Summer has finally arrived in the small, tight-knit community of Murakawa Village, where everyone practically knows everyone else. The population is so small that there’s only five children - Kiyoshi, Natsuki, Noriko, Koji and Amane - enrolled and studying together at the village elementary school. A most unusual incident occurs during summer camp, when they find and save an injured dog, who turns out to be an alien from outer space! The alien named Pochi invites the children for a trip to the moon, but due to an unexpected accident, they end up traveling through the universe on the wildest “school field trip” of their lives! “Ladies and Aliens! Welcome to THE SPACE SHOW!”
Of the anime titles turned into T-shirts by Uniqlo, One Piece is the biggest – the reigning king of all the anime and manga franchises, pretty much unchallenged in the 16 years since Eiichiro Oda began the manga, and 14 since Toei Animation started animating it. But perhaps Uniqlo would have turned One Piece into a line of shirts even if the saga hadn’t been a world hit. Just look at those pirate designs – brash, cartoony, uncompromising. There’s no whiff of a committee, no hint of a five-year product plan reliant on changing a heroine’s hair colour (or deepening her cleavage). It just helps that the pictures are as commercial when they move as they are when they’re a cool static graphic in a manga, or on the front of a T-shirt.
“Ninja or pirates?” While Naruto – representing the ninja corner, of course – has proven hugely popular, UK fans have long been unable to weigh in on the other side. With the long-awaited arrival of One Piece on DVD this May, that finally changes.
Matt Kamen finds out who’s who in the One Piece anime
Monkey D. Luffy: The founder and captain of the Straw Hats, Luffy is a carefree soul who wants to become king of the pirates. After eating the Gum-Gum Devil Fruit, he gained an elastic body, making him near-invulnerable and able to stretch but paradoxically making him unable to swim.
One-hit wonders. Every country has them. And, as PSY can most likely attest, very few musicians really want to be labelled as one. Sure, it’s all fun, games and fancy dinners when that royalty cheque floats through the letter box. The one with all the zeroes from that single from yesteryear that went massive. But what about the rest of your work? It must be somewhat unsatisfying as an artist to be known for one track, while everything else remains relatively overlooked, and expectations are high for that difficult follow up single. If you’re TOMATO CUBE, you do nothing. Ever again.
Stephen Turnbull asks what (if anything) went wrong with the 47 Ronin?
When T. H. White’s great Arthurian fantasy The Once and Future King was first published the New York Times described it as “a glorious dream of the Middle Ages as they never were but as they should have been.” A very similar comment would not be inappropriate to describe the strange world of old Japan conjured up in the movie 47 Ronin.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.
More than one way to skin a catbus, in our 24th podcast
Jeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements, for a series of rants and ill-informed commentary about anime, manga, the storm over the Hugo Awards, and your most awkward convention moment.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
Andrew Osmond tries to make sense of Sunrise's mad new anime
As regular subscribers to Manga Entertainment’s podcast and twitter feed will know, there was some confusion about whether Sunrise’s new comedy-fantasy-action-fanservice series was called (deep breath) Horizon on the Middle of Nowhere or Horizon in the Middle of Nowhere. We’re calling it the former in the UK, although releases elsewhere have plumped for the “in” option. Either way, it sounds less weird and Escheresque once you know that Horizon is the name of a pivotal female character in the series. But it reflects the inescapable fact that Horizon is, well, confusing.
Redline and Lupin III: The Woman Called Fujiko Mine showcase the talent of Takeshi Koike, a rising star in the anime firmament. While the two titles are very different, they’re both brash and arresting, the obverse of any safe house ‘style’...