A comedy-adventure film best described as Indiana Jones meets Monty Python and the Holy Grail. With nods to the Matrix, Lord of the Rings and The Goonies it's a treat for fans of science-fiction and fantasy. Starring new YouTube superstar Stuart Ashen, alongside established stars such as Warwick Davis (Harry Potter, Return of the Jedi) and Robert Llewellyn (Red Dwarf), the film follows Ashens' insane search for a piece of electronic tat... the fabled Game Child console. He is accompanied by fan favourite Chef Excellence, and together they try to overcome the odds to lay their hands on the fabled Game Child. But a shadowy figure aided by Ashen's irritating nemesis wants the game for their own dastardly ends. Special features include an all new extended cut of the movie previously unavailable anywhere else, a comprehensive audio commentary by Stuart Ashens and bonus features including Behind The Scenes featurerres and interviews with key cast memebers including Rob Llewellyn and Warwick Davis as well as the Stormtrooper Costume Tour, trailers, YouTube spots and much more.
By the time you’ve read this, the eight 15-minute episodes of Robot Atom will have been aired by the Nigerian broadcast network Channels TV. Based on one of anime’s most iconic creations, Tezuka Productions’ Astro Boy (Tetsuwan Atomu), this Nigerian-Japanese co-production brings a new slant to glocalization
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.