aruto declares to his friends his intention to take on Sasuke by himself, while the Elders of the Leaf make a serious decision about who will fill the vacant seat of Hokage: Kakashi! In Mount Myoboku, Gerotora, Fukasaku and the Great Lord Elder debate whether or not to give Naruto the key to the Tetragram Seal that Gerotora holds, an act that could potentially unleash Nine Tails. Meanwhile, Tsunade recovers from her coma and, having grasped the situation, issues orders to prepare for war! Contains episodes 219-231. Special Features: Additional Scenes, Production Sketches, Storyboards. Spoken Languages: English, Japanese, English subtitles.
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Two high-profile Manga Entertainment releases have something in common in the form of musician and composer Yasuharu Takanashi. It’s the distinctive musical strokes of Takanashi that appear on the new Naruto movie The Lost Tower as well as the upcoming movie addition to the Fairy Tail series – Phoenix Priestess.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
Turning Point offers invaluable peeps at Miyazaki’s mind at work, including the way he grows his imagery out of lyrical ideas. “I am experiencing old age for the first time in my life,” he comments at one point, managing to be both wise and dotty at the same time.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.