOBOT who can rise up and use its power to light their darkest hour. Will the AUTOBOTS be able to save their native planet from destruction or will the DECEPTICONS reign supreme?
Bonus Content: • ‘Til All Are One – A brand-new, comprehensive documentary looking back at TRANSFORMERS: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others! •Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu • Featurettes • Animated Storyboards • Trailers and TV Spots
For the ultimate fans and collectors, The TRANSFORMERS THE MOVIE Limited Edition, 30th Anniversary Steelbook comes with highly collectible Steelbook packaging, 2 Blu-ray set of the newly remastered movie (Both aspect ratios), immersive bonus content including brand-new featurettes, plus many more. This is a must-own collection to every fan's library!
That might explain why in 2006, Nissin sponsored the anime series Freedom, designed by Akira and Steamboy godfather Katsuhiro Otomo and directed by Shuhei Morita. Set on the Moon and exploring themes of blossoming adulthood in a post-Earth society, the characters in the seven-part series are often seen chowing down on a steaming hot Cup Noodle.
Culture shocks and military musings, in Gen Urobuchi's hard-hitting anime
"It’s an interesting time to have a hero with a militarist outlook. This blog has discussed the arguments over the alleged political content in the blockbusting Attack on Titan and Ghibli’s film The Wind Rises. In both cases, the controversies connects to Japan’s own militarist past in the 1930s and ‘40s, and the spectres they conjure up in countries round the world; of Japanese kamikaze pilots, of torturers ruling POW camps, of the so-called “banzai charges” of soldiers sworn to die for their Emperor."
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
Jonathan Clements on Jackie Chan and the Garden of Gardens
Jackie Chan’s films have often smuggled in the odd political nudge and wink behind the tomfoolery, but Chinese Zodiac puts it all front and centre. Rather nobly, it shies away from issues of race or one-sided nationalism, making greed itself the great unifier – ensuring that Europeans and Chinese can be found on both sides of the battle.
Is the One Piece movie a subtle dig at Studio Ghibli...?
"In the period just after Hosoda left Howl, it must have been devastatingly disappointing, to a man in an industry where artistic achievement counts for more than pay cheques. And so the story has risen: that Omatsuri is Hosoda’s venting of his demons, that Luffy’s howls of despair are Hosoda’s own."