The series follows Koko Hekmatyar, a young arms dealer who sells weapons under HCLI, an international shipping corporation that secretly deals in the arms trade. As one of the company's unofficial weapon dealers, she secretly sells weapons in many countries while avoiding the local authorities and law enforcement as most of her work is actually illegal under international law. Traveling with her is her team of bodyguards who are mostly composed of ex-military veterans. Her latest addition to her crew is Jonah, a seemingly emotionless child soldier who is skilled in combat yet ironically hates arms dealers. Jonah joins Koko as he wishes to find the arms dealer responsible for his family's death. What follows is Koko and her crew's escapades around the world.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
Melissa Francis on the hell-spawn creature-feature
If we look back at the 25 episodes of the TV series, Blue Exorcist: The Movie seemed more cohesive in comparison – there were certainly less of those ‘for the hell of it’ moments (no pun intended) and more well-connected, relevant events.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
Suzuki’s swansong will be the ultimate in exclusivity
Rough artwork has been leaked of Studio Ghibi’s next film, announced as the ultimate in collectibles: a film released in a single print, with a guarantee of no DVD or Blu-ray release. Slated for release in one year’s time, Gertie the Dinosaur began with the most unlikely of inspirations for a much-loved children’s studio.
Andrew Osmond says, if you like that, you might like this…
Summer Wars and Sword Art Online are made for a generation who’ve grown up with and within virtuality: social networks, video streaming, games without borders or ends. Both anime are adventures about things going wrong in cyberspace, but neither are technophobic; on the contrary, they’re all about hugging the avatar.