**Special Edition Combo Pack incl. 2 x Blu-ray, 3 x DVD and a limited edition o-card cover**
Opposites may attract, but putting them together can result in chemical burns, electric shocks, and explosions. Enter Hachiman Hikigaya, a pessimistic high school student with no friends, no interest in making any, and the firm belief that everyone else's cherished high school experiences are either delusions or outright lies.
Hachiman finds himself coerced by his well-meaning student advisor into joining the one-member Service Club. There he encounters club founder Yukino Yukinoshita, a smart, attractive, walking superiority complex who looks down on the entire student body. These two negative personalities are quick to attract Yui Yuigahama, who's cute, bright, cheerful, and needs the Service Club's help to... bake cookies? Is this a recipe for romance or the precursor for a nuclear meltdown? Will there be cookies, nookie, or a reason for everyone to play hooky?
Helen McCarthy doesn’t trust everyone she meets on the Internet…
High-schooler Keima has absolutely nothing to do with girls. In fact, he has as little as possible to do with any non-virtual scenario. All Keima's attention is occupied by the dreamgirls of the dating sim games he plays online - and there, he never fails to score. In fact, he's known as "the God of Conquest" because no virtual female has ever been able to resist him. But one of the problems of online relationships is that it's easy for the other party to misrepresent matters. Keima finds himself trapped in a life-or-death deal to help Elsie, a cute, incompetent and absurdly named demon, to capture hearts: real ones, beating inside real girls. Having always viewed life as an unwelcome distractions from games, he has to use skills gained online to manipulate it.
God-like schoolgirl Haruhi Suzumiya may well have a near-religious following, but she’s got just as many atheists denying her merits. Matt Kamen embraces his bipolar disorder to examine the vices and virtues of one of the anime world’s most divisive series!
One of the biggest, best and most jam-packed weekends of anime madness yet
“By focusing on 'Everything about Anime,' and 'offering more opportunities to experience animation,' we aim to create an event that can be enjoyed by people of all ages and that contributes to the future of animation.”
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
Jonathan Clements goes in search of groove in a grove
Tajomaru: Avenging Blade is part of a trend in filmmaking that has seen a number of Japanese classics approached from new angles. In Hollywood, we have the Satsuma Rebellion retooled in The Last Samurai, and Keanu Reeves already at work on the forthcoming Forty-seven Ronin. Within Japan, Sogo Ishii’s Gojoe (2000) replayed a famous samurai legend with a gritty, glossy, pop sensibility. Shinji Higuchi’s Hidden Fortress: The Last Princess (2008) re-appraised a Kurosawa classic through the priorities and influences of George Lucas’s Star Wars. Kazuaki Kiriya’s Goemon (2009) retold an old kabuki tale, re-imagined with the weight of a century of potboiler novels and schlocky ninja movies.
The Wolf Children is a family film about a family. This may help explain while Mamoru Hosoda’s movie was a hit in Japan, something that’s very unusual for a standalone cartoon film not linked to an entrenched brand. A well-rounded portrait of a family offers many ways in for different generations. The Wolf Children is the story of an unassuming ‘ordinary’ mum who must find reserves of superhuman strength; of a rambunctious girl and a troubled boy, each with different relationships to their animal sides; of a magic, mythic love between a human woman and a gentle werewolf; and of everyday, practical living away from city lights and mod-cons.
Kaguya has plenty to please Oscar voters. Unlike some of Takahata’s films, it’s extremely accessible to Western viewers. As MyM magazine put it, “You watch Takahata’s film and you can hear the underlying millennium-old tale as if it’s being read to you aloud, at bedtime surely, to your childhood self.”
Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.