What does it really mean to be a magical girl? Madoka Kaname is an eighth-grader who leads a peaceful, fun-filled life as a student, surrounded by her beloved family and her best friends. One day, a transfer student named Homura Akemi arrives in Madoka's class. She is a dark-haired beauty with a somewhat mysterious disposition. Soon after meeting Madoka for the first time, Homura goes on to issue Madoka a strange warning. Madoka also meets Kyubey, a mysterious looking white creature. He says, Make a contract with me and become a magical girl! To make any wish come true – Madoka didn't know the meaning of this miracle nor what its cost may prove to be. An impending loss triggers a drastic change in her destiny...
Matt Kamen on the “Evangelion of magical girl shows”
Magical Girls can be traced as far back as the 1960s, with the likes of Fujio Akatsuka’s Secret Akko-chan or Mitsuteru Yokoyama’s Sally the Witch – the first manga and anime, respectively, to dabble in the genre of girls gaining powers from a piece of jewellery or trinket of some kind. Hundreds more would join their ranks over the years, some merely using their powers for twee but ultimately everyday adventures, others transforming into battle-ready warrior women fighting for the safety of the entire planet. Ever since Naoko Takeuchi’s Sailor Moon exploded in popularity in 1992, the more superheroic approach has dominated the field.
Andrew Osmond says if you liked that… you might like this…
So, you’ve finished Puella Magi Madoka Magica. Good, wasn’t it? Don’t be too depressed that it’s over. A new story is being prepared as a feature film (not to be confused with the two-part compilation recently released in Japan). Moreover, writer Gen Urobuchi revealed in October that a further TV incarnation of the show is on the cards. But if you’re looking for something to watch till then, consider Angel Beats, out on Blu-ray and DVD.
Necromancy, ten years of NEO, and the carrot of continuations on our 27th podcast
Jeremy Graves is joined by the fragrant Gemma Cox of NEO magazine, the pungent Andrew Partridge from Anime Ltd, and the newly doctored Jonathan Clements to discuss Scotland Loves Anime, the Boom Boom Satellite Distraction Device, and rogue robot tanks.
Jeremy Clarke on a documentary about Isao Takahata's remarkable feature
There's a real treat in store for all those eagerly awaiting the UK theatrical release on 20th March of Studio Ghibi's Oscar-nominated The Tale Of The Princess Kaguya. In selected cinemas, alongside the film itself, comes a superb documentary entitled Isao Takahata and his Tale of Princess Kaguya.
The game Mysterious Cities of Gold: Secret Paths is rolling out as a digital download across multiple platforms. This month it becomes available on the Nintendo 3DS and Amazon, following launches on the Wii U, iPad, iPhone and Steam.
The Net is vast, Major Motoko Kusanagi reflects more than once across the multiple versions of Ghost in the Shell. So, indeed, are franchises. Ghost in the Shell has been going twenty-five years, and seems capable of renewing itself for at least as long again.
Andrew Osmond on why the Kaguya director deserves an Oscar
On February 22nd, The Tale of the Princess Kaguya, directed by Isao Takahata, will compete at the eighty-seventh Academy Awards. It’s a moment long overdue. Takahta has been called the Ozu of animation; it’s a medium he’s worked in since 1959, making both rarefied artworks and nationally-beloved favourites.