Tom Smith on a band that’s anything but their namesake.
Whack your speakers to 11, position the cursor over play on the video below, and prepare to rock out to some classic-styled metal from one of Japan’s longest running noise-making outfits. They’re known as LAZY, and the video that follows is their 2011 single ‘Reckless’, the theme song behind Manga Entertainment’s supernatural mini-film series Towanoquon.
Reckless by LAZY
Pretty rocking, right? Now compare that to the same band’s debut single ‘Hey! I Love You!’, released in the summer of 1977. It sounds like an entirely different band. No electronically extravagant guitars, no raspy rock’n’roll vocals… so what happened? Between three decades, breakups, solo projects and the frontman becoming dubbed ‘Mr. DBZ’ as well as ‘the Price of Anime’, an awful lot. Let’s start at the beginning.
LAZY formed when classmates Hironobu Kageyama, Akira Takasaki and Hiroyuki Tanaka wanted to start a heavy rock band in the style of Black Sabbath, Whitesnake and Deep Purple. In fact, they liked the latter – who were once the globe’s loudest band according to the Guinness Book of World Records – so much that they named themselves after the group’s song ‘Lazy’. By Hironobu’s 16th birthday, LAZY had picked up a drummer (Munetaka Higuchi) and keyboard player (Shunji Inoue), but more importantly, they’d also picked up a major record contract from RCA (a division of BMG Japan). Unfortunately, the timing was not the best for Japanese rock music. It would be another ten-or-so years until the likes of Tomoyasu Hotei and his band BOØWY would revolutionise domestic rock in Japan (read about it here), for now, the bigwigs in control didn’t believe in the power of rock (the blasphemers), and instead provided LAZY with middle-of-the-road, safe, watered down pop-rock songs to croon along to.
By 1981 the boys had had enough of toning down their music and decided to call it quits on LAZY, instead embarking on solo careers, side projects and other music-based works – all heavily influenced by metal, of course. LAZY’s guitarist, bass-player and drummer (Akira, Hiroyuki and Munetaka) went on to form LOUDNESS, Japan’s first heavy metal group to sign to a major American label. It proved a little too loud for Hiroyuki, who soon left the group in favour of a career writing anime songs with his own band Neverland.
Vocalist Hironobu decided to go one step further than his bandmate Hiroyuki and dived headfirst into the world of anime and television. He went on to record track-after-track for anime and high-energy (and high-kicking) tokusatsu shows. Even after LAZY decided to reform in 1998, Hironobu stayed true to his inner-otaku and continued writing anime songs. To date, he’s recorded so many themes, including the first opening for Dragon Ball Z, ‘Cha-La Head Cha-La’, and countless others with his supergroup JAM Project (the first part standing for Japan Animationsong Makers), that fans went on to call him by some of the names mentioned in paragraph two.
‘Reckless’ sees Hironobu combining his love for anime, and his love for his original band together in perfect heavy rockin’ harmony.
A WILD DANCE OF CHAOS! In the not-too-distant future, children are being born with special powers, marvelous and remarkable abilities. But what would seem like a wondrous gift turns out to be a dangerous curse. For the world is now run by The Order, and these miraculous deviants are hunted down-and killed. But Quon and his group of Attractors are out to rescue these children before The Order's elite squad of ruthless cyborgs detect them. From their hideout beneath a popular amusement park, the Attractors use high tech gadgetry and their own remarkable abilities to save these children, and teach them to harness and control their powers to overthrow the very powers that seek to destroy them. With spectacular animation, stunning fight sequences, and richly detailed characters, Towanoquon is destined to be an anime classic and must-have for any animation fan's library.
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
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In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
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