Turning Point offers invaluable peeps at Miyazaki’s mind at work, including the way he grows his imagery out of lyrical ideas. “I am experiencing old age for the first time in my life,” he comments at one point, managing to be both wise and dotty at the same time.
Like the film, this novelisation is intricate and intimate in its details, and universal in its storytelling. The writing is simple enough for readers of around seven or eight to enjoy, without any loss to the emotional impact of the girls’ adventures, while fans of the film will also find new details that were previously unelaborated in the movie.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
Andrew Osmond on the history of animation’s corner-cutting secret
Rotoscoping and its descendants are an important part of American cinema, and recognised today. Many film fans know, for example, that Gollum, Peter Jackson’s King Kong and the rebel anthropoid Cornelius in the Planet of the Apes reboot are all based on physical performances by one actor, Andy Serkis. Again, it’s common knowledge that the Na’vi aliens in Avatar were human actors ‘made over’ by computer – the digital equivalent of those guys wearing prosthetic foreheads and noses in the older Star Trek series.
This weekend saw the 10th edition of the UK’s biggest J-culture event, Hyper Japan! Darcy headed down to the Kensington Olympia on Saturday to check out what was happening and give us the festival lowdown.