Pre-order your Ninja Scroll Blu-ray to get the best deal
The Ninja Scroll limited edition steelbook is coming next month, and is currently being offered to early birds at discounted prices. We can’t guarantee how long this price will hold, so get your pre-orders in now to avoid disappointment. But if that’s not enough of a reason to shell out for Yoshiaki Kawajiri, here are eight other reasons:
Fully remastered Blu-ray.
Bonus DVD edition in the same pack.
Exclusive steelbook casing.
Full colour wraparound artwork, front and back, as well as inside the steelbook.
Director’s commentary by Yoshiaki Kawajiri – painstakingly translated and subtitled, and approved by Madhouse Studios.
Limited edition only available in the UK and Ireland.
“Look’s like a storm’s brewing,” comments the wandering swordsman Jubei at the start of Yoshiaki Kawajiri’s action classic, Ninja Scroll. Its opening minutes are full of portents. In the first scene, Jubei moseys across a wooden bridge, like a gunslinger at high noon; pity the fools who mess with him. We see riders framed by a raging sea; crows peck at dead villagers. Soon the action is soaring, as ninja warriors leap through tree branches, fighting a giant with a skin of rock. Strap yourself in; any dangling limbs are liable to be lopped off.
Ninja Scroll is crammed with memorable images, set-pieces and characters. Like many of the best international anime hits, the contents of Ninja Scroll are foreign yet familiar. Instead of the future megacities of Akira, we’re deep in the Japanese countryside. We’re weaving through fog and fireflies, springing through treetops, sneaking down rivers, hanging halfway down stone cliffs.
Paul Browne on the songstress behind the dramatic ending theme
‘Utsukushiki Zankoku na Sekai’ (This Beautiful Cruel World) is, on the whole, a wistful and enigmatic song that seems strangely disconnected from a series that regularly deals with death and despair. Yoko Hikasa’s mesmerising vocals manage to draw the viewer in, lending an air of reflection and regret.
Boy meets girl; boy and girl hate each other; boy and girl learn they’re both children of gangster families and must pretend to be lovers to prevent gang war. Naturally there are rival suitors on both sides of the fractious pair, ranging from a sweet girl-next-door type to a pistol-packing assassin.
Jameson Locke is a legendary manhunter and agent with the Office of Naval Intelligence (ONI), Earth’s most powerful and secretive military branch. When he and his team are caught in a horrific biological attack, they unravel a plot that draws them to an ancient, hellish artifact, where they will be forced to fight for their survival, question everything, and ultimately choose between their loyalties and their lives…
Andrew Osmond on the history of animation’s corner-cutting secret
Rotoscoping and its descendants are an important part of American cinema, and recognised today. Many film fans know, for example, that Gollum, Peter Jackson’s King Kong and the rebel anthropoid Cornelius in the Planet of the Apes reboot are all based on physical performances by one actor, Andy Serkis. Again, it’s common knowledge that the Na’vi aliens in Avatar were human actors ‘made over’ by computer – the digital equivalent of those guys wearing prosthetic foreheads and noses in the older Star Trek series.
At heart, Death Note and Code Geass tell the same story. A teenage Tokyo schoolboy with a towering intellect, railing against the world, is given fantastic powers by a supernatural agency. He finds he can manipulate people like puppets and kill with ease. His power is bound by rules and restrictions, yet still seems godlike.
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.