In the aftermath of the attack on the village, Naruto and Sakura are shocked to discover that Danzo has been selected as the new Hokage. And his first order of business involves Team 7's own Rogue Ninja - Sasuke! Then, the Kage from each village gather for a summit in the Land of Iron, and Naruto seeks a pardon for Sasuke from the Raikage. But the cycle of hatred runs deep in the shinobi world, and while the Five Kage discuss how to deal with the Akatsuki, the mysterious one calling himself Madara steps forward to reveal truths that will turn Naruto's world upside down! Contains episodes 193-243 across 8 ac tion-packed discs.
Languages: Japanese, English and English subtitles.
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Paul Browne on the bombastic opener for the fan-favourite anime
Based on Hajime Isayama’s manga series, Attack On Titan has inspired TV adverts, a live action adaptation and, more recently, a crossover with Marvel comics that will see the titans battling the likes of Spider-Man and The Avengers on the streets of New York.
Bleach series 13 continues the clash between Soul Society’s Shinigami and Sousuke Aizen’s Arrancar army. It also brings with it a new talent in Japanese pop-rock: miwa. This fresh-faced female, armed with a guitar and an arsenal of upbeat pop-rock songs, provides the series’ twelfth opening theme, ‘chAngE’.
With the animated versions of Saya’s vampire-slaying adventures now into its third incarnation in both TV and feature versions, most recently featured in the release of Blood C: The Last Dark, one feels compelled to ponder in some depth the abject failure of the 2009 live-action version one of Sony’s few key 21st century animated franchises.
Director Naoyoshi Shiotani on getting the darkness right
“In every theatre you have different light, so you can never be sure what it’s going to look like. So you have to think; will this be okay, will you lose details in that kind of darkness? It was hard to calculate all that.”
Andrew Osmond catches the live-action premiere of Hitoshi Iwaaki’s Kiseiju
The Tokyo International Film Festival closed with the live-action Parasyte, a superb blend of SF, comedy and primarily horror, where the levity of the early scenes freezes into a drama with an ice-cold alien grip.