The chupacabra, a goat sucking cryptoid said to inhabit the Americas. CHU-BURA, a Japanese rock song from the band KELUN. Thanks to Manga Entertainment, there is proof that one of these now exists within the UK – and best yet, it poses no known risks to goat-kind. Yes, series nine of Bleach is here and it brings with it a single opening theme, and it would become Kelun’s most popular track to date.
Back in 2006 the band was known by a very different name. UTARI. The line-up was almost identical to today, with Ryousuke Kojima supplying the vocals, guitar and piano work, Satou Shuusake dropping bass-lines and Masahiro Kajitani keeping everything together on drums. Under that name the trio released a debut EP and were soon rocking up the Oricon indie chart.
By the following year the band made the transition to a major label, signing with Sony Music Entertainment. They emerged with a new name, continuing their activities, this time under the banner of KELUN. Within months their first major CD hit the shelves, entitled Astral Lamp. It featured six tracks, two of which became theme songs. First, opening track ‘SIGNAL’ was used as the sixth ending to the anime series Gintama. Then, album track ‘HEART BEAT’ as the opening theme to the live action vamp-boy drama RH Plus.
The CD peaked at 78 in the charts, and was followed up with their debut single ‘SIXTEEN GIRL’ – which may or may not be an Engrish prophecy as to how many people would buy it. Either way, it failed to enter the top 100 despite heavy tie-ins with various television shows.
Thankfully KELUN were third time lucky with their follow up single. It was CHU-BURA, and for Bleach fans, the CD came with two songs from their favourite franchise; the title track, from series nine, and the grammar defying B-side ‘Boy’s Don’t Cry’, which featured as the opening to the PSP action RPG Bleach: Soul Carnival. The single rocketed the band into the charts, landing them a respectable position at 20 in its opening week on sale – still KELUN’s highest ever ranking. Unfortunately, bassist Satou left the band just before the single hit, being quickly replaced by new boy Yukito, completing the group’s current line-up.
CHU-BURA’s success couldn’t have been better timed. Two months after its release KELUN dropped their first full length album, fresh off the success of the track. The whopping 17-track self-titled beast of an album included the single, plus alternative versions of ‘SIXTEEN GIRL’ and ‘SIGNAL’ from their first major EP. It seemed like they were set, they’d finally made it. And then the sales figures came in; KELUN (the album) got as high as 140 in the chart. From there, besides one collaboration single in 2009, the band disappeared from the limelight without a trace (their homepage has also been deleted). A shame, but at the least the legacy that is CHU-BURA lives on in Bleach.
Every ten years, seven magicians compete with them for a secret war in order to possess the Holy Grail. After this battle, the magician winner will have the right to see a heightened desire. Emiya Shiro is an ordinary high school boy except that he is the adopted child of a very powerful magician died. Emiya does not have the talent of his father but to cultivate a very specific, it can repair items. But the day he finds himself facing a battle between two wizards, it will awaken the power that lies dormant in him as a young woman's beauty as devastating as its power: Saber. The order of seven magicians is now met, the war begins.
Andrew Osmond has the technology… to watch Mardock Scramble
In Mardock Scramble: The First Compression, the young heroine is burned to a crisp, then remade Frankenstein-style. Fifteen year-old Balot is blown up in a car by her sugar-daddy Shell, a serial-killer. Then a seedy scientist rescues Balot’s charred body, plops it into an underground vat and refashions her as a super-avenger.
In the West, we’re still inclined to think of anime as coming out of manga, as naturally as eggs from chickens – one line into a Mardock Scramble piece and we’re already talking about eggs again). In Mardock’s case, both the manga and anime are alternative versions of a novel by Tow Ubukata, published as a trilogy in Japan and collected into one volume by the publisher Haikasoru. It’s comparable to what happened with Battle Royale, a novel which spawned a live-action film and an even more lurid manga.
Monkey Majik first shot to fame in Japan in 2006 when their second major-label single Around The World became the opening theme to TV drama Saiyuuki, an updated version of the famous Chinese tale Journey to the West. A fitting introduction for the band, considering the story is widely known as Monkey in English. Magic.
Sports have been around in anime from very early in its history, but the first identifiable sports anime, Yasuji Murata's Animal Olympics in 1928, didn't feature soccer. In fact, the beautiful game was a latecomer to the anime sports world. Compared with baseball, soccer had few fans.
An important change to the Psycho-Pass DVD/Blu-ray release
For all of you looking forward to the release of Psycho-Pass we have some news for you. Today we can confirm that due to high demand we will be combining the upcoming Part 1 and Part 2 releases of Psycho-Pass into one Complete Series Collection!
Andrew Osmond on the controversy of Miyazaki's last feature
As Miyazaki’s film itself makes clear, Horikoshi was a cog in Japan’s military machine at the time of the country’s most aggressive expansion. This was when Japan was moving into China, proclaiming what it called the “Greater East Asian Co-Prosperity Sphere,” which really meant Japanese imperialist supremacy in East Asia.
Director Naoyoshi Shiotani on getting the darkness right
“In every theatre you have different light, so you can never be sure what it’s going to look like. So you have to think; will this be okay, will you lose details in that kind of darkness? It was hard to calculate all that.”
Fans who are fully up-to-date and casual viewers and newcomers alike can both enjoy the One Piece movies! Each is entirely self-contained, with entirely new plots not found in Eiichiro Oda’s original manga, but are every bit as enjoyable.
The director’s path from Sci-Fi London to Hollywood
“We pulled all our favourite moments from Akira and had this library of reference, so whenever we got stuck, or we ever felt like a sequence wasn’t inspired enough, or we didn’t know exactly how to give it that edge to made it feel as epic as we could, we would always thumb through the Akira imagery and suddenly get a wave of excitement or a new direction.”