Whether you call them voice actors and actresses, or go for seiyu – the Japanese term for the job – there’s one thing we can all agree on; the role tends to be a lot more demanding in Japan than it is in the west, especially so in the world of anime. Take hit music series K-On!for example. When it rocked out on television sets across Japan (and on UK DVD players last year), the show’s voice actresses inadvertently became huge pop stars in the process, literately overnight. Their position as the show’s cast demanded that they also sang the franchise’s theme songs (you can read about it here), and those songs became popular – really popular – and rocketed the seiyu to the top of Japan’s official Oricon charts with the songs that followed.
Manga Entertainment’s latest harem series Sekirei also puts the vocal chords of its seiyu to the test. Its first outing featured several of its talents singing its opening and closing themes. And while the songs didn’t land the voices powering them into the same dizzying levels of pop success as those behind Yui et al., they did manage to get into the top 20 of Japan’s official Oricon charts.
Sekirei: Pure Engagement, the second series of the anime, continues in the same way as its predecessor. Opening theme ‘Hakuyoku no Seiyaku – Pure Engagement’, and closer ‘Onnaji Kimochi’ has the popular voice actresses Saori Hayami (the voice of Musubi), Marina Inoue (Tsukiumi), Kana Hanazawa (Kusano) and Aya Endo (Matsu) back on form, providing the vocals. The combination of their existing fanbases combined with the success of the anime saw the CD single peak at 13 in the charts.
Pinning success on the vocal talents alone would be dismissing the hard work of the composers and arrangers behind the themes. In the case of Sekirei a production company called MONACA was drafted in to supply the music. The outfit was established in 2004 with the aim of filling the entertainment industry (particularly that of video game and anime themes) with deliciously good content. Its name is a pun on that idea; Monaca, if written in kanji, can be read as ‘in the middle of’ but can also refer to a yummy bean-filled Japanese treat popular with kids and adults alike.
Company president, Keiichi Okabe had originally worked heavily with Namco back in the days of the early Tekken and Ace Combat iterations. His connection with the video game giant would continue after forming MONACA, with his team providing music for the likes of Tekken 6, Beautiful Katamari and Ridge Racer 3D. Their involvement in Sekirei was also far from their only dabbling in anime, they were also responsible for the background music of The Disappearance of Haruhi Suzumiya, and themes in High School of the Dead and Lucky Star amongst nearly 100 other titles. So next time you find yourself humming along to a video game or anime song, spare a thought for the composers behind the melodies too, the chances are they’ve penned a number of your favourites without you even realising it.
BUSTING BACK INTO ACTION! A clandestine organization known as the MBI has issued an edict that threatens to end the lives of Minato and his luscious companions once and for all! The cutthroat organization's Sekirei Plan will force all busty brawlers and their masters to engage in a flesh-baring fight to the finish. Only one amazing pair will be left standing when this curvaceous cavalcade of carnage has come to a conclusion. Does Minato have what it takes to survive the bombastic barrage of breast-jiggling blows coming his way?
God-like schoolgirl Haruhi Suzumiya may well have a near-religious following, but she’s got just as many atheists denying her merits. Matt Kamen embraces his bipolar disorder to examine the vices and virtues of one of the anime world’s most divisive series!
Andrew Osmond tries to make sense of Sunrise's mad new anime
As regular subscribers to Manga Entertainment’s podcast and twitter feed will know, there was some confusion about whether Sunrise’s new comedy-fantasy-action-fanservice series was called (deep breath) Horizon on the Middle of Nowhere or Horizon in the Middle of Nowhere. We’re calling it the former in the UK, although releases elsewhere have plumped for the “in” option. Either way, it sounds less weird and Escheresque once you know that Horizon is the name of a pivotal female character in the series. But it reflects the inescapable fact that Horizon is, well, confusing.
It is a real testament to how far things have progressed in the U.K. that this trilogy has been released uncut; in the 1990s the BBFC would never have allowed it. In that sense, the ten years it has taken Ubukata to get his books on-screen may, despite the frustrations caused him personally, have ended up benefiting U.K. audiences.
Bruce Wayne has a kick-arse suit, perfectly apt for thwarting Gotham criminals; Peter Parker has arachnid-esque abilities that turn him into a neighbourhood icon following an incident with a radioactive spider; and when a certain Kyousuke Shikijou places ladies’ panties across his visage, it unleashes his inner potential as Japan’s most forbidden superhero – no one’s safe!
Fans of K-On! The Movie’s lovely and realistic vision of London may not be aware that in between that film and Steamboy’s loving depiction of a steampunk-era Manchester and London rests a show that is as accurate as either, and yet is also arguably the most English anime show ever made. Yet it still cannot be bought on DVD in the UK itself.
Elizabeth Coombes cosplays as Madame Sharley, the sharky mermaid to be found far off in the 500s of the One Piece anime. Also known variously as Shyarly and Shirley -- even the subtitles sometimes change their mind. Shirley some mistake?