Tom Smith on one of Naruto’s most recognised bands
If you haven’t missed an episode of Naruto, then you’ll most definitely ‘GO!!!’ and ‘Re:member’ FLOW, the band behind the catchy and high-energy fourth and eighth opening themes. Well, now everyone’s got a little older, wiser and stronger as the story progresses through the Shippuden saga, the quintet have decided to return! Their 18th single ‘Sign’ is the sixth opening of the series, featuring in the episodes of box set 11 from Manga Entertainment, and it’s every bit as fun and bouncy as their prior Naruto-based efforts – hoorah!
FLOW’s success through Naruto, as well as from other anime such a Code Geass and Eureka Seven, lead to the eclectic rock band getting noticed across the world. In 2006 they were invited to perform at Anime Fest in Dallas, though, chiefly for Code Geass promotion than that of Naruto, which had only recently began airing in English on Toonami there. By the time the episodes with ‘GO!!!’ and ‘Re:member’ had hit America and the UK, FLOW already had a new album out with entirely new songs, and another ready to drop imminently. Keen to tap in on the group’s ever-expanding following overseas, their label in Japan, Ki/oon Records, decided to release their upcoming album, entitled MICROCASM simultaneously in 44 countries via iTunes (click here for the UK store’s listing).
MICROCASM not only includes ‘Sign’, from Naruto Shippuden, but also ‘CALLING’, the ending theme from HEROMAN, a series created by Marvel’s Stan Lee and produced by studio Bones, as well as 13 other tracks. It was also awarded Best J-Music Album at Japan Expo in Paris in 2011, and lead to the group being invited to the event the following year for their first European performance. Before that they had also returned to the States another three times to promote their music, the album and the anime they had been featured in.
As of the time of writing, Ki/oon decided against releasing FLOW’s follow up album BLACK&WHITE the same way. Released on February 2012, the album managed to peak at number 29 in the Oricon chart – 20 places lower than MICROCASM. Coincidentally, the record didn’t feature a single track from Naruto. Could that be the reason it wasn’t as successful? Were FLOW spending too much time concentrating on the global music market that it made their domestic sales suffer? Or has music consumption methods simply shifted in those two years, leading fans to purchase their music digitally now, as opposed to physically, which is where the data for the Oricon chart is gathered? Who knows for sure, but if you want to show the labels that the world outside of Japan has a place for Japanese music, the best way to do it is by supporting what little is released internationally, and in this case that would be MICROCASM, which is no bad thing, it’s a great album!
In two featured episodes, Tales of a Gutsy Ninja: Jiraiya Ninja Scrolls, go back in time to witness how the young Jiraiya meets his destiny at Mount Myoboku and trains to become the Toad Sage! Back in the present, Jiraiya successfully infiltrates the Hidden Rain Village and finds the hideout of the Akatsuki's Pain. But will he be as successful in discovering the secret behind the multiple Pains? Meanwhile, Sasuke heads for the Uchiha hideout, where his brother, Itachi, awaits. The amazing visual prowess of the Uchiha come into full play as the fateful battle begins!
Matt Kamen on the “Evangelion of magical girl shows”
Magical Girls can be traced as far back as the 1960s, with the likes of Fujio Akatsuka’s Secret Akko-chan or Mitsuteru Yokoyama’s Sally the Witch – the first manga and anime, respectively, to dabble in the genre of girls gaining powers from a piece of jewellery or trinket of some kind. Hundreds more would join their ranks over the years, some merely using their powers for twee but ultimately everyday adventures, others transforming into battle-ready warrior women fighting for the safety of the entire planet. Ever since Naoko Takeuchi’s Sailor Moon exploded in popularity in 1992, the more superheroic approach has dominated the field.
Andrew Osmond says if you liked that… you might like this…
So, you’ve finished Puella Magi Madoka Magica. Good, wasn’t it? Don’t be too depressed that it’s over. A new story is being prepared as a feature film (not to be confused with the two-part compilation recently released in Japan). Moreover, writer Gen Urobuchi revealed in October that a further TV incarnation of the show is on the cards. But if you’re looking for something to watch till then, consider Angel Beats, out on Blu-ray and DVD.
Hopefully you found the first three offerings in last weeks part one informative and you’d had ample time to calm your nerves and research a new country to emigrate to. So without further hesitation, let's complete the list.
Amber Lawrence on the top ten ways to perfect cosplay without ending up on a snark site.
The most important thing anyone needs to know about cosplay is that it’s all about putting on a silly costume for a day, hanging out with your fellow geeks and revelling in geekish joy. But if you combine the increasing numbers of people getting into cosplay and the speedy and anonymous nature of the internet, you end up with a lot of websites out there dedicated to showcasing “Cosplay Fail”. So, if you want to have some costumed fun for the weekend but are worried about faceless internet critics nitpicking at your efforts afterwards, here are our survival tips…
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
Jonathan Clements visits an exhibition of manga’s pioneers
Running upstairs at London’s Cartoon Museum until 29th November, Gekiga: Alternative Manga From Japan charts the evolution of truly adult comics, both in terms of content and style, in the post-war period.
Shinji Aramaki’s digital reimaging of Japan’s classic sci-fi adventure Space Pirate Captain Harlock is serious business. Not only is it ranked amongst Toei Animation’s most expensive productions to date, weighing in with a mighty £20+ million budget, its staff is also a who’s-who of the Japanese animation industry.
Stephen Turnbull asks what (if anything) went wrong with the 47 Ronin?
When T. H. White’s great Arthurian fantasy The Once and Future King was first published the New York Times described it as “a glorious dream of the Middle Ages as they never were but as they should have been.” A very similar comment would not be inappropriate to describe the strange world of old Japan conjured up in the movie 47 Ronin.
The Net is vast, Major Motoko Kusanagi reflects more than once across the multiple versions of Ghost in the Shell. So, indeed, are franchises. Ghost in the Shell has been going twenty-five years, and seems capable of renewing itself for at least as long again.