They arrived in silence and darkness, descending from the skies with a hunger for human flesh. Parasites - alien creatures who must invade and take control of a human host to survive – have come to Earth. No one knows their secret except high school student, Shinichi Izumi, who’s right hand has been invaded by an alien parasite. Shinichi and Migi, the parasite in his hand, begrudgingly form a friendship and find themselves caught in the middle of a war between humans and parasites.
Andrew Osmond catches the live-action premiere of Hitoshi Iwaaki’s Kiseiju
The Tokyo International Film Festival closed with the live-action Parasyte, a superb blend of SF, comedy and primarily horror, where the levity of the early scenes freezes into a drama with an ice-cold alien grip.
There's little to be proud of in this perfunctory light-novel spin off
If anyone needed further proof that Attack on Titan is a cultural juggernaut, they'd only have to take a glance at the bookshelves. While Hajime Isayama's original manga most notably spawned the breakthrough anime series, there are also numerous spin-off and prequel manga, artbooks, and light novels by a host of other creators, all drafted in to craft as much material set in and around the world as possible.
Mochi-tsuki (rice cake pounding) takes place during all kinds of Japanese celebrations such as Festivals and New Year. Yesterday I got to try it myself, and I have to say that there is nothing quite like the taste of fresh mochi.
Ever wonder just how Goku and friends became the greatest heroes on Earth? Wonder no more, as the original Dragon Ball reveals the origins of Akira Toriyama’s beloved creations! The faces may look familiar, but everything else is different in this classic series!
At heart, Death Note and Code Geass tell the same story. A teenage Tokyo schoolboy with a towering intellect, railing against the world, is given fantastic powers by a supernatural agency. He finds he can manipulate people like puppets and kill with ease. His power is bound by rules and restrictions, yet still seems godlike.
At their production peak, Shaw Studios sanded down some of the historical elements in their epics, concentrating on acrobatics and heavier violence. This, in turn, made them more palatable or at least accessible to non-Chinese audiences, and inadvertently stoked the fires of the Kung Fu Boom.