Pre-order your Ninja Scroll Blu-ray to get the best deal
The Ninja Scroll limited edition steelbook is coming next month, and is currently being offered to early birds at discounted prices. We can’t guarantee how long this price will hold, so get your pre-orders in now to avoid disappointment. But if that’s not enough of a reason to shell out for Yoshiaki Kawajiri, here are eight other reasons:
Fully remastered Blu-ray.
Bonus DVD edition in the same pack.
Exclusive steelbook casing.
Full colour wraparound artwork, front and back, as well as inside the steelbook.
Director’s commentary by Yoshiaki Kawajiri – painstakingly translated and subtitled, and approved by Madhouse Studios.
Limited edition only available in the UK and Ireland.
“Look’s like a storm’s brewing,” comments the wandering swordsman Jubei at the start of Yoshiaki Kawajiri’s action classic, Ninja Scroll. Its opening minutes are full of portents. In the first scene, Jubei moseys across a wooden bridge, like a gunslinger at high noon; pity the fools who mess with him. We see riders framed by a raging sea; crows peck at dead villagers. Soon the action is soaring, as ninja warriors leap through tree branches, fighting a giant with a skin of rock. Strap yourself in; any dangling limbs are liable to be lopped off.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Pacific Rim opened a new gateway to ’bot sagas for youngsters, and for oldsters too. They’ll see del Toro’s film, learn how much he was inspired by Japanese cartoons, and then check out the originals. If they choose Eureka Seven Ao, they’ll find elements also seen in Pacific Rim, embedded in a very different show.
Japan Underground's Tom Smith on how to rock and roll all nite in Tokyo
I wanted to see bands playing live music, experience local pubs and bar culture, and not get back to my hotel until it was light. Now, my nights in the city are as busy, if not busier, than my days. Here’s a quick look at some of the Tokyo hotspots worth hitting for music fans.
Even without the tie-in with anime, Idoling!!! had had a strong presence on television. After all, the group were created by a bunch of media moguls from Fuji TV. They figured out that by appealing to two of Japan’s more dedicated entertainment fangroups, idol fans and TV junkies, that they could be on to a winner.
The tradition of the solitary animator continued past the establishment of an anime industry, with notable luminaries such as Yoji Kuri, Kihachiro Kawamoto and Tadanari Okamoto positioning themselves outside it and creating works that challenged what could be done with the medium, often using other media such as stop-motion and silhouette.
At heart, Death Note and Code Geass tell the same story. A teenage Tokyo schoolboy with a towering intellect, railing against the world, is given fantastic powers by a supernatural agency. He finds he can manipulate people like puppets and kill with ease. His power is bound by rules and restrictions, yet still seems godlike.
With a series of box-ticking MacGuffins, wandering-monster encounters and vaguely defined side missions, Appleseed: Alpha feels all too often like one is watching someone else playing a computer game, not the least because several crucial moments are bodged or oddly framed, so that it is not always clear what’s going on.
What's been added to the Black Flag spin-off comic?
You can never go wrong with pirates. There’s the romance of the open sea, and the rebellion of taking what you want, and the adventure of looking for buried treasure. And in the Japanese magazine Monthly JumpX, there is the massive marketing synergy of being able to put Assassin’s Creed IV on the cover.