The show's not over until the band says it's over! Sometimes music and words come together so perfectly that the combination is far more powerful than either would be alone. In much the same way, the five members of the Sakuragaoka Girl's High School's Light Music Club have become far more than just a group of girls with similar interests. More, even, than just a group of friends. Through the medium of music they've found a common course in life, and whatever the future may bring, they know they can get through it if they stand together. Which makes the coming end of the school year and the graduation of the four older members something that's dreaded as much as it's looked forward to. But in the meantime there's so much going on, it's as if life has decided to throw everything it can at them. Going to music festivals won't be hard to swing, but running a marathon? That will be a stretch! Yearbook photos? The horror! And a school play with Mio and Ritsu cast as Romeo and Juliet? Ooo, VERY awkward. And then, of course, there's one big final performance for the band! The tempo is rising and emotions run wild as the final encore approaches in K-ON!! Season 2 Collection 2!!
We grew up with them: Garth, Peanuts, Calvin & Hobbes. The comic strip has a long history. Four-panel strips have been around in Japan since at least the early 1900s. Classic comics like Sazae-san and modern hits like Axis Powers Hetalia all started as four-panel strips, and K-On! grew out of the same tradition.
Rayna Denison on K-on! and the rise of the nichijo anime
The best thing about K-on! is undeniably the music, from the (cloyingly?) cute opening credits to the gothic-lolita inspired visuals of the closing sequence, whenever the Sakuragaoka Light Music Club performs, there is fun to be had in this series. Moreover, the show’s burgeoning obsession with dressing its female leads in costumes that shade from schoolgirl uniforms into maid costumes, provides a variety of copy-able cosplay get-ups likely to feature soon at a convention near you (if you haven’t seen them there already). By these various means, K-on! carefully walks the line between exploitation and a rather sweet self-empowerment-through-music storyline.
Clearly the team at Kyoto Animation had a nice long holiday to Britain in preparation for K-On! The Movie. In the film, our heroines take a trip to London to celebrate their graduation, and locations from Camden Town to Denmark Street to Abbey Road are reproduced in impressive detail. The girls even take in Earl's Court, Sherlock Holmes' gaff on Baker Street, Borough food market and dozens of other spots, all instantly recognisable to anyone born and bred in London. After seven years in Tokyo I don't get homesick much, but K-On! The Movie had me pining for proper tea, service with a frown and fights outside pubs. Aaah, London.
Hugh David can’t find his hotel and he’s carrying a guitar…
K-On!, the TV series, adapting the manga about high-school girls forming a rock band at school, has after two seasons on TV spun off into a theatrical feature. A tradition of the TV business internationally, the subject matter is also a typical spin-off tradition: taking the main characters abroad for fish-out-of-water hijinks (see The Inbetweeners for another recent example). Where The InBetweeners has been a raucous success in the U.K. for showing accurately just how vile and stupid teenage boys really are however, K-On! has broken new ground in Japan by being a female-fronted series with considerable behind-the-scenes female talent, who are making a show that eschews fan-service in favour of greater realism, and this has continued with the movie.
Ever since her debut, the heroine of Masamune Shirow's manga-turned-global-franchise Ghost In The Shell has been a high-end product. She's a cyborg combat specialist modified to look like a cross between a top fashion model and a porn star, in a world where most of the women we see are as objectified as in our own reality.
The Suginami Animation museum’s current exhibit should be of particular interest to British fans. It’s a showcase of the art of Satoshi Kon, who built an international reputation as a truly adult, often bitingly satirical anime director before his tragically early death in 2010
Jonathan Clements on this season’s classy anime feature
Ever willing to poke around in the interstices of history for children’s stories of the war, the Japanese animation industry alights here on the true story of Hiroshi Tokuno, on whose life story this film is partly based.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Jameson Locke is a legendary manhunter and agent with the Office of Naval Intelligence (ONI), Earth’s most powerful and secretive military branch. When he and his team are caught in a horrific biological attack, they unravel a plot that draws them to an ancient, hellish artifact, where they will be forced to fight for their survival, question everything, and ultimately choose between their loyalties and their lives…
That might explain why in 2006, Nissin sponsored the anime series Freedom, designed by Akira and Steamboy godfather Katsuhiro Otomo and directed by Shuhei Morita. Set on the Moon and exploring themes of blossoming adulthood in a post-Earth society, the characters in the seven-part series are often seen chowing down on a steaming hot Cup Noodle.