The Soul Reapers form an uneasy alliance with the Visoreds, and the battle against the Espadas resumes. Barragan, the former ruler of Hueco Mundo who was displaced by Aizen, appears to be defeated by the combined efforts of Hachigen and Soi Fon until they discover him forcing open Hachigen's Shiju Saimon barrier. Later, Ichigo is troubled that he can't seem to use his Hollowfication to full effect. And with the ultimate battle with Aizen looming, he'll need every ounce of power!
Tom Smith on Aqua Timez, the band from the Bleach 6.2 soundtrack.
Many of the artists who perform the many themes of Bleach can attribute their entry to mainstream success to the famous anime series. And if not to Bleach, then to anime in general. That was until the five-strong pop squad Aqua Timez entered the scene.
Tom Smith reports on YUI, the all-caps rock chick.
It’s been suggested that Japan’s singer, song-writing guitar chick YUI is her country’s answer to Avril Lavigne. Amid an industry manufactured and micro-managed to levels that make England’s best pop efforts seem amateur in comparison, she stands out as beacon of musical delight. For teenage girls, she’s proof that you don’t need to buy into the squeaky clean, plastic smiles of sickeningly sweet J-pop to be a successful female musician; for guys she’s the girl next door, and for anime fans she’s composed and performed themes in some of the most prominent series of recent years, including Bleach and Fullmetal Alchemist: Brotherhood.
Tom Smith on the band behind Bleach’s 13th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."
It’s gratifying to see a generation of people so interested in hygiene – that must be why you’re lining up to buy a series called ‘Bleach’, right? If some orange haired janitor with a fancy mop (mop, magical talking death sword – whatever) excites you, hold on for these other heroes of the Japanese cupboard space!
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Tom Smith on the band behind Bleach’s 21st Ending Theme
SunSet Swish held their first-ever live performance on Valentine’s Day 2004, at a small venue in Osaka Prefecture’s Hirakata city. A fitting introduction to the music world for a band whose claim to fame is having quite possibly the soppiest theme in Bleach history: ‘Sakurabito’.
Jeremy Graves is joined by Jerome Mazandarani and Andrew Hewson for our 23rd podcast., featuring cover woes, delayed shows, and several uses of the word Slash. Your questions answered, dodged or otherwise belittled, while Jerome confesses to his Facebook addiction, and Jeremy is reprimanded for flagging his own segues.
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Andrew Osmond on Japan's chances at this year's Academy Awards
There are two anime among this year’s Oscar nominees: Hayao Miyazaki’s The Wind Rises, competing for Best Animated Feature, and Shuhei Morita’s Possessions, vying for Best Animated Short. To date, there has been only one Japanese winner in each category. Miyazaki’s Spirited Away was the winning feature in 2002; Kunio Kato’s La Maison en Petits Cubes won Best Animated Short Film in 2008. What are the new films’ chances?
Studio Ghibli, tattoo removal and the San Diego Comic Con in our 26th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements to discuss last week’s Studio Ghibli, the San Diego Comic Con, upcoming releases, and your questions from Twitter and Facebook. Includes an inadvisable impersonation of Meryl Streep, commentary track shenanigans, and Jerome’s skateboarding stunts.
Andrew Osmond turns an anime eye on a new history book
If the past is truly another country, then Modern Japan: All that Matters suggests the average Japanese youth may be as remote from the land of shogun and samurai as Britain is from today’s Tokyo. Jonathan Clements’ new book is a concise history which focuses on the country’s last seventy years, from Japan’s surrender in 1945 to the present.
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.