Tom Smith on a band that’s anything but their namesake.
Whack your speakers to 11, position the cursor over play on the video below, and prepare to rock out to some classic-styled metal from one of Japan’s longest running noise-making outfits. They’re known as LAZY, and the video that follows is their 2011 single ‘Reckless’, the theme song behind Manga Entertainment’s supernatural mini-film series Towanoquon.
Reckless by LAZY
Pretty rocking, right? Now compare that to the same band’s debut single ‘Hey! I Love You!’, released in the summer of 1977. It sounds like an entirely different band. No electronically extravagant guitars, no raspy rock’n’roll vocals… so what happened? Between three decades, breakups, solo projects and the frontman becoming dubbed ‘Mr. DBZ’ as well as ‘the Price of Anime’, an awful lot. Let’s start at the beginning.
LAZY formed when classmates Hironobu Kageyama, Akira Takasaki and Hiroyuki Tanaka wanted to start a heavy rock band in the style of Black Sabbath, Whitesnake and Deep Purple. In fact, they liked the latter – who were once the globe’s loudest band according to the Guinness Book of World Records – so much that they named themselves after the group’s song ‘Lazy’. By Hironobu’s 16th birthday, LAZY had picked up a drummer (Munetaka Higuchi) and keyboard player (Shunji Inoue), but more importantly, they’d also picked up a major record contract from RCA (a division of BMG Japan). Unfortunately, the timing was not the best for Japanese rock music. It would be another ten-or-so years until the likes of Tomoyasu Hotei and his band BOØWY would revolutionise domestic rock in Japan (read about it here), for now, the bigwigs in control didn’t believe in the power of rock (the blasphemers), and instead provided LAZY with middle-of-the-road, safe, watered down pop-rock songs to croon along to.
By 1981 the boys had had enough of toning down their music and decided to call it quits on LAZY, instead embarking on solo careers, side projects and other music-based works – all heavily influenced by metal, of course. LAZY’s guitarist, bass-player and drummer (Akira, Hiroyuki and Munetaka) went on to form LOUDNESS, Japan’s first heavy metal group to sign to a major American label. It proved a little too loud for Hiroyuki, who soon left the group in favour of a career writing anime songs with his own band Neverland.
Vocalist Hironobu decided to go one step further than his bandmate Hiroyuki and dived headfirst into the world of anime and television. He went on to record track-after-track for anime and high-energy (and high-kicking) tokusatsu shows. Even after LAZY decided to reform in 1998, Hironobu stayed true to his inner-otaku and continued writing anime songs. To date, he’s recorded so many themes, including the first opening for Dragon Ball Z, ‘Cha-La Head Cha-La’, and countless others with his supergroup JAM Project (the first part standing for Japan Animationsong Makers), that fans went on to call him by some of the names mentioned in paragraph two.
‘Reckless’ sees Hironobu combining his love for anime, and his love for his original band together in perfect heavy rockin’ harmony.
A WILD DANCE OF CHAOS! In the not-too-distant future, children are being born with special powers, marvelous and remarkable abilities. But what would seem like a wondrous gift turns out to be a dangerous curse. For the world is now run by The Order, and these miraculous deviants are hunted down-and killed. But Quon and his group of Attractors are out to rescue these children before The Order's elite squad of ruthless cyborgs detect them. From their hideout beneath a popular amusement park, the Attractors use high tech gadgetry and their own remarkable abilities to save these children, and teach them to harness and control their powers to overthrow the very powers that seek to destroy them. With spectacular animation, stunning fight sequences, and richly detailed characters, Towanoquon is destined to be an anime classic and must-have for any animation fan's library.
Matt Kamen takes a look back at the history of Yu-Gi-oh. Are you ready to duel?
Would you believe Yu-Gi-Oh has been around for almost 15 years? Kazuki Takahashi’s original manga first appeared in the pages of Shueisha’s Weekly Shonen Jump anthology way back in 1996, and having gone through several different iterations since, is still running today. Its original hero was Yugi Mutou, a young boy possessing an ancient artifact known as the Millennium Puzzle. Early chapters saw a darker personality possessing Yugi, inflicting punishments on wrong-doers in the form of various cruelly ironic games. This idea was soon dropped, and the far better known Duel Monsters card game soon dominated the series, with Yugi and friends battling holographic creatures for over-the-top odds. Though the original concept received an anime adaptation courtesy of Toei, most western viewers are familiar with the later 224-episode presentation of Duel Monsters, which ended in 2004.
It’s notable that, despite what you might think looking at the franchise now, Yu-Gi-Oh! was not conceived as a card game tie-in, any more than Totoro was made to sell soft toys (though both benefitted hugely from the spin-offs). When it began, the Yu-Gi-Oh! manga was rather different from the anime which most people know.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.
It’s going to be a tough journey – but who’s along for the ride?
Dragon Ball GT presents an all new adventure for Goku and his allies, sending them on an interplanetary quest to find the mysterious Black Star Dragon Balls and save the Earth! It’s going to be a tough journey – but who’s along for the ride?
Japan Underground's Tom Smith on how to rock and roll all nite in Tokyo
I wanted to see bands playing live music, experience local pubs and bar culture, and not get back to my hotel until it was light. Now, my nights in the city are as busy, if not busier, than my days. Here’s a quick look at some of the Tokyo hotspots worth hitting for music fans.
Who watches the watchmen watching your thoughts...?
Psycho-Pass; the first half of the name should warn you. This is a blend of SF and horror by the studio which brought you Ghost in the Shell, now splicing cyberpunk, police procedural and splatter. There will be blood, and dismembered body parts, and if no-one’s actually eaten a human liver on the show yet, there’s still Psycho-Pass 2 to come.
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
Animation for the old... there's only one way to settle this... FIGHT!
Wrinkles is a new grown-up Spanish animated film about elderly people in a care home. Hang on a bit, that can’t be right. Animation and the elderly; they’re two things which have nothing to do with each other. Well, except for...