Tom Smith on one of Naruto’s most recognised bands
If you haven’t missed an episode of Naruto, then you’ll most definitely ‘GO!!!’ and ‘Re:member’ FLOW, the band behind the catchy and high-energy fourth and eighth opening themes. Well, now everyone’s got a little older, wiser and stronger as the story progresses through the Shippuden saga, the quintet have decided to return! Their 18th single ‘Sign’ is the sixth opening of the series, featuring in the episodes of box set 11 from Manga Entertainment, and it’s every bit as fun and bouncy as their prior Naruto-based efforts – hoorah!
FLOW’s success through Naruto, as well as from other anime such a Code Geass and Eureka Seven, lead to the eclectic rock band getting noticed across the world. In 2006 they were invited to perform at Anime Fest in Dallas, though, chiefly for Code Geass promotion than that of Naruto, which had only recently began airing in English on Toonami there. By the time the episodes with ‘GO!!!’ and ‘Re:member’ had hit America and the UK, FLOW already had a new album out with entirely new songs, and another ready to drop imminently. Keen to tap in on the group’s ever-expanding following overseas, their label in Japan, Ki/oon Records, decided to release their upcoming album, entitled MICROCASM simultaneously in 44 countries via iTunes (click here for the UK store’s listing).
MICROCASM not only includes ‘Sign’, from Naruto Shippuden, but also ‘CALLING’, the ending theme from HEROMAN, a series created by Marvel’s Stan Lee and produced by studio Bones, as well as 13 other tracks. It was also awarded Best J-Music Album at Japan Expo in Paris in 2011, and lead to the group being invited to the event the following year for their first European performance. Before that they had also returned to the States another three times to promote their music, the album and the anime they had been featured in.
As of the time of writing, Ki/oon decided against releasing FLOW’s follow up album BLACK&WHITE the same way. Released on February 2012, the album managed to peak at number 29 in the Oricon chart – 20 places lower than MICROCASM. Coincidentally, the record didn’t feature a single track from Naruto. Could that be the reason it wasn’t as successful? Were FLOW spending too much time concentrating on the global music market that it made their domestic sales suffer? Or has music consumption methods simply shifted in those two years, leading fans to purchase their music digitally now, as opposed to physically, which is where the data for the Oricon chart is gathered? Who knows for sure, but if you want to show the labels that the world outside of Japan has a place for Japanese music, the best way to do it is by supporting what little is released internationally, and in this case that would be MICROCASM, which is no bad thing, it’s a great album!
In two featured episodes, Tales of a Gutsy Ninja: Jiraiya Ninja Scrolls, go back in time to witness how the young Jiraiya meets his destiny at Mount Myoboku and trains to become the Toad Sage! Back in the present, Jiraiya successfully infiltrates the Hidden Rain Village and finds the hideout of the Akatsuki's Pain. But will he be as successful in discovering the secret behind the multiple Pains? Meanwhile, Sasuke heads for the Uchiha hideout, where his brother, Itachi, awaits. The amazing visual prowess of the Uchiha come into full play as the fateful battle begins!
Andrew Osmond catches the live-action premiere of Hitoshi Iwaaki’s Kiseiju
The Tokyo International Film Festival closed with the live-action Parasyte, a superb blend of SF, comedy and primarily horror, where the levity of the early scenes freezes into a drama with an ice-cold alien grip.
The start of an action anime series is often a bewildering experience, dropping the viewer into a whirlwind of unfamiliar folk having very big fights. K’s like that, but luckily the main character starts the show as baffled as us. Yashiro Isana is a bit different from the standard schoolboy hero
Andrew Osmond on Miyazaki’s love for a French classic
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Like the film, this novelisation is intricate and intimate in its details, and universal in its storytelling. The writing is simple enough for readers of around seven or eight to enjoy, without any loss to the emotional impact of the girls’ adventures, while fans of the film will also find new details that were previously unelaborated in the movie.