Summer has finally arrived in the small, tight-knit community of Murakawa Village, where everyone practically knows everyone else. The population is so small that there’s only five children - Kiyoshi, Natsuki, Noriko, Koji and Amane - enrolled and studying together at the village elementary school. A most unusual incident occurs during summer camp, when they find and save an injured dog, who turns out to be an alien from outer space! The alien named Pochi invites the children for a trip to the moon, but due to an unexpected accident, they end up traveling through the universe on the wildest “school field trip” of their lives! “Ladies and Aliens! Welcome to THE SPACE SHOW!”
Kaguya has plenty to please Oscar voters. Unlike some of Takahata’s films, it’s extremely accessible to Western viewers. As MyM magazine put it, “You watch Takahata’s film and you can hear the underlying millennium-old tale as if it’s being read to you aloud, at bedtime surely, to your childhood self.”
BFI announce a festival of Miyazaki, Takahata, et al...
The BFI South Bank cinema in London will be screening a Studio Ghibli season throughout April and May. Curator Justin Johnson will be giving an introduction to Ghibli on the 2nd April, followed by screenings of all the major Ghibli works and a number of relative obscurities
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
Andrew Osmond says if you liked that, you might like this…
“Sometimes you are thrown complete curveballs. So you will think that you are watching a series about a bunch of schoolchildren fighting aliens... and then one of them will stick their finger up another one's bum..."
Even without the tie-in with anime, Idoling!!! had had a strong presence on television. After all, the group were created by a bunch of media moguls from Fuji TV. They figured out that by appealing to two of Japan’s more dedicated entertainment fangroups, idol fans and TV junkies, that they could be on to a winner.
Paul Browne on the songstress behind the dramatic ending theme
‘Utsukushiki Zankoku na Sekai’ (This Beautiful Cruel World) is, on the whole, a wistful and enigmatic song that seems strangely disconnected from a series that regularly deals with death and despair. Yoko Hikasa’s mesmerising vocals manage to draw the viewer in, lending an air of reflection and regret.
Jasper Sharp reviews Helen McCarthy’s intro to Japanese comics
For curious dabblers and those wishing a glimpse of the bigger picture of how Japanese comics began and their key development points, the sheer size and diversity of the field can seem pretty daunting.