Manga is proud to present the anime classic, Ninja Scroll on Blu-ray for the first time ever! This new HD transfer of the classic action-anime from acclaimed director, Yoshiaki Kawajiri and Madhouse Studio (Summer Wars, Redline, Animatrix) will be available as a strictly limited edition Double Play Blu-ray/DVD Steelbook ™. A ninja-for-hire is forced into fighting an old nemesis who is bent on overthrowing the Japanese government. His nemesis is also the leader of a group of demons each with superhuman powers. Also includes an exclusive Director Commentary (Japanese language with English subtitles).
“Look’s like a storm’s brewing,” comments the wandering swordsman Jubei at the start of Yoshiaki Kawajiri’s action classic, Ninja Scroll. Its opening minutes are full of portents. In the first scene, Jubei moseys across a wooden bridge, like a gunslinger at high noon; pity the fools who mess with him. We see riders framed by a raging sea; crows peck at dead villagers. Soon the action is soaring, as ninja warriors leap through tree branches, fighting a giant with a skin of rock. Strap yourself in; any dangling limbs are liable to be lopped off.
Some sci-fi plots are staples of anime. The boy who pilots a fighting robot; humans who evolve into cyborgs; cute space girls who fall for the biggest doofus in Japan. Compared to these, time-travel has never been a big anime genre, though it’s been used on many occasions.
The hyperrealism of the “cartoon” Akira and the cartoonishness of the live-action Tetsuo struck Western viewers unaccustomed to such mould-breaking cinema with equal force, and it is no real surprise to note that Manga Entertainment was responsible for the subsequent releases of both Tsukamoto’s big-budget colour rerun of his debut, Tetsuo II: Bodyhammer (1992) and his later Tokyo Fist.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.
The new Manga Entertainment podcast includes a discussion of legitimate anime streaming sites – in other words, the ones that send money to the Japanese studios which make anime, thereby supporting the industry. (Rather than the other streaming sites, which just steal anime and make it less likely there’ll be anime to steal in the future.)
An important change to the Psycho-Pass DVD/Blu-ray release
For all of you looking forward to the release of Psycho-Pass we have some news for you. Today we can confirm that due to high demand we will be combining the upcoming Part 1 and Part 2 releases of Psycho-Pass into one Complete Series Collection!