Manga is proud to present the anime classic, Ninja Scroll on Blu-ray for the first time ever! This new HD transfer of the classic action-anime from acclaimed director, Yoshiaki Kawajiri and Madhouse Studio (Summer Wars, Redline, Animatrix) will be available as a strictly limited edition Double Play Blu-ray/DVD Steelbook ™. A ninja-for-hire is forced into fighting an old nemesis who is bent on overthrowing the Japanese government. His nemesis is also the leader of a group of demons each with superhuman powers. Also includes an exclusive Director Commentary (Japanese language with English subtitles).
“Look’s like a storm’s brewing,” comments the wandering swordsman Jubei at the start of Yoshiaki Kawajiri’s action classic, Ninja Scroll. Its opening minutes are full of portents. In the first scene, Jubei moseys across a wooden bridge, like a gunslinger at high noon; pity the fools who mess with him. We see riders framed by a raging sea; crows peck at dead villagers. Soon the action is soaring, as ninja warriors leap through tree branches, fighting a giant with a skin of rock. Strap yourself in; any dangling limbs are liable to be lopped off.
Ninja Scroll is crammed with memorable images, set-pieces and characters. Like many of the best international anime hits, the contents of Ninja Scroll are foreign yet familiar. Instead of the future megacities of Akira, we’re deep in the Japanese countryside. We’re weaving through fog and fireflies, springing through treetops, sneaking down rivers, hanging halfway down stone cliffs.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Andrew Osmond on a rap musical, in Japanese. Yes. Thank you. You’re welcome.
Represent! The live-action film of Akira is here… and it’s a rap musical! Okay, we’re kidding, but Tokyo Tribe takes place in a violent fantasy Tokyo of warring gangs, hence the film’s name. It’s based on a manga strip and takes a manically cartoonish approach to its material.
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.
Andrew Osmond discovers that every little helps...
Scott Pilgrim vs the World, in a supermarket. Well, that’s one way of summing up Ben-To, a wild anime comedy in which ‘ordinary’ citizens engage in Matrix-sized brawls over the holy grail of living on a budget; the bargain half-price meal.
Andrew Osmond on anime that turn to the dark side…
If it sounds like Guilty Crown’s getting dark, it is. In particular, there’s been a lot of comment on how dark some of the main characters get, in a series that seemed relatively light, even cheesy, in its first half. Star Trek used to have episodes set in a so-called ‘Mirror Universe,’ where the familiar cast could be really bad. Guilty Crown does something similar, without the mirror.