A year has passed since Ichigo lost his Soul Reaper powers and resumed the life of a normal teenager. But those ordinary days come to an end when Ichigo meets a mysterious man named Kugo Ginjo, who offers to help him get his Soul Reaper powers back - and gives him only a day to decide! Ichigo is dead set against it, until Uryu is injured by an unknown attacker. Ichigo, powerless to help, turns to Ginjo and is introduced to the group Xcution, whose Fullbring powers Ichigo must face in battle if he ever hopes to get strong again! Contains episodes 343-354. Special Features: Omake, Clean Opening and Ending. Spoken Languages: English, Japanese, English subtitles.
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
Jonathan Clements visits an exhibition of manga’s pioneers
Running upstairs at London’s Cartoon Museum until 29th November, Gekiga: Alternative Manga From Japan charts the evolution of truly adult comics, both in terms of content and style, in the post-war period.
Andrew Osmond on the history of animation’s corner-cutting secret
Rotoscoping and its descendants are an important part of American cinema, and recognised today. Many film fans know, for example, that Gollum, Peter Jackson’s King Kong and the rebel anthropoid Cornelius in the Planet of the Apes reboot are all based on physical performances by one actor, Andy Serkis. Again, it’s common knowledge that the Na’vi aliens in Avatar were human actors ‘made over’ by computer – the digital equivalent of those guys wearing prosthetic foreheads and noses in the older Star Trek series.
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
Two high-profile Manga Entertainment releases have something in common in the form of musician and composer Yasuharu Takanashi. It’s the distinctive musical strokes of Takanashi that appear on the new Naruto movie The Lost Tower as well as the upcoming movie addition to the Fairy Tail series – Phoenix Priestess.
Spoilers for part one ahead, as Andrew Osmond gets timey-wimey
The show’s finale is squarely in anime traditions, combining heartfelt child-parent reunions, a boy’s resolution to ‘lift the curse’ of his origins, and an orgasmically explosive deus ex machina that lets a character write the end he wants – one that happens to have shades of another Gainax anime classic, Gunbuster. There’s fanservice for you!
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.