Whether you call them voice actors and actresses, or go for seiyu – the Japanese term for the job – there’s one thing we can all agree on; the role tends to be a lot more demanding in Japan than it is in the west, especially so in the world of anime. Take hit music series K-On!for example. When it rocked out on television sets across Japan (and on UK DVD players last year), the show’s voice actresses inadvertently became huge pop stars in the process, literately overnight. Their position as the show’s cast demanded that they also sang the franchise’s theme songs (you can read about it here), and those songs became popular – really popular – and rocketed the seiyu to the top of Japan’s official Oricon charts with the songs that followed.
Manga Entertainment’s latest harem series Sekirei also puts the vocal chords of its seiyu to the test. Its first outing featured several of its talents singing its opening and closing themes. And while the songs didn’t land the voices powering them into the same dizzying levels of pop success as those behind Yui et al., they did manage to get into the top 20 of Japan’s official Oricon charts.
Sekirei: Pure Engagement, the second series of the anime, continues in the same way as its predecessor. Opening theme ‘Hakuyoku no Seiyaku – Pure Engagement’, and closer ‘Onnaji Kimochi’ has the popular voice actresses Saori Hayami (the voice of Musubi), Marina Inoue (Tsukiumi), Kana Hanazawa (Kusano) and Aya Endo (Matsu) back on form, providing the vocals. The combination of their existing fanbases combined with the success of the anime saw the CD single peak at 13 in the charts.
Pinning success on the vocal talents alone would be dismissing the hard work of the composers and arrangers behind the themes. In the case of Sekirei a production company called MONACA was drafted in to supply the music. The outfit was established in 2004 with the aim of filling the entertainment industry (particularly that of video game and anime themes) with deliciously good content. Its name is a pun on that idea; Monaca, if written in kanji, can be read as ‘in the middle of’ but can also refer to a yummy bean-filled Japanese treat popular with kids and adults alike.
Company president, Keiichi Okabe had originally worked heavily with Namco back in the days of the early Tekken and Ace Combat iterations. His connection with the video game giant would continue after forming MONACA, with his team providing music for the likes of Tekken 6, Beautiful Katamari and Ridge Racer 3D. Their involvement in Sekirei was also far from their only dabbling in anime, they were also responsible for the background music of The Disappearance of Haruhi Suzumiya, and themes in High School of the Dead and Lucky Star amongst nearly 100 other titles. So next time you find yourself humming along to a video game or anime song, spare a thought for the composers behind the melodies too, the chances are they’ve penned a number of your favourites without you even realising it.
BUSTING BACK INTO ACTION! A clandestine organization known as the MBI has issued an edict that threatens to end the lives of Minato and his luscious companions once and for all! The cutthroat organization's Sekirei Plan will force all busty brawlers and their masters to engage in a flesh-baring fight to the finish. Only one amazing pair will be left standing when this curvaceous cavalcade of carnage has come to a conclusion. Does Minato have what it takes to survive the bombastic barrage of breast-jiggling blows coming his way?
Ever wonder just how Goku and friends became the greatest heroes on Earth? Wonder no more, as the original Dragon Ball reveals the origins of Akira Toriyama’s beloved creations! The faces may look familiar, but everything else is different in this classic series!
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
LM.C are amongst a very elite type of Japanese musician. The clan they belong to is so exclusive that its numbers barely reach into the double digits. And its members are also a diverse bunch, including a guitar legend named Tomoyasu Hotei, a boiler-suited new-wave trio called POLYSICS, to a dark, heavy noise making machine dubbed Dir en grey. There’s even pop goddess Hikaru Utada in there too to balance things out.
The word hihokan is usually translated as ‘sex museum’, although most are best described as indoor sexual theme parks. Imagine that an anthropological collection has been bought by the London Dungeon and put on show there by the owner of a strip club with a degree in engineering and a penchant for voyeurism. The result would be the hihokan: a garish combination of serious museum and soft pornography in a bizarre and often haphazard blend.
Andrew Osmond says, if you like that, you might like this…
Summer Wars and Sword Art Online are made for a generation who’ve grown up with and within virtuality: social networks, video streaming, games without borders or ends. Both anime are adventures about things going wrong in cyberspace, but neither are technophobic; on the contrary, they’re all about hugging the avatar.
Arthur Rankin Jr, who died last Thursday, was not often thought of in connection with Japanese animation, though he played a major part in its history. In America, he’s best known as the co-founder of Rankin/Bass Productions. A stateside brand, the Rankin/Bass name is linked with handmade family cartoons as fondly as Oliver Postgate or Aardman are in Britain. But while the studio’s cartoons – especially the stop-motion Christmas classic Rudolph the Red-Nosed Reindeer (1964) – are evergreens, few people know their animation was Japanese.
Ocean Waves is the only feature anime by the world-famous Studio Ghibli which might be called obscure. It wasn’t made for cinemas but television, broadcast on Japan’s NTV network in 1993. And now it's playing as part of the BFI's Ghibli season...