When four small-town losers stumble across an alien crash site containing an incredible battle suit, they soon find themselves responsible for the fate of the entire planet. With this new alien equipment genetically bound to them, and the government hot on their heels, the foursome have no choice but to work together as one to save humanity. All they have to do is learn to use a strange alien device meant for only one-person, train for a battle against an omnipotent enemy, and not kill each other in the process. They may not be strong, smart, or talented... but they’re Lazer Team. Based on a true event, Lazer Team is directed by Matt Hullum and stars Burnie Burns, Gavin Free, Michael Jones, Allie DeBerry, Colton Dunn and features Alan Ritchson.
Lazer Team is The first feature film from pioneering studio Rooster Teeth, the creators of the longest-running web series in history, Red vs Blue. In 2014 Lazer Team smashed crowdfunding records when the film raised more than $2.6 million on IndieGoGo.
Another MCM London Comic Con has come to an end and we would like to say a huge thank you to all the fans that came to visit the Manga UK booth over the weekend. We had a great time meeting you all and watching you take part in the Anime Karaoke!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.