One Piece Movie 7: Mega Mecha Soldier of Karakuri Castle The Straw Hats visit an island known as Mecha Island and once again, they are on the hunt for treasure. But it is not any ordinary treasure! For what they seek is the legendary Golden Crown. One Piece Movie 8: Episode of Alabasta: The Pirates and the Princess of the Desert The island kingdom of Alabasta is about to erupt in civil war - a war engineered by Crocodile, one of the Seven Warlords of the Sea, and his criminal organization Baroque Works. Monkey D. Luffy, his Straw Hat pirates, and Princess Vivi race to the island, where the strongest warriors of Baroque Works wait to stop them. Can Vivi and her friends stop an entire war? And how can Luffy fight Crocodile, when Crocodile can turn into sand? One Piece Movie 9: Episode of Chopper + The Miracle Winter Cherry Blossom
Of the anime titles turned into T-shirts by Uniqlo, One Piece is the biggest – the reigning king of all the anime and manga franchises, pretty much unchallenged in the 16 years since Eiichiro Oda began the manga, and 14 since Toei Animation started animating it. But perhaps Uniqlo would have turned One Piece into a line of shirts even if the saga hadn’t been a world hit. Just look at those pirate designs – brash, cartoony, uncompromising. There’s no whiff of a committee, no hint of a five-year product plan reliant on changing a heroine’s hair colour (or deepening her cleavage). It just helps that the pictures are as commercial when they move as they are when they’re a cool static graphic in a manga, or on the front of a T-shirt.
“Ninja or pirates?” While Naruto – representing the ninja corner, of course – has proven hugely popular, UK fans have long been unable to weigh in on the other side. With the long-awaited arrival of One Piece on DVD this May, that finally changes.
Matt Kamen finds out who’s who in the One Piece anime
Monkey D. Luffy: The founder and captain of the Straw Hats, Luffy is a carefree soul who wants to become king of the pirates. After eating the Gum-Gum Devil Fruit, he gained an elastic body, making him near-invulnerable and able to stretch but paradoxically making him unable to swim.
One-hit wonders. Every country has them. And, as PSY can most likely attest, very few musicians really want to be labelled as one. Sure, it’s all fun, games and fancy dinners when that royalty cheque floats through the letter box. The one with all the zeroes from that single from yesteryear that went massive. But what about the rest of your work? It must be somewhat unsatisfying as an artist to be known for one track, while everything else remains relatively overlooked, and expectations are high for that difficult follow up single. If you’re TOMATO CUBE, you do nothing. Ever again.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
The literary history of the Arabian Nights that underlies Magi is fascinating. The one point that any Magi fan should know to sound erudite is that three of the show’s main characters, Aladdin, Alibaba and Sinbad, are named after famous Arabian Nights heroes. However, none of these heroes were actually in the original collection.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
BFI announce a festival of Miyazaki, Takahata, et al...
The BFI South Bank cinema in London will be screening a Studio Ghibli season throughout April and May. Curator Justin Johnson will be giving an introduction to Ghibli on the 2nd April, followed by screenings of all the major Ghibli works and a number of relative obscurities
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
The game Mysterious Cities of Gold: Secret Paths is rolling out as a digital download across multiple platforms. This month it becomes available on the Nintendo 3DS and Amazon, following launches on the Wii U, iPad, iPhone and Steam.
Evangelion's director on Gerry Anderson, fandom and his latest project
This is not the Anno you may have read about, the one portrayed as an awkward, gangly, neurotic geek. Maybe Anno was like that once, but the cream-suited director we meet is sleek and authoritative, composed and confident, quite at ease talking to foreign hacks like us. He doesn’t adjust his glasses intimidatingly, but it still feels like the onetime Shinji has quietly metamorphed into his father Gendo.
Studio Ghibli, tattoo removal and the San Diego Comic Con in our 26th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements to discuss last week’s Studio Ghibli, the San Diego Comic Con, upcoming releases, and your questions from Twitter and Facebook. Includes an inadvisable impersonation of Meryl Streep, commentary track shenanigans, and Jerome’s skateboarding stunts.