Tom Smith on the alter egos of Kishidan’s Show Ayanocozey
Nao Baba to his mother, Sumitada Ozumano to his lawyers, Show Ayanocozey to the rockers, Naomi Camellia Yazima to the drag queens, and DJ OZMA to the club kids. Whichever name you know him for best, the chances are that name’s etched into the inner sanctum of your memory box due to him being an utter nutcase, regardless of which persona he’s putting on.
Under his Show Ayanocozey moniker, the barmy star had a track featured in the latest box set of Naruto Shuppiden, however, he first rose to major prominence in 2006 after a performance on NHK’s coveted end of year music show Kouhaku no Gassen with his party project; DJ OZMA. He hit the stage in the live television show wearing just a golden afro and matching golden boxers. If that wasn’t enough to put you off your ramen, he was also accompanied by a sea of seemingly naked female dancers, baring boobies for all. That’s not entirely true though, his lawyers insisted, the lady folk were innocently donning mock nudey bodysuits instead. Besides, their most delicate of places were covered up with an intricately placed mushroom (DJ OZMA’s emblem). Even the OZMA has standards. The backlash from a minority of fist-shaking complainers was worth the price of instant notoriety.
While producing tracks as DJ OZMA, he was also in Kishidan, as mentioned earlier. The group formed in 1996, though you wouldn’t recognise which was OZMA. Taking the name Show Ayanocozey, and having one of the biggest pompadour hairdos in the business, Kishidan’s gimmick was that all members dressed in the style of bousouzoku; Japan’s biker gangs. Check out their style for yourself in the video to ‘Omae Dattanda’ (It Was You), from Naruto Shippuden.
Surprisingly, the track was one of their least successful singles in terms of chart position. Two of their bigger hits, ‘One Night Carnival’ and ‘Zoku’ can be found in the Japanese DS rhythm games Osu! Tatakae! Ouendan! and it’s sequel. The band seems to have had quite an impact on the game’s developers as its lead characters share similar outfits and dance moves to those of Kishidan.
His newest project, ‘American’ drag queen trio Yazima Beauty Salon, sees him move on from DJ OZMA (finished as of 2008) to adopt the name Naomi Camellia Yazima, along with fake hair, breasts and a series of sparkly dresses. This vocal group also contains the popular comedians Takaaki Ishibashi and Noritake Kinashi (who usually form the comedy duo known as Tunnels). Perhaps the oddest thing about this coupling is that their debut single, which has the translated title of ‘Friends of Japan: We Come From Nevada’ reached number three in the charts, higher than any of Kishidan’s 13 singles, and the second most request karaoke song of 2008.
Be grateful that not all of Japan’s music makes it overseas.
In two featured episodes, Tales of a Gutsy Ninja: Jiraiya Ninja Scrolls, go back in time to witness how the young Jiraiya meets his destiny at Mount Myoboku and trains to become the Toad Sage! Back in the present, Jiraiya successfully infiltrates the Hidden Rain Village and finds the hideout of the Akatsuki's Pain. But will he be as successful in discovering the secret behind the multiple Pains? Meanwhile, Sasuke heads for the Uchiha hideout, where his brother, Itachi, awaits. The amazing visual prowess of the Uchiha come into full play as the fateful battle begins!
Andrew Osmond reviews the reviews from 20 years ago.
On its explosive arrival in the West, Akira crossed the Pacific to catch the generation that grew up on the films of Spielberg and Lucas; it was also the generation that read adult superhero strips such as Watchmen and The Dark Knight Returns. Akira, though, offered the shock-and-awe widescreen violence akin to that of enfant terrible live-action director, Paul Verhoeven. For example, both Akira and Verhoeven’s Robocop (1987) have a gory money-shot scene in their early minutes, in which a luckless bit-part player is graphically torn apart by a hail of bullets. Unsurprisingly, such imagery excited reviewers.
Jasper Sharp reviews a book-length collection on the “God of Manga”
Tezuka’s Manga Life is a scholarly and much-needed attempt to sort out the wheat from the chaff of the Tezuka myth, with its 22 contributors spread over 300+ pages attempting to put the vast output of the prodigious manga artist into context.
The game Mysterious Cities of Gold: Secret Paths is rolling out as a digital download across multiple platforms. This month it becomes available on the Nintendo 3DS and Amazon, following launches on the Wii U, iPad, iPhone and Steam.
Ever since her debut, the heroine of Masamune Shirow's manga-turned-global-franchise Ghost In The Shell has been a high-end product. She's a cyborg combat specialist modified to look like a cross between a top fashion model and a porn star, in a world where most of the women we see are as objectified as in our own reality.
Andrew Osmond on anime that turn to the dark side…
If it sounds like Guilty Crown’s getting dark, it is. In particular, there’s been a lot of comment on how dark some of the main characters get, in a series that seemed relatively light, even cheesy, in its first half. Star Trek used to have episodes set in a so-called ‘Mirror Universe,’ where the familiar cast could be really bad. Guilty Crown does something similar, without the mirror.
Andrew Osmond says, if you like that, you might like this…
Summer Wars and Sword Art Online are made for a generation who’ve grown up with and within virtuality: social networks, video streaming, games without borders or ends. Both anime are adventures about things going wrong in cyberspace, but neither are technophobic; on the contrary, they’re all about hugging the avatar.
If you’re reading this blog, there’s a fair chance that the idea of visiting Japan has crossed your mind a few times. American-born Jamil Abbas Kazmi had a similar thought, though he wanted to take it one step further by establishing a career out there.
Andrew Osmond finds Emperor Hirohito in Japanese animation
The Sara storyline in Fam the Silver Wing seems to echo a view – many would say a myth – of Hirohito, encouraged not just by the Japanese but also by the victorious Americans when they rebuilt the country. Namely, it was the story that Hirohito was a helpless figurehead, at the mercy of his warmongering government.