When is it okay for a real-life disaster to become entertainment?
How soon is too soon? The question’s raised by the new Godzilla trailer, the first half of which seems to be all about recreating traumatic events as fantasy, just three years after they occurred. Specifically, the trailer opens with a disaster at a Japanese power station, before segueing into images of a giant wave sweeping into a town with devastating force. Both images seem less ripped than Xeroxed from the headlines of March 2011, when northern Honshu (Japan’s mainland) was struck by an earthquake which caused a tsunami, killing thousands, and the meltdown at Fukushima.
Redline and Lupin III: The Woman Called Fujiko Mine showcase the talent of Takeshi Koike, a rising star in the anime firmament. While the two titles are very different, they’re both brash and arresting, the obverse of any safe house ‘style’...
With a series of box-ticking MacGuffins, wandering-monster encounters and vaguely defined side missions, Appleseed: Alpha feels all too often like one is watching someone else playing a computer game, not the least because several crucial moments are bodged or oddly framed, so that it is not always clear what’s going on.
Director Naoyoshi Shiotani on getting the darkness right
“In every theatre you have different light, so you can never be sure what it’s going to look like. So you have to think; will this be okay, will you lose details in that kind of darkness? It was hard to calculate all that.”
On sale now at the San Diego Comic Con in a limited edition of only 325 prints, Kilian Eng's beautiful Ghost in the Shell poster for Mondo. It's a thing of beauty made specially to commemorate the 25th anniversary.