THE INVASION BEGINS BASED ON THE WORLDWIDE BEST-SELLING MANGA AND HIT ANIME... A series of grizzly murders are occuring around the world. Dubbed the Mincemeat Murders by the press, the authorities have no idea who or what is responsible. Meanwhile! Average Japanese high school student, Izumi Shinichi discovers an alien parasite living in his right hand. Shinichi calls the parasite Migi, which now has an eye and a mouth and is a sentient being in his own right. Accepting the fact that they now have a symbiotic relationship and that if one of them dies the other will also die, they join forces against the other parasites invading the earth.
Andrew Osmond catches the live-action premiere of Hitoshi Iwaaki’s Kiseiju
The Tokyo International Film Festival closed with the live-action Parasyte, a superb blend of SF, comedy and primarily horror, where the levity of the early scenes freezes into a drama with an ice-cold alien grip.
Stephen Turnbull risks nine deaths in the eye of the ninja storm... or does he?
There is more to the ninja myth than meets the eye. By 1638 all wars had ceased under the police state of the Tokugawa family, yet within twenty years armchair generals were busily writing manuals of military theory, including speculations about sneak attacks, night-fighting and backstabbing.
Does the future of anime lie on the big screen, and if so, will developments in cinema exhibition technologies redefine its form, content and audiences in the digital age? These are questions many are asking as pundits declare conventional anime’s glory days to be a thing of the past.
Some sci-fi plots are staples of anime. The boy who pilots a fighting robot; humans who evolve into cyborgs; cute space girls who fall for the biggest doofus in Japan. Compared to these, time-travel has never been a big anime genre, though it’s been used on many occasions.