Set in a futuristic Japan after the end of a brutal world war, science has advanced by leaps and bounds giving humanity the choice to prolong life and reduce suffering with the use of sophisticated cybernetics. With all of humanity linked into one system of minds and personalities known as ghosts, the biggest threat to civilization is the cyber terrorists capable of hijacking people’s bodies and memories. When a ghost-infecting virus known as Fire-Starter begins spreading through the system resulting in the assassination of the Japanese Prime Minister, Major Motoko Kusanagi and her elite team of special operatives are called in to track down its source. As they delve deeper and deeper into their investigation, they uncover traces of government corruption and a shadowy broker that bears an all-too-familiar face. When your target can be anywhere and look like anyone, the only choice you have is to trust your ghost, and hope you aren’t infected too.
Andrew Osmond asks if it really is the end for Ghost in the Shell
Solid State Society is, as of writing, the last anime instalment of Ghost in the Shell. Will there be any more? Interviewed in 2007, Mitsuhisa Ishikawa, co-founder of Production IG, suggested the franchise could be refreshed by a switch to live-action, with Kusanagi, Batou, Togusa and the rest of Section 9 interpreted by real actors. If it was a success, the franchise could return to anime later.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
On sale now at the San Diego Comic Con in a limited edition of only 325 prints, Kilian Eng's beautiful Ghost in the Shell poster for Mondo. It's a thing of beauty made specially to commemorate the 25th anniversary.
This year's Tokyo Film Festival also included a festival within a festival, an awesomely thorough programme of screenings and live appearances by the maker of Evangelion. It covered Anno’s career from his early amateur films to his live-action, to his work as an animator and anime director.
Studio Ghibli, tattoo removal and the San Diego Comic Con in our 26th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements to discuss last week’s Studio Ghibli, the San Diego Comic Con, upcoming releases, and your questions from Twitter and Facebook. Includes an inadvisable impersonation of Meryl Streep, commentary track shenanigans, and Jerome’s skateboarding stunts.
Eric Khoo's film focuses on one of the founders of gekiga, Yoshihiro Tatsumi, who died on 7th March. The framing story is Tatsumi’s account of his life and development, growing up with a difficult family. He had none of the technology and luxuries that we take for granted, no reason to think he could ever make a living from the fledgling manga industry. And yet he was utterly driven to draw comics, like his hero Osamu Tezuka.
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.