For the first time ever! Never before available in the UK! Collect One Piece The Movie 1, 2 and 3 before anyone else in the English speaking world.
- One Piece - The Movie: Years after his disappearance, The legend of the Great Gold Pirate Woonan and his hidden treasure map remain. Many pirates search for his mountain of hidden gold on a remote island. Among them are Captain El Drago and his men who have taken possession of a map to that hidden island. On their way there, they meet and decide to rob the Straw Hat Pirates, who, still lacking a cook, are close to starvation. Our heroes, Luffy, Zoro, and Tobio survive and go on the hunt, hoping to beat Captain El Drago and his crew to the treasure horde. Will Luffy and his crew find the treasure in time? And will they find a cook for their ship before they all starve death. And what is oden and what does it smell like?
- One Piece - The Movie 2: The Adventure Island Clock : While the Straw Hats enjoy a warm day at the beach, their ship with all their equipment and weapons is stolen. As Luffy and his fearless crew mates go in search of their beloved ship they will encounter the mysterious Thief Brothers and embark on a whole new treasure hunting adventure. The quest for the fabled Diaomond Clock from Clockwork Island.
- One Piece - The Movie 3: Chopper Kingdom - Strange Animal Island : With Chopper as their newest member, the Straw Hats arrive at the Island of Strange Animals. Before they can land, a geyser-like fountain sends their ship flying. Chopper falls off and lands in the middle of a gathering of strange animals who conducting a mystical ritual! According to local legend, a king will fall from the heavens and become the ruler of the island! Unbeknownst to Chopper the evil hunter, Count Butler and his team of despicable henchmen, led by General Hot Dog and President Snake are searching this very island for the magical horn of the fabled King of the Animals! Oh oh! Will Luffy and his motley crew of Straw Hats find their new crew mate in time or is Chopper about to become more extinct than a giant rhino?
Of the anime titles turned into T-shirts by Uniqlo, One Piece is the biggest – the reigning king of all the anime and manga franchises, pretty much unchallenged in the 16 years since Eiichiro Oda began the manga, and 14 since Toei Animation started animating it. But perhaps Uniqlo would have turned One Piece into a line of shirts even if the saga hadn’t been a world hit. Just look at those pirate designs – brash, cartoony, uncompromising. There’s no whiff of a committee, no hint of a five-year product plan reliant on changing a heroine’s hair colour (or deepening her cleavage). It just helps that the pictures are as commercial when they move as they are when they’re a cool static graphic in a manga, or on the front of a T-shirt.
“Ninja or pirates?” While Naruto – representing the ninja corner, of course – has proven hugely popular, UK fans have long been unable to weigh in on the other side. With the long-awaited arrival of One Piece on DVD this May, that finally changes.
Matt Kamen finds out who’s who in the One Piece anime
Monkey D. Luffy: The founder and captain of the Straw Hats, Luffy is a carefree soul who wants to become king of the pirates. After eating the Gum-Gum Devil Fruit, he gained an elastic body, making him near-invulnerable and able to stretch but paradoxically making him unable to swim.
One-hit wonders. Every country has them. And, as PSY can most likely attest, very few musicians really want to be labelled as one. Sure, it’s all fun, games and fancy dinners when that royalty cheque floats through the letter box. The one with all the zeroes from that single from yesteryear that went massive. But what about the rest of your work? It must be somewhat unsatisfying as an artist to be known for one track, while everything else remains relatively overlooked, and expectations are high for that difficult follow up single. If you’re TOMATO CUBE, you do nothing. Ever again.
Andrew Osmond finds Emperor Hirohito in Japanese animation
The Sara storyline in Fam the Silver Wing seems to echo a view – many would say a myth – of Hirohito, encouraged not just by the Japanese but also by the victorious Americans when they rebuilt the country. Namely, it was the story that Hirohito was a helpless figurehead, at the mercy of his warmongering government.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Stephen Turnbull asks what (if anything) went wrong with the 47 Ronin?
When T. H. White’s great Arthurian fantasy The Once and Future King was first published the New York Times described it as “a glorious dream of the Middle Ages as they never were but as they should have been.” A very similar comment would not be inappropriate to describe the strange world of old Japan conjured up in the movie 47 Ronin.
The story behind Hayao Miyazaki’s first and greatest heroine
“There has come the advent of the angel of light, the one who will lead you to the pure land. She who loves the forest and talks with the insects… She who calls down the wind, and rides upon it like a bird. And that one shall come to you, garbed in raiment of blue, descending upon a field of gold, to forge anew our ties with the lost land.”
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
The literary history of the Arabian Nights that underlies Magi is fascinating. The one point that any Magi fan should know to sound erudite is that three of the show’s main characters, Aladdin, Alibaba and Sinbad, are named after famous Arabian Nights heroes. However, none of these heroes were actually in the original collection.
Andrew Osmond on the controversy of Miyazaki's last feature
As Miyazaki’s film itself makes clear, Horikoshi was a cog in Japan’s military machine at the time of the country’s most aggressive expansion. This was when Japan was moving into China, proclaiming what it called the “Greater East Asian Co-Prosperity Sphere,” which really meant Japanese imperialist supremacy in East Asia.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.