Goku, Earth's greatest champion, bravely defends humanity against an invading race of warriors known as the Saiyans. When the mighty hero falls, his young son Gohan rises up to face the very villains who murdered his father. The battle rages through space to Planet Namek, where Gohan and his overmatched allies risk their lives to defeat the Saiyan warlord Vegeta – and the monster known as Frieza!
Contains episodes 1-26.
Special Features: Textless Songs, Trailers.
Spoken Languages: English, Japanese, English subtitles.
Ever since her debut, the heroine of Masamune Shirow's manga-turned-global-franchise Ghost In The Shell has been a high-end product. She's a cyborg combat specialist modified to look like a cross between a top fashion model and a porn star, in a world where most of the women we see are as objectified as in our own reality.
Tom Smith on the newest numero-enchanted musicians
It may sound odd to English ears, but 7!!’s choice of pronunciation makes sense (well, a tiny bit of sense) when put into the context of where the band grew up; Okinawa. It’s an area that’s closer to Taiwan than mainland Japan, and one that’s had a heavy US military presence since the Second World War. These factors, among plenty of others, have had an affect on the cultural evolution of the islands, and one of the most evident examples can be found in local popular music scene.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?
Even without the tie-in with anime, Idoling!!! had had a strong presence on television. After all, the group were created by a bunch of media moguls from Fuji TV. They figured out that by appealing to two of Japan’s more dedicated entertainment fangroups, idol fans and TV junkies, that they could be on to a winner.
Salarymen to the left of me, shoppers to the right. And here I am, stuck in the middle with otaku. Well, more accurately I’m frolicking with them, in Hibiya Open-Air Concert Hall, a concrete amphitheatre that’s dwarfed by the towering skyscrapers of Tokyo’s business district to the west, and high-end retail haven Ginza to the east. Between the two is the venue, hidden in the peaceful Hibiya Park. Peaceful, that is, until 3,000 anime fans descend en masse, clutching chunky glow batons, wearing identical shirts and all waiting for the latest lady-singer that tickles the tastes of otaku to hit the stage; LiSA.
Actually, Aesthetica should be called The New Boobfest where Girls Fight Monsters and Lose Panties, From The People Who Brought You Master of Martial Hearts, Queen’s Blade and the Ikki Tousen Franchise. That tells us where we are!
Jonathan Clements on the movie that turns anime on its head
Boy-meets-girl has never been so strange as in this feature, in which the leads must literally cling to each other or fall away to an uncertain fate. Patema Inverted winningly plays with matters of spatial awareness, perspective and weight, regularly flipping its angles until the viewer literally can no longer remember which way is truly up.
One of the biggest, best and most jam-packed weekends of anime madness yet
“By focusing on 'Everything about Anime,' and 'offering more opportunities to experience animation,' we aim to create an event that can be enjoyed by people of all ages and that contributes to the future of animation.”