Karma – it’s a funny old thing. One dastardly deed and somewhere down the line the repercussions will bite you on the backside. Likewise, karma can also bring great rewards. The concept is one with which Japanese songstress KOKIA is all too familiar – not least because it’s the title of her single from the opening of Phantom: Requiem for the Phantom.
It also defines her career as a musician. She had been involved in music from the tender age of two-and-a-bit, when her instruments of choice were the violin and piano. Later in life she had stints at music school in America and Japan before being snapped up by a major label while still at university. She provided the theme to a PlayStation game, and her first few singles had been penned by the same team behind one of the biggest hits from the previous year. If that wasn’t enough, the singles had also found their way into dramas and anime. Yet, even with such a large amount of backing, exposure and her own extensive musical background, her releases barely made the top 100 of the Oricon chart.
Yet, karma wasn’t going to let all the hard work go unwarranted. As if by divine intervention her fourth single ‘Arigatou...’ made her a star. Though, not immediately. And not in Japan. In fact, KOKIA’s debut album failed to chart in her home country at all. Fortunately for her, its release in the rest of Asia was an entirely different story and can be credited to Hong Kong’s super star diva Sammi Cheng. She released a cover of ‘Arigatou...’ the same week that KOKIA made her Asian debut, catapulting the Japanese singer to the stardom she was unable to achieve back home. KOKIA’s original version was eventually awarded third best song in Hong Kong’s Best International Song Awards. Suddenly, her career was back on track.
And thank goodness. Without Sammi Cheng’s success, a second major KOKIA album would have been highly unlikely. And without a second album, her continued career in the world of the anime-song would have probably died as well. The opening to Gunslinger Girl: Il Teatrino would not exist as we know it, the ethereal and haunting vocals that set off the beginning of Origin: Spirits of the Pastwould simply not be, and a whole line of yet-to-be- anime would have very different theme songs.
Her relative success outside of Japan, particularly Europe, has come from the exposure anime has given her voice. In 2010 she conducted her first world tour (and by ‘world’, she clearly meant Europe and Japan) which included dates in London and Ireland, the country which inspired the creation of her seventh studio album Fairy Dance – it also includes three covers of traditional Celtic songs. The album, along with seven others are available digitally from the iTunes UK store courtesy of Wasabi Records, yet both singles taken from Phantom (‘Karma’, as well as closing theme ‘Transparent’) remain unreleased in this region.
KOKIA’s ‘Karma’ and ‘Transparent’ feature in Phantom: Requiem for the Phantom. Part 2 of the series is out on 12th March on UK DVD from Manga Entertainment.
Reality quickly unravels for antisocial Yukiteru when Deus Ex Machina calls him into a death match to determine the new god of space and time. Each mentally scarred player possesses a prophetic device tuned to his or her personality disorder, giving them control over their future... and the fate of their opponents. It's their strongest weapon - and their greatest weakness. Within hours of abusing his digital diary's predictions, Yukiteru is cornered by a crazed classmate. Yuno - who is obsessively stalking him with her own psychic cell phone - is cute, sharp, and great with an ax. Still, her psychosis hides a vile secret. As a serial killer, a cult priestess, and a volatile escape artist take a stab at eliminating the teens, Yuki can cheat death under Yuno's maniacal protection or - DEAD END. Contains episodes 1-13 Spoken Languages: English, Japanese, English subtitles.
Warning against surprise attacks by alien galaxies from beyond space
The colourfully mad Gatchaman Crowds is one of those anime which isn’t happy unless it’s doing umpteen things at once, all seeming completely different. It’s a campy, lowbrow action show and a thinky piece of SF and an otaku series with a taste for the meta and it’s anxious to engage with the real world. You can watch it just for the tangerine colours and the shouty panda. But if you want more pointers, read on…
Paul Browne on the pop duo with multiple anime connections
K’s stirring theme song ‘KINGS’ comes courtesy of J-Pop duo angela. Consisting of vocalist Yamashita Atsuko and multi-instrumentalist Hirasato Katsunori (aka KATSU), angela are a familiar name when it comes to anime theme tunes.
It’s notable that, despite what you might think looking at the franchise now, Yu-Gi-Oh! was not conceived as a card game tie-in, any more than Totoro was made to sell soft toys (though both benefitted hugely from the spin-offs). When it began, the Yu-Gi-Oh! manga was rather different from the anime which most people know.
This is the perfect summer blockbuster movie, as well as a textbook example of how to do a spin-off feature just right. Modern-day Hollywood could learn a lot from Phoenix Priestess, even as it sticks to lessons from an older version of the American Dream Factory.
You know Tokyo; you know Neo-Tokyo. Now welcome to San Fransokyo, the mashup metropolis imagined by Disney’s CG cartoon Big Hero 6, released in British cinemas today. It’s a city where the Golden Gate Bridge sports Shinto gates, where ramen bars and lucky cats are as common as Victorian residences and hill-climbing trams. All this is the stage for a team-superhero adventure, which is itself window-dressing for the tale of a grieving boy and a gentle, huggable, cushion-soft robot.
Jasper Sharp reviews the biggest anime book in the world
The ever-expanding volume of anime released in Japan, which includes theatrical one-offs, TV serials and videos, is truly mindboggling, and the authors have really done an amazing job in cataloguing titles emerging on new media platforms such as the internet and mobile phones.
Tom Smith investigates the evolution of Japan’s best-loved fast food.
Sushi is serious business. Thought to be healthy, fresh and hip, the combination of vinegared rice with various toppings (notably fish) has become the food associated with Japan, and its history there stretches back almost as far as the country’s writing system. But if you thought the iconic delicacy was Japanese in origin – or even fresh for that matter – hold on to your chopsticks.
Tom Smith finds another band with an unspellable name
Meet Ling tosite sigure. Their name may be confusing to pronounce (for anyone interested, it’s more like ‘rin tosh-teh shi-goo-reh’), but that didn’t holdback Japan’s music-loving community from rushing to their local CD-shops and grabbing a copy of the band’s latest album i’mperfect, out now also in the UK thanks to JPU Records.