Several hundred years ago, humans were nearly exterminated by giants. Giants are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by enclosing themselves in a city protected by extremely high walls, even taller than the biggest of giants. Flash forward to the present and the city has not seen a giant in over 100 years. Teenage boy Eren and his foster sister Mikasa witness something horrific as the city walls are destroyed by a super giant that appears out of thin air. As the smaller giants flood the city, the two kids watch in horror as their mother is eaten alive. Eren vows that he will murder every single giant and take revenge for all of mankind.
Andrew Osmond reviews the reviews from 20 years ago.
On its explosive arrival in the West, Akira crossed the Pacific to catch the generation that grew up on the films of Spielberg and Lucas; it was also the generation that read adult superhero strips such as Watchmen and The Dark Knight Returns. Akira, though, offered the shock-and-awe widescreen violence akin to that of enfant terrible live-action director, Paul Verhoeven. For example, both Akira and Verhoeven’s Robocop (1987) have a gory money-shot scene in their early minutes, in which a luckless bit-part player is graphically torn apart by a hail of bullets. Unsurprisingly, such imagery excited reviewers.
The second collection draws the entire Dragon Ball opus to a fierce close
Dragon Ball GT sees Goku and his allies fighting against some of the toughest foes the universe has ever seen. Take a look at some of the faces you’ll meet as the second collection draws the entire Dragon Ball opus to a fierce close!
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
Ever since her debut, the heroine of Masamune Shirow's manga-turned-global-franchise Ghost In The Shell has been a high-end product. She's a cyborg combat specialist modified to look like a cross between a top fashion model and a porn star, in a world where most of the women we see are as objectified as in our own reality.
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.
Some of you may have heard that the US release of the hotly anticipated Evangelion 3.33: You Can (Not) Redo has been delayed. Unfortunately we can now confirm that this has had a knock-on effect for the UK DVD and Blu-ray release and as a result we have been forced to amend the release date. We are very sorry for this but it is beyond our control.
The word hihokan is usually translated as ‘sex museum’, although most are best described as indoor sexual theme parks. Imagine that an anthropological collection has been bought by the London Dungeon and put on show there by the owner of a strip club with a degree in engineering and a penchant for voyeurism. The result would be the hihokan: a garish combination of serious museum and soft pornography in a bizarre and often haphazard blend.
Director Naoyoshi Shiotani on getting the darkness right
“In every theatre you have different light, so you can never be sure what it’s going to look like. So you have to think; will this be okay, will you lose details in that kind of darkness? It was hard to calculate all that.”
Animation for the old... there's only one way to settle this... FIGHT!
Wrinkles is a new grown-up Spanish animated film about elderly people in a care home. Hang on a bit, that can’t be right. Animation and the elderly; they’re two things which have nothing to do with each other. Well, except for...
Fans who are fully up-to-date and casual viewers and newcomers alike can both enjoy the One Piece movies! Each is entirely self-contained, with entirely new plots not found in Eiichiro Oda’s original manga, but are every bit as enjoyable.