Pre-order your Ninja Scroll Blu-ray to get the best deal
The Ninja Scroll limited edition steelbook is coming next month, and is currently being offered to early birds at discounted prices. We can’t guarantee how long this price will hold, so get your pre-orders in now to avoid disappointment. But if that’s not enough of a reason to shell out for Yoshiaki Kawajiri, here are eight other reasons:
Fully remastered Blu-ray.
Bonus DVD edition in the same pack.
Exclusive steelbook casing.
Full colour wraparound artwork, front and back, as well as inside the steelbook.
Director’s commentary by Yoshiaki Kawajiri – painstakingly translated and subtitled, and approved by Madhouse Studios.
Limited edition only available in the UK and Ireland.
“Look’s like a storm’s brewing,” comments the wandering swordsman Jubei at the start of Yoshiaki Kawajiri’s action classic, Ninja Scroll. Its opening minutes are full of portents. In the first scene, Jubei moseys across a wooden bridge, like a gunslinger at high noon; pity the fools who mess with him. We see riders framed by a raging sea; crows peck at dead villagers. Soon the action is soaring, as ninja warriors leap through tree branches, fighting a giant with a skin of rock. Strap yourself in; any dangling limbs are liable to be lopped off.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
Helen McCarthy reviews Mami Sunada’s Ghibli documentary
Show, don't tell: the mantra of every writer and film-maker, and a particular challenge in documentary film. Every work has its own agenda, hidden or not: for director-writer-cinematographer-editor Mami Sunada, the challenge was immense. And she rises to it with unobtrusive magnificence.
Jonathan Clements on this season’s classy anime feature
Ever willing to poke around in the interstices of history for children’s stories of the war, the Japanese animation industry alights here on the true story of Hiroshi Tokuno, on whose life story this film is partly based.
Remembering the anime master who shunned the limelight
Toshio Hirata, who died on 25th August, might be reasonably said to have avoided publicity. Over the course of his career, he did gather a number of credits for directing, as well as storyboards, key animation and lowlier tasks, but he often obscured his own achievements by using the pseudonym Sumiko Chiba. In some cases, such as for his work on Azuki-chan, he simply asked not to be credited at all, claiming that his contribution was not really worthy of recognition.
Pixar's producer on who killed the Catbus, spousal vetting and Big Hero 6
“Miyazaki’s reply was: I believe that if the American audience really wants to understand my films, they should all learn Japanese. I went: Thank you! but that’s not really going to help me with this. Then Miyazaki said: I trust you, do what’s right.”
Paul Jacques' pictures from the best of London's Comicon...
It's taken a while to shift through the paperwork and read all your indecipherable handwriting, but we've finally managed to sift through the London Comicon cosplay pictures and pick out our winners from a fantastic bunch. And with no further ado...
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...