Tom Smith on one of Naruto’s most recognised bands
If you haven’t missed an episode of Naruto, then you’ll most definitely ‘GO!!!’ and ‘Re:member’ FLOW, the band behind the catchy and high-energy fourth and eighth opening themes. Well, now everyone’s got a little older, wiser and stronger as the story progresses through the Shippuden saga, the quintet have decided to return! Their 18th single ‘Sign’ is the sixth opening of the series, featuring in the episodes of box set 11 from Manga Entertainment, and it’s every bit as fun and bouncy as their prior Naruto-based efforts – hoorah!
FLOW’s success through Naruto, as well as from other anime such a Code Geass and Eureka Seven, lead to the eclectic rock band getting noticed across the world. In 2006 they were invited to perform at Anime Fest in Dallas, though, chiefly for Code Geass promotion than that of Naruto, which had only recently began airing in English on Toonami there. By the time the episodes with ‘GO!!!’ and ‘Re:member’ had hit America and the UK, FLOW already had a new album out with entirely new songs, and another ready to drop imminently. Keen to tap in on the group’s ever-expanding following overseas, their label in Japan, Ki/oon Records, decided to release their upcoming album, entitled MICROCASM simultaneously in 44 countries via iTunes (click here for the UK store’s listing).
MICROCASM not only includes ‘Sign’, from Naruto Shippuden, but also ‘CALLING’, the ending theme from HEROMAN, a series created by Marvel’s Stan Lee and produced by studio Bones, as well as 13 other tracks. It was also awarded Best J-Music Album at Japan Expo in Paris in 2011, and lead to the group being invited to the event the following year for their first European performance. Before that they had also returned to the States another three times to promote their music, the album and the anime they had been featured in.
As of the time of writing, Ki/oon decided against releasing FLOW’s follow up album BLACK&WHITE the same way. Released on February 2012, the album managed to peak at number 29 in the Oricon chart – 20 places lower than MICROCASM. Coincidentally, the record didn’t feature a single track from Naruto. Could that be the reason it wasn’t as successful? Were FLOW spending too much time concentrating on the global music market that it made their domestic sales suffer? Or has music consumption methods simply shifted in those two years, leading fans to purchase their music digitally now, as opposed to physically, which is where the data for the Oricon chart is gathered? Who knows for sure, but if you want to show the labels that the world outside of Japan has a place for Japanese music, the best way to do it is by supporting what little is released internationally, and in this case that would be MICROCASM, which is no bad thing, it’s a great album!
In two featured episodes, Tales of a Gutsy Ninja: Jiraiya Ninja Scrolls, go back in time to witness how the young Jiraiya meets his destiny at Mount Myoboku and trains to become the Toad Sage! Back in the present, Jiraiya successfully infiltrates the Hidden Rain Village and finds the hideout of the Akatsuki's Pain. But will he be as successful in discovering the secret behind the multiple Pains? Meanwhile, Sasuke heads for the Uchiha hideout, where his brother, Itachi, awaits. The amazing visual prowess of the Uchiha come into full play as the fateful battle begins!
Matt Kamen follows the white rabbit in this brutal prison saga
After an environmental disaster ravages Tokyo, three quarters of the city is wiped from the Earth. What’s left of the once-bustling metropolis is re-developed into Japan’s largest prison, a privately owned concern known as Deadman Wonderland, that forces inmates into sadistic carnival shows for bloodthirsty spectators. To force participation, prisoners are collared with a device that slowly poisons them, a lethal dose building up over three days unless they eat a foul-tasting piece of candy to purge their system and reset the timer. The prison’s chief warden Makina is a no-nonsense ball-buster who never hesitates to punish insubordination or misbehaviour, often with a slash of her lethal sword.
At heart, Death Note and Code Geass tell the same story. A teenage Tokyo schoolboy with a towering intellect, railing against the world, is given fantastic powers by a supernatural agency. He finds he can manipulate people like puppets and kill with ease. His power is bound by rules and restrictions, yet still seems godlike.
Andrew Osmond on anime that turn to the dark side…
If it sounds like Guilty Crown’s getting dark, it is. In particular, there’s been a lot of comment on how dark some of the main characters get, in a series that seemed relatively light, even cheesy, in its first half. Star Trek used to have episodes set in a so-called ‘Mirror Universe,’ where the familiar cast could be really bad. Guilty Crown does something similar, without the mirror.
Jonathan Clements on this season’s classy anime feature
Ever willing to poke around in the interstices of history for children’s stories of the war, the Japanese animation industry alights here on the true story of Hiroshi Tokuno, on whose life story this film is partly based.
Ever wonder just how Goku and friends became the greatest heroes on Earth? Wonder no more, as the original Dragon Ball reveals the origins of Akira Toriyama’s beloved creations! The faces may look familiar, but everything else is different in this classic series!
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.
If you’re reading this blog, there’s a fair chance that the idea of visiting Japan has crossed your mind a few times. American-born Jamil Abbas Kazmi had a similar thought, though he wanted to take it one step further by establishing a career out there.