Trained since birth as the Clan of the Sword's ultimate assassin, Alka has lived her entire life as a nearly emotionless human killing machine. Now, however, her Clan has been destroyed, her master murdered, and the Code she lives by leaves Alka just one final mission: to seek out those responsible and exterminate them. If that means taking on the impossible might of the Param Empire, and the demonic powers of their battle leader Jin Varrel, then so be it. But while Alka may be the hunter, she has also become the hunted. With a price on her head, she must evade or kill the bounty hunters intent on collecting her skin, and in the bloody shadow-world of assassins, that means there's no one she can trust.
Hugh David argues that the treasure is in the detail
The biggest influence on this anime is not tabletop RPGs or even the long-standing fantasy fiction genre itself. No, the stamp of numerous Japanese role-playing videogames is all over Fairy Tail, from the Atelier series to the Final Fantasy franchise, in particular Final Fantasy XII
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Hopefully you found the first three offerings in last weeks part one informative and you’d had ample time to calm your nerves and research a new country to emigrate to. So without further hesitation, let's complete the list.
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
Paul Jacques finds a princess and a... erm... scholar
Cosplaying away at Birmingham's Comic Con, Meg Atwill dresses up as Estellise Sidos Heurrasein (or Estelle for short), accompanied by Aimee Tacchi as the whip-wielding scholar Rita Mordio, both from Tales of Vesperia.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
The director’s path from Sci-Fi London to Hollywood
“We pulled all our favourite moments from Akira and had this library of reference, so whenever we got stuck, or we ever felt like a sequence wasn’t inspired enough, or we didn’t know exactly how to give it that edge to made it feel as epic as we could, we would always thumb through the Akira imagery and suddenly get a wave of excitement or a new direction.”
“Not long ago, Genghis Khan evoked only unpleasant memories..." Er...
Andrei Borisov’s epic film By the Will of Genghis Khan presents the historical figure Temujin not as the terrifying bogeyman of European lore, but as he is remembered across much of the East, as a just ruler, a lawgiver, and a man of honour.