From The Director Of Madoka Magica Comes The Breakout Anime of 2014! Raku Ichijo is an average high school student. He also happens to be the sole heir to the head of a Yakuza Family called the Shuei-gumi. 10 years ago, Raku made a promise… a secret promise with a girl he met. They promised one another that they will “get married when they reunite.” Since then, Raku never let go of the pendant the girl gave him.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Matt Kamen on the “Evangelion of magical girl shows”
Magical Girls can be traced as far back as the 1960s, with the likes of Fujio Akatsuka’s Secret Akko-chan or Mitsuteru Yokoyama’s Sally the Witch – the first manga and anime, respectively, to dabble in the genre of girls gaining powers from a piece of jewellery or trinket of some kind. Hundreds more would join their ranks over the years, some merely using their powers for twee but ultimately everyday adventures, others transforming into battle-ready warrior women fighting for the safety of the entire planet. Ever since Naoko Takeuchi’s Sailor Moon exploded in popularity in 1992, the more superheroic approach has dominated the field.
Together they formed Vivid, the visual kei band responsible for “Blue”, the 14th opening to Bleach, and a band which stopped all activity last month, disappearing just weeks before their track would appear in the latest UK release of Bleach.
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
In the dark days between the closure of the first Bandai-Gundam Museum in 2006 and the proliferation of Gundam cafes across Japan’s capital over the past few years, a small glimmer of mecha-shaped light remained for anime fans near Japan’s capital: the Bandai Museum in Mibu, Tochigi Precture. This new “Omocha-no-machi” Bandai Museum opened in 2007, following the demise of the original museum in Chiba, offering a huge collection of toys from the Edo-period to the present day.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
"The action scenes remain superlative, designed and executed in a way Western live-action directors would do well to study. The way character moments are woven within elevates them above mere technical exercises. The Prague shoot-out and Tokyo car chase are the sort of gems that prove that anime can still trump live-action in the same creative arenas when it wants to."