Whether you call them voice actors and actresses, or go for seiyu – the Japanese term for the job – there’s one thing we can all agree on; the role tends to be a lot more demanding in Japan than it is in the west, especially so in the world of anime. Take hit music series K-On!for example. When it rocked out on television sets across Japan (and on UK DVD players last year), the show’s voice actresses inadvertently became huge pop stars in the process, literately overnight. Their position as the show’s cast demanded that they also sang the franchise’s theme songs (you can read about it here), and those songs became popular – really popular – and rocketed the seiyu to the top of Japan’s official Oricon charts with the songs that followed.
Manga Entertainment’s latest harem series Sekirei also puts the vocal chords of its seiyu to the test. Its first outing featured several of its talents singing its opening and closing themes. And while the songs didn’t land the voices powering them into the same dizzying levels of pop success as those behind Yui et al., they did manage to get into the top 20 of Japan’s official Oricon charts.
Sekirei: Pure Engagement, the second series of the anime, continues in the same way as its predecessor. Opening theme ‘Hakuyoku no Seiyaku – Pure Engagement’, and closer ‘Onnaji Kimochi’ has the popular voice actresses Saori Hayami (the voice of Musubi), Marina Inoue (Tsukiumi), Kana Hanazawa (Kusano) and Aya Endo (Matsu) back on form, providing the vocals. The combination of their existing fanbases combined with the success of the anime saw the CD single peak at 13 in the charts.
Pinning success on the vocal talents alone would be dismissing the hard work of the composers and arrangers behind the themes. In the case of Sekirei a production company called MONACA was drafted in to supply the music. The outfit was established in 2004 with the aim of filling the entertainment industry (particularly that of video game and anime themes) with deliciously good content. Its name is a pun on that idea; Monaca, if written in kanji, can be read as ‘in the middle of’ but can also refer to a yummy bean-filled Japanese treat popular with kids and adults alike.
Company president, Keiichi Okabe had originally worked heavily with Namco back in the days of the early Tekken and Ace Combat iterations. His connection with the video game giant would continue after forming MONACA, with his team providing music for the likes of Tekken 6, Beautiful Katamari and Ridge Racer 3D. Their involvement in Sekirei was also far from their only dabbling in anime, they were also responsible for the background music of The Disappearance of Haruhi Suzumiya, and themes in High School of the Dead and Lucky Star amongst nearly 100 other titles. So next time you find yourself humming along to a video game or anime song, spare a thought for the composers behind the melodies too, the chances are they’ve penned a number of your favourites without you even realising it.
BUSTING BACK INTO ACTION! A clandestine organization known as the MBI has issued an edict that threatens to end the lives of Minato and his luscious companions once and for all! The cutthroat organization's Sekirei Plan will force all busty brawlers and their masters to engage in a flesh-baring fight to the finish. Only one amazing pair will be left standing when this curvaceous cavalcade of carnage has come to a conclusion. Does Minato have what it takes to survive the bombastic barrage of breast-jiggling blows coming his way?
The literary history of the Arabian Nights that underlies Magi is fascinating. The one point that any Magi fan should know to sound erudite is that three of the show’s main characters, Aladdin, Alibaba and Sinbad, are named after famous Arabian Nights heroes. However, none of these heroes were actually in the original collection.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
Is the One Piece movie a subtle dig at Studio Ghibli...?
"In the period just after Hosoda left Howl, it must have been devastatingly disappointing, to a man in an industry where artistic achievement counts for more than pay cheques. And so the story has risen: that Omatsuri is Hosoda’s venting of his demons, that Luffy’s howls of despair are Hosoda’s own."
Shigeru Mizuki is largely responsible for the modern-day yokai phenomenon, thanks to his enduringly influential Spooky Kitaro manga series and other similarly ghoulish serials like Sanpei the Kappa and Akuma-kun.
Unlike a number of the bands featured on the Manga UK blog, W-inds haven’t had much of a history with anime tie-ins despite their massive success. In fact, in 14 years they’ve only ever done two anime themes; their first in Akira Amano’s Katekyo Hitman Reborn!, and more recently with Hiro Mashima’s Fairy Tail, where their 29th single Be as One became its sixth ending.