The epic showdown between Goku and Frieza reaches its climax as planet Namek crumbles beneath their feet! In the aftermath of battle, neither fighter is anywhere to be found, but Earth's few remaining heroes have much bigger problems. A mysterious and powerful stranger known only as Trunks arrives from the future with a warning: the Androids are coming, they take no prisoners, and even Goku - wherever he may be - is no match for their kind!
A Versus feature with a difference: Last Exile against Last Exile!
With the first part of Last Exile: Fam, The Silver Wing now available in the U.K., we can finally compare it with its predecessor, Gonzo’s 10th and 20th anniversary specials pitted against each other. What do they tell us about the industry then and now?
Fans of K-On! The Movie’s lovely and realistic vision of London may not be aware that in between that film and Steamboy’s loving depiction of a steampunk-era Manchester and London rests a show that is as accurate as either, and yet is also arguably the most English anime show ever made. Yet it still cannot be bought on DVD in the UK itself.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Shinji Aramaki’s digital reimaging of Japan’s classic sci-fi adventure Space Pirate Captain Harlock is serious business. Not only is it ranked amongst Toei Animation’s most expensive productions to date, weighing in with a mighty £20+ million budget, its staff is also a who’s-who of the Japanese animation industry.
22nd June sees the first ever British release of Nadia: The Secret of Blue Water on Blu-ray and DVD, courtesy of Animatsu. Nadia is a splendid adventure on its own terms, but it’s also an insight into the development of Hideaki Anno, who made Nadia five years before he unleashed Neon Genesis Evangelion on the world.
They’re world-famous practitioners of pictorial media. They started out labouring in despised sub-cultures, then rose to become full-blown artists with establishment respect. Oh, and they both have really impressive facial hair. Miyazaki prefers to keep his beard neatly trimmed, but Moore’s magnificent bristle evokes a shaggy primeval forest, housing a Paleolithic shaman from Northampton or a bouncing bellowing Totoro. Or possibly both.