For the first time! Episodes 25-48 of the epic action-adventure series packaged in one DVD box set for your enjoyment. Across the Fiore kingdom, wizards join guilds and make their pay by filling magical needs - but one guild has a reputation as the roughest, rowdiest, most dangerous of all: Fairy Tail! In the midst of a mission to break the curse over Galuna Island, Natsu and the gang face a band of deranged mages trying to resurrect the monstrous demon Deliora. Gray's determined to put the freeze on the sinister plan in a frigid battle with a rival from his past - even if it takes his own life! Back in Magnolia, the city becomes a warzone after sorcerers known as Element 4 destroy Fairy Tail headquarters and kidnap their beloved rookie, Lucy. A bone-crunching, skin-charring fight between fire and iron erupts when Natsu squares off against another Dragon Slayer wizard!
Matt Kamen is your guide to the world of Fairy Tail!
Welcome to Earthland, where magic runs rampant and professional wizards sell their talents to the highest bidder! Populated by all kinds of mystical creatures, it’s a place of wonder but also one filled with peril.
Mystic action abounds in the second thrilling collection of Fairy Tail, as flame-spewing Natsu, ice-mage Gray, summoner Lucy and the rest of the gang take on sorcerous threats across the world of Earthland. The series is based on the long running manga by Hiro Mashima, and as the anime closes in on its 150th episode in Japan, it’s clearly shaping up to be the next Naruto or Bleach, delivering ongoing adventure to a devoted audience. Unlike a certain orange ninja or black-garbed grim reaper though, Fairy Tail’s roots do not lie in the pages of the famous Weekly Shonen Jump anthology.
It’s been said that two’s company, three’s a crowd. But for Japanese electro-pop duo AIRI and Koshiro, two is more than enough to party – to MAGIC PARTY! At least if the cutesy name of the pair’s musical project is to be believed.
Unlike a number of the bands featured on the Manga UK blog, W-inds haven’t had much of a history with anime tie-ins despite their massive success. In fact, in 14 years they’ve only ever done two anime themes; their first in Akira Amano’s Katekyo Hitman Reborn!, and more recently with Hiro Mashima’s Fairy Tail, where their 29th single Be as One became its sixth ending.
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
What does the anime series Bleach, Grammy Award winner Alicia Keys and grainy mobile phone videos all have in common? For 25-year-old singer Fumika Mitsui, they mark the point where her wildest dreams came true.
Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
Tom Smith investigates the evolution of Japan’s best-loved fast food.
Sushi is serious business. Thought to be healthy, fresh and hip, the combination of vinegared rice with various toppings (notably fish) has become the food associated with Japan, and its history there stretches back almost as far as the country’s writing system. But if you thought the iconic delicacy was Japanese in origin – or even fresh for that matter – hold on to your chopsticks.
When is it okay for a real-life disaster to become entertainment?
How soon is too soon? The question’s raised by the new Godzilla trailer, the first half of which seems to be all about recreating traumatic events as fantasy, just three years after they occurred. Specifically, the trailer opens with a disaster at a Japanese power station, before segueing into images of a giant wave sweeping into a town with devastating force. Both images seem less ripped than Xeroxed from the headlines of March 2011, when northern Honshu (Japan’s mainland) was struck by an earthquake which caused a tsunami, killing thousands, and the meltdown at Fukushima.