Andrew Osmond searches for hidden links in Eden of the East
Production IG’s political-romantic-comedy-thriller-borderline-SF saga Eden of the East concludes – perhaps! – on November 21st with the film Paradise Lost. Continuing the story from the King of Eden film and the preceding 12-part TV series, it sees protagonists Akira and Saki return to Tokyo for the last acts in the game to “save” Japan. There are bonus prizes on offer, like Akira’s backstory, and perhaps even the unmasking of the game’s enigmatic sponsor. In keeping with Eden’s copious cinephile references, here’s a clue for you; think Martin Scorsese.
If you’re chewing over the plot, bear in mind that one of the deep conflicts in modern Japan – perhaps even more so than in other countries – is between the old and the young, especially in the workplace. Japanese society had a terrible shake this March, but many of the country’s youth still perceive Japan Inc. as run by entrenched old men – the “gerontocracy” denounced at the end of the TV series. But Paradise Lost is complex enough to contain multitudes; stay around for a vital last scene after the credits, which up-ends what’s gone before.
Some viewers may complain that a few big questions remain unanswered, especially about Akira’s tendency to flush his own memories as casually as a Star Wars droid; though it’s arguable that his reasons are implicit in Eden’s central theme of a pure-hearted hero playing humanity’s most corrupt power games. But there’s another question left hanging at the film’s end, one that was set up at the very start of the story.
In the second TV episode, there was a passing reference to a plane crash in which a 6-year old boy and girl were the sole survivors. Now, bear in mind that Eden of the East is the creation of Kenji Kamiyama, who also directed Ghost in the Shell Stand Alone Complex… and that in the second series of SAC,we learned that Motoko Kusanagi survived a plane crash as a child, together with a little boy. Is this just a tease, or an indication that the changing Japan of Eden is actually the same world as Stand Alone Complex, only a few decades earlier? If you’re not sold, then consider Eden’s dulcet-toned A.I. “Juiz,” voiced by the same actress as the ever-evolving Tachikoma robots in SAC…
Interviewed last year, Kamiyama seemed slightly cagey about whether Eden had finally ended, though he said that Paradise Lost concluded the “save Japan” game. The mind boggles at the prospect of a series bridging Eden and SAC, though any such venture would presumably need the blessing of Masumune Shirow, creator of the original Ghost in the Shell. Then again, Shirow seems happy to see very different interpretations of his world running in parallel, from the Salinger-inflected themes of Stand Alone Complex, to the art-house musings on dogs and dolls in the Innocence movie.
If you’re interested in following Kamiyama’s criss-crossing motifs, then watch his fantasy series Moribito Guardian of the Spirit, which features another steel-strong woman warrior who physically resembles Kusanagi but has a quite different psychology. And then there’s Kamiyama’s current project, which is a fantastically glossy-looking movie remake of the vintage Cyborg 009 science-fiction manga by Shotaro Ishinomori. Just watch the trailer and see if it doesn’t remind you of something...
Eden of the East: Paradise Lost is out on UK DVD and Blu-ray from Manga Entertainment.
Andrew Osmond on anime that turn to the dark side…
If it sounds like Guilty Crown’s getting dark, it is. In particular, there’s been a lot of comment on how dark some of the main characters get, in a series that seemed relatively light, even cheesy, in its first half. Star Trek used to have episodes set in a so-called ‘Mirror Universe,’ where the familiar cast could be really bad. Guilty Crown does something similar, without the mirror.
Andrew Osmond investigates the long love affair between samurai and cowboys
28th February sees the classic Hollywood Western go East. Yuresarazaru Mono has the English title Unforgiven; it remakes the celebrated 1992 Western of that name, which was directed by its star Clint Eastwood and won the Best Picture Oscar.
Andrew Osmond on Japan's chances at this year's Academy Awards
There are two anime among this year’s Oscar nominees: Hayao Miyazaki’s The Wind Rises, competing for Best Animated Feature, and Shuhei Morita’s Possessions, vying for Best Animated Short. To date, there has been only one Japanese winner in each category. Miyazaki’s Spirited Away was the winning feature in 2002; Kunio Kato’s La Maison en Petits Cubes won Best Animated Short Film in 2008. What are the new films’ chances?
An important change to the Psycho-Pass DVD/Blu-ray release
For all of you looking forward to the release of Psycho-Pass we have some news for you. Today we can confirm that due to high demand we will be combining the upcoming Part 1 and Part 2 releases of Psycho-Pass into one Complete Series Collection!
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Who watches the watchmen watching your thoughts...?
Psycho-Pass; the first half of the name should warn you. This is a blend of SF and horror by the studio which brought you Ghost in the Shell, now splicing cyberpunk, police procedural and splatter. There will be blood, and dismembered body parts, and if no-one’s actually eaten a human liver on the show yet, there’s still Psycho-Pass 2 to come.
More than one way to skin a catbus, in our 24th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements, for a series of rants and ill-informed commentary about anime, manga, the storm over the Hugo Awards, and your most awkward convention moment.