Tom Smith on one of Naruto’s most recognised bands
If you haven’t missed an episode of Naruto, then you’ll most definitely ‘GO!!!’ and ‘Re:member’ FLOW, the band behind the catchy and high-energy fourth and eighth opening themes. Well, now everyone’s got a little older, wiser and stronger as the story progresses through the Shippuden saga, the quintet have decided to return! Their 18th single ‘Sign’ is the sixth opening of the series, featuring in the episodes of box set 11 from Manga Entertainment, and it’s every bit as fun and bouncy as their prior Naruto-based efforts – hoorah!
FLOW’s success through Naruto, as well as from other anime such a Code Geass and Eureka Seven, lead to the eclectic rock band getting noticed across the world. In 2006 they were invited to perform at Anime Fest in Dallas, though, chiefly for Code Geass promotion than that of Naruto, which had only recently began airing in English on Toonami there. By the time the episodes with ‘GO!!!’ and ‘Re:member’ had hit America and the UK, FLOW already had a new album out with entirely new songs, and another ready to drop imminently. Keen to tap in on the group’s ever-expanding following overseas, their label in Japan, Ki/oon Records, decided to release their upcoming album, entitled MICROCASM simultaneously in 44 countries via iTunes (click here for the UK store’s listing).
MICROCASM not only includes ‘Sign’, from Naruto Shippuden, but also ‘CALLING’, the ending theme from HEROMAN, a series created by Marvel’s Stan Lee and produced by studio Bones, as well as 13 other tracks. It was also awarded Best J-Music Album at Japan Expo in Paris in 2011, and lead to the group being invited to the event the following year for their first European performance. Before that they had also returned to the States another three times to promote their music, the album and the anime they had been featured in.
As of the time of writing, Ki/oon decided against releasing FLOW’s follow up album BLACK&WHITE the same way. Released on February 2012, the album managed to peak at number 29 in the Oricon chart – 20 places lower than MICROCASM. Coincidentally, the record didn’t feature a single track from Naruto. Could that be the reason it wasn’t as successful? Were FLOW spending too much time concentrating on the global music market that it made their domestic sales suffer? Or has music consumption methods simply shifted in those two years, leading fans to purchase their music digitally now, as opposed to physically, which is where the data for the Oricon chart is gathered? Who knows for sure, but if you want to show the labels that the world outside of Japan has a place for Japanese music, the best way to do it is by supporting what little is released internationally, and in this case that would be MICROCASM, which is no bad thing, it’s a great album!
In two featured episodes, Tales of a Gutsy Ninja: Jiraiya Ninja Scrolls, go back in time to witness how the young Jiraiya meets his destiny at Mount Myoboku and trains to become the Toad Sage! Back in the present, Jiraiya successfully infiltrates the Hidden Rain Village and finds the hideout of the Akatsuki's Pain. But will he be as successful in discovering the secret behind the multiple Pains? Meanwhile, Sasuke heads for the Uchiha hideout, where his brother, Itachi, awaits. The amazing visual prowess of the Uchiha come into full play as the fateful battle begins!
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Jeremy Clarke on a documentary about Isao Takahata's remarkable feature
There's a real treat in store for all those eagerly awaiting the UK theatrical release on 20th March of Studio Ghibi's Oscar-nominated The Tale Of The Princess Kaguya. In selected cinemas, alongside the film itself, comes a superb documentary entitled Isao Takahata and his Tale of Princess Kaguya.
Redline and Lupin III: The Woman Called Fujiko Mine showcase the talent of Takeshi Koike, a rising star in the anime firmament. While the two titles are very different, they’re both brash and arresting, the obverse of any safe house ‘style’...
Evangelion's director on Gerry Anderson, fandom and his latest project
This is not the Anno you may have read about, the one portrayed as an awkward, gangly, neurotic geek. Maybe Anno was like that once, but the cream-suited director we meet is sleek and authoritative, composed and confident, quite at ease talking to foreign hacks like us. He doesn’t adjust his glasses intimidatingly, but it still feels like the onetime Shinji has quietly metamorphed into his father Gendo.
Spoilers for part one ahead, as Andrew Osmond gets timey-wimey
The show’s finale is squarely in anime traditions, combining heartfelt child-parent reunions, a boy’s resolution to ‘lift the curse’ of his origins, and an orgasmically explosive deus ex machina that lets a character write the end he wants – one that happens to have shades of another Gainax anime classic, Gunbuster. There’s fanservice for you!
Kaguya has plenty to please Oscar voters. Unlike some of Takahata’s films, it’s extremely accessible to Western viewers. As MyM magazine put it, “You watch Takahata’s film and you can hear the underlying millennium-old tale as if it’s being read to you aloud, at bedtime surely, to your childhood self.”
Twenty years ago, the witch Bayonetta was hauled out of a deep lake, with no memory of her past, how she got there, or who might have hated her enough to put her there. She has in her possession half of an artefact known as the "Eyes of the World.” Joining forces with information broker Enzo, she sets off to find and steal the other half. But powerful forces are moving against her, forces known as the Angels.
Paul Jacques finds a princess and a... erm... scholar
Cosplaying away at Birmingham's Comic Con, Meg Atwill dresses up as Estellise Sidos Heurrasein (or Estelle for short), accompanied by Aimee Tacchi as the whip-wielding scholar Rita Mordio, both from Tales of Vesperia.